The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,900 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12900 movie reviews
  1. Some of the metaphors are a bit too literal but the director largely succeeds with his story and the surprises are convincing. Best of all the film has a terrific sense of humor and the young actresses exploit it delightfully.
  2. An engaging portrait of a functionally dysfunctional family.
  3. King of the Corner has been adapted from Gerald Shapiro's "Bad Jews and Other Stories" and suffers from an odd, disjointed quality.
  4. For Christopher Nolan to turn Batman Begins into such a smart, gritty, brooding, visceral experience is astonishing. Truly, Batman does begin again.
  5. Expertly tossing off the type of well-sharpened banter that was the domain of Gable and Lombard and Tracy and Hepburn, Brad Pitt and Angelina Jolie -- no matter what their off-camera status -- make one swell combative couple.
  6. A lackluster affair, devoid of laughs and just about anything else one might construe as entertainment.
  7. That outrageous third-act reveal proves to be a major deal-breaker.
  8. An often imaginative though less than magical family feature.
  9. Though it's difficult to work out what's going on, it's never boring.
  10. Lacks the finesse to attract significant attention beyond its target audience.
  11. Ultimately comes across as a soporific costume drama featuring a gallery of miscast stars.
    • 80 Metascore
    • 80 Critic Score
    This poetic portrait of simple Japanese life immerses you in the elegance of the ordinary.
  12. A grand story of redemption, laced with barbecued wit and slopped with intrigue, Chrystal is a high heaping of brilliant storytelling.
  13. Ron Howard and Russell Crowe bring the Braddock story to vivid life in a superbly acted, beautifully shot, highly engaging drama that ranks as one of Howard's best efforts.
  14. Takes a surprisingly gritty approach that gives the material some gravitas but also robs it of some of its fun.
  15. Rock School rips out in the gritty-underdogs-conquer-the-world story progression. In this real-life scenario, Green whips them into shape for a triumphant performance at a Zappa Festival in East Germany.
  16. The story itself is silly and exaggerated.
  17. Ultimately neither funny nor touching enough to make much of an impact, but it does offer many small, insightful moments along the way.
  18. This adaptation of South African writer Olive Schreiner's cult novel is too cute by far, sapping emotional resonance from a story that was in its original incarnation apparently far darker.
  19. Despite a few design flaws, "Pants" should wear well with its young female demo.
  20. This agreeable remake still manages to go the distance.
  21. It's frustrating to see this wonderful-looking, laugh-out-loud funny survival tale fall short of its potential.
  22. Should attract some interest in urban theatrical situations before settling into cult video status.
  23. The film is thought-provoking but not terribly involving.
  24. Browne keeps it amusingly involving.
  25. A juicy Chinese-American romance about preserving "face" at the sacrifice of your whole being. This Sony Pictures Classics release is a comic gem.
  26. Sequins will tax the patience of most viewers not enthralled with endless close-ups of beads and brocades.
  27. Awfully dull, with scant evidence of the sort of things that make horror movies attractive -- like mounting suspense and spine-tingling creepiness and, oh yeah, the element of horror.
  28. A thought-provoking and involving film.
  29. Pantoliano brings his usual degree of wily, understated humor to his role and is ably supported by the terrific ensemble, but he's unable to elevate a film that is ultimately as directionless as its protagonist.

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