The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,897 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12897 movie reviews
  1. The Boys in the Band in many ways is dated and formulaic. But it's also very much alive, an invaluable record of the destructive force of societal rejection, even in a bastion of liberal acceptance like New York City. Despite its flaws, this consistently engaging film provides a vital window for young queer audiences into the difficult lives of their forebears.
  2. The jocular, amiable tone helps deliver the more serious social history lesson throughout, even if sometimes it feels like it’s shouting just a little too loudly to wake up the dimmer students at the back of the lecture hall.
  3. Sorkin has made a movie that's gripping, illuminating and trenchant, as erudite as his best work and always grounded first and foremost in story and character.
  4. Sacks’ personal life was as startling as his professional achievements.
  5. Despite its value in providing superb starring turns by Lena Olin and Bruce Dern, the film never manages to overcome its air of familiarity.
  6. While LX 2048 isn't equally satisfying on all fronts, it's more than successful enough to add to the where-are-we-going? syllabus.
  7. This funny-sad chamber piece is underwhelming in cinematic terms, but its perceptive script and the incisively etched characterizations of a sterling ensemble make it warmly satisfying.
  8. It makes for compelling viewing, thanks to its fascinating subject matter and the charismatic central figure on ample display. The film certainly succeeds in its goal of rescuing Sebring from the relative anonymity of merely being one of the "others" killed in the grisly murders.
  9. On the Rocks is very much a father-daughter two-hander — tender and personal, dryly funny and played to perfection by Jones and Murray. Its effortless touch shows the accomplished, genre-hopping Coppola continuing to expand her range.
  10. Mohawk director Tracey Deer, who lived through the violent 78-day conflict as a 12-year-old, has made a film that's eye-opening. Beyond her firsthand understanding of indigenous people's struggles, she's keenly attuned to girlhood growing pains — well captured in the expressive and engaging performance by Kiawentiio, leading a strong cast.
  11. Plenty to admire here, if only this tasteful tearjerker lived up to its title with a few more explosive fireworks instead of settling for timid twinkles, ending not with a bang but a whimper.
  12. It's a messy, childish scrawl of a film, but it is high on energy.
  13. This ride is much more fun when you know nothing about it going in.
  14. Fireball delivers the cosmic goods.
  15. At a time when America looks like it's tearing apart at the seams, there’s something altogether reassuring — even downright inspiring — about Frederick Wiseman’s new documentary.
  16. The camerawork and editing are extraordinary in their immediacy and their sensitivity to chaos, exhaustion and resilience — often all at once.
  17. The single location and emphasis on dialogue gives the film the feeling of filmed theater. Pacing can be slow and it is only at the end that an exciting use of music helps the film reach an artificial climax of sorts.
  18. The gorgeous and often forbidding scenery (there's a harrowing episode set in an underground lava tunnel) should provide a visual balm to those suffering the claustrophobic effects of quarantining. The terrific music score, featuring numerous contributions by The Avett Brothers, feels like a bonus.
  19. Elliptical and teasingly (but beautifully) photographed, it can give the impression of an experimental work but ultimately has a direct story to tell, one whose specificity doesn't in the least diminish its broader relevance.
  20. Its untethered, ethereal flow is utterly intoxicating, an immersive experience shaped by the clouds of cigarette and reefer smoke in the air, the smell of goat curry wafting from the kitchen, and above all, the sinuous rhythms of the slow-groove romantic reggae subgenre that gives the film its title.
  21. This is a deliciously entertaining and perceptive take on Cardin’s life and how he shaped both the silhouette of fashion and branding in the fashion world and beyond.
  22. Alone proves a highly effective genre exercise.
  23. Anchoring it all is Sennott, deploying a stealthy, low-key timing that's perfectly suited to a character still struggling to figure out, and get comfortable with, who she is. The actress makes you lean in, her face a frequently blank canvas animated by sporadic squiggles of wit, neediness, resentment and longing that recede almost as soon as they appear.
  24. The contrast between unflappable optimism and deep grief does not play out comfortably in this world of boosted colors, restless pacing and exaggerated tween naivite.
  25. It's a high point for everyone involved.
  26. What's most notable about Kyle Rankin's slick and compulsively watchable genre entry Run Hide Fight is the utter shallowness of its psychological perspective.
  27. Naomi Watts and Andrew Lincoln bring dignity and seriousness to what might've been a painfully sappy tale of rebirth.
  28. With a compassionate eye for the downtrodden that has characterized all Gianfranco Rosi’s work, Notturno brings three years of shooting in Middle East war zones to the screen in an impressionistic collage of ordinary people caught up in conflict.
  29. This captivating hybrid of a movie mixes fairy-tale and storytelling elements with a vividly drawn backdrop of heightened realism — no one would mistake this prison for a luxury resort — and relies on images and sounds as much as the human voice to tell its multiple stories.
  30. There will be viewers out there who will recoil from these two crazy kids' wild, exhibitionistic carnality, their druggy hedonism and their cavalier attitude toward interior decoration. But anyone else who's ever been in a relationship like this — especially the kind of that starts to feel like a codependent bipolar disorder trapped on a rollercoaster by the end — will painfully relate to Monday's sensual, funny and above all honest look at amour fou.

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