The Hollywood Reporter's Scores
- Movies
- TV
For 12,931 reviews, this publication has graded:
-
51% higher than the average critic
-
4% same as the average critic
-
45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
|---|---|---|
| Lowest review score: | Dirty Love |
Score distribution:
-
Positive: 6,624 out of 12931
-
Mixed: 5,139 out of 12931
-
Negative: 1,168 out of 12931
12931
movie
reviews
- By Date
- By Critic Score
-
- Critic Score
The frequently outrageous Il Divo follows the career of one of the best-known and most tenacious figures in Italian political history in a lively, sensory-overload, cartoonlike fashion reminiscent of "Amelie" and "Moulin Rouge." The fact that it's often over-the-top goes with saying, and is part of the fun.- The Hollywood Reporter
- Read full review
-
-
Reviewed by
Kirk Honeycutt
Robert Downey Jr. and Jamie Foxx are on fire in the lead roles: They're both charismatic as hell without sacrificing any of the emotional honesty necessary for you to believe that these movie stars are a scruffy reporter and a mentally ill musician.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
- Critic Score
The saving grace of Throw Down Your Heart is Fleck himself, who transcends the contrived unconventionality of the project to emanate a genuine warmth and camaraderie. This extraordinary performer remains shy, soft-spoken, simpatico and as unpretentious as he is talented.- The Hollywood Reporter
- Read full review
-
-
Reviewed by
Ray Bennett
It's a sympathetic portrait of a complex man driven by an anger that still bubbles beneath the surface.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Farber
Although Earth falls short of its potential, it still contains enough glorious photography to please its target audience.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Kerr
Without wallowing in sentimentality or judging any of her characters, Kim has drawn a mature portrait of an elementary school girl old before her time and a loss of childhood that rings true on every level.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
There is nothing we haven't seen here before in terms of chases, intrigue and betrayals, so for all its A-list cast and production values, the film comes off as routine.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
Works better than you might imagine at times but stumbles awkwardly other times. The unevenness in the writing is matched by directorial overkill in certain comic sequences.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
- Critic Score
Wears its righteous indignation and good intentions on its sleeve but its simplistic, heavy handed treatment of a complex issue gives it the weight of a contrived movie of the week melodrama.- The Hollywood Reporter
- Read full review
-
-
Reviewed by
Frank Scheck
Follows the same formula as the first, with one difference: They've managed to ramp up the action and vulgarity beyond the insane heights of the original.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
The result is an insightful, exuberant, probing, long-winded and even exhausting look at what it takes for a performer to have a life in the theater.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
While Caine and young Milner make for amusing adversaries, it's nice to see Crowley paying respect to his elders by populating the retirement home with a number of familiar faces, including those belonging to Rosemary Harris, Sylvia Syms and longtime "Coronation Street" resident Thelma Barlow.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Ray Bennett
The cast is uniformly fine, but Abbass and Lipaz-Michael shine as two women who bond in the fear that the best of their lives is over and neither of them is happy with what the future holds.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
The freshness and ingenuity of this techno-thriller should spark a cult following among sci-fi fans at the very least, but the film could make inroads among cineastes, adult adventure-seekers and the Latino community as well.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Frank Scheck
Completely lacking in visual, narrative or stylistic coherence, the film also suffers from cheap-looking visual effects and poorly staged and edited action sequences that will not exactly please the fanboys.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
There are sufficient pratfalls and Miley/Hannah quick-changes to satisfy the fans, while Cyrus retains that natural, unforced likability that made her a star in the first place.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Duane Byrge
In the film's most flamboyant role, Peter Sarsgaard's devil-ish charisma and cold bluster is frightening.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
John DeFore
Barring a Terry Zwigoff return to "Bad Santa" territory, it's hard to imagine a filmmaker embracing this dubious hero to the extent writer-director Jody Hill does.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
A period suburban rites-of-passage story with a pitch-perfect cast.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Duane Byrge
With a keen affection for his own formative years, filmmaker Greg Mottola has crafted a funny and spunky amusement- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Frank Scheck
Although it's refreshing that Alien Trespass doesn't indulge in the sort of mindless, gross-out humor that afflicts so many current cinematic spoofs, it errs too much on the other side, offering mere pastiche instead of witty satire.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Farber
Hecker makes good use of the south Florida locations, and the song selection -- including many Big Band favorites -- is winning.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Farber
All of this mayhem keeps us watching, but it would be hard to describe the experience as pleasurable.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
Fast & Furious is the first film since the original to be smart about how far to stretch logic without sacrificing the desired macho swagger and revved-up emotions.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
-
Reviewed by
Kirk Honeycutt
We can be grateful to a stellar cast and some discipline on the part of Matt Aselton, a commercials director making his feature debut, that Gigantic doesn't go completely overboard. Nevertheless, the film will appeal mostly to festivals and adventurous audiences.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
- Critic Score
The movie is almost rescued by the wonderful 1930's style songs (written by Reinhardt Wanger and Frank Thomas) that populate its final act.- The Hollywood Reporter
- Read full review
-
-
Reviewed by
Deborah Young
Low-key, realistic performances from a mostly nonpro cast keep the story running smoothly. His face visibly stressed-out and hardened from loneliness as he detaches himself from family and friends, Naji gives the film a strong center.- The Hollywood Reporter
- Read full review
-
Reviewed by
-
- The Hollywood Reporter
- Read full review
-
- The Hollywood Reporter
- Read full review
-
- Critic Score
It is both funny and sad, placid and provocative and, above all, hopeful and despairing.- The Hollywood Reporter
- Read full review