The Hollywood Reporter's Scores
- Movies
- TV
For 12,922 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
|---|---|---|
| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,619 out of 12922
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Mixed: 5,136 out of 12922
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Negative: 1,167 out of 12922
12922
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kirk Honeycutt
One can't escape the nagging feeling that the film doesn't dig deeply enough into its real-life hero. The film doesn't explore all those "whys" and "whats."- The Hollywood Reporter
- Posted Sep 17, 2011
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Sheri Linden
Cameron Crowe's feature documentary is among his most effective and deeply felt work.- The Hollywood Reporter
- Posted Sep 17, 2011
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Justin Lowe
An appealing coming-of-middle-age comedy, My Afternoons With Margueritte exhibits a pleasantly light touch even when dealing with some fairly weighty issues.- The Hollywood Reporter
- Posted Sep 15, 2011
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Todd McCarthy
So it's a fun, if not exhilarating, ride, one sped along with the help of a wonderfully assembled cast.- The Hollywood Reporter
- Posted Sep 15, 2011
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John DeFore
A home-invasion flick that grabs viewers by the throat and only stops squeezing long enough to wipe sweat from its palms.- The Hollywood Reporter
- Posted Sep 14, 2011
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Kirk Honeycutt
Reiser has written his characters with an indelible sweetness and vulnerability, which allows the cast to deliver performances with some depth.- The Hollywood Reporter
- Posted Sep 14, 2011
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Kirk Honeycutt
An eloquently shot and closely observed documentary about a poor family in modern-day Indonesia.- The Hollywood Reporter
- Posted Sep 13, 2011
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Todd McCarthy
Whereas Peckinpah managed not only to raise hackles but to get under the skin, Lurie manages only the former, which reduces the material to the level of sensation-mongering.- The Hollywood Reporter
- Posted Sep 13, 2011
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Deborah Young
Disquieting and unforgettable, like a good ghost story, this is a special film for special tastes whose admirers inhabit festivals and smaller niche markets.- The Hollywood Reporter
- Posted Sep 13, 2011
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James Greenberg
Cleverly put together by writer-director Matthew Bate, the film takes a bizarre, cult folktale and turns it into a picture that is more provocative than entertaining.- The Hollywood Reporter
- Posted Sep 13, 2011
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Justin Lowe
If it weren't so good-natured overall, Anne Sewitsky's feature debut Happy, Happy might seem entirely implausible, even for a comedy.- The Hollywood Reporter
- Posted Sep 13, 2011
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Kirk Honeycutt
The film, well made in every way, smartly focuses on an unlikely friendship between Gretel and the athlete who ultimately replaced her -- a high jumper who was later revealed to be a man!- The Hollywood Reporter
- Posted Sep 13, 2011
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Todd McCarthy
The most banal and indulgent of Gus Van Sant's periodic studies of troubled kids, this agonizingly treacly tale comes off like an indie version of "Love Story" except with worse music.- The Hollywood Reporter
- Posted Sep 12, 2011
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Deborah Young
Overall, film hits the right tone, and its brief but fascinating glimpses into Goodall's private life distinguishes it from the many TV docs on the lady.- The Hollywood Reporter
- Posted Sep 12, 2011
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Stephen Farber
The film tracks the history of the country, but viewers may feel the documentarian inserts herself too much into the story.- The Hollywood Reporter
- Posted Sep 12, 2011
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Neil Young
If ever a film cried out for the 3D treatment, it's The Mill & the Cross, an ambitious but frustratingly flat attempt to explore, analyze and dramatize a masterpiece of 16th-century art.- The Hollywood Reporter
- Posted Sep 12, 2011
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Michael Rechtshaffen
Amusing, but formulaic, romantic comedy.- The Hollywood Reporter
- Posted Sep 12, 2011
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Todd McCarthy
This muscular thriller--led by Jason Statham, Clive Owen and Robert De Niro--strives to be a genuinely good film, but unwilling to let go of proven formulas, it falls short.- The Hollywood Reporter
- Posted Sep 11, 2011
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Deborah Young
Classy and professional throughout, the technical work gracefully holds all the threads together.- The Hollywood Reporter
- Posted Sep 10, 2011
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Kirk Honeycutt
The movie does achieve something nearly impossible: Someone who doesn't even like the sport may care about Billy Beane and the 2002 Oakland Athletics.- The Hollywood Reporter
- Posted Sep 9, 2011
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Frank Scheck
Unfortunately, the R rating will prohibit the target audience -- namely teenage boys who find penis jokes endlessly hilarious - from seeing this relentlessly unfunny and vulgar effort until it shows up on video and cable.- The Hollywood Reporter
- Posted Sep 9, 2011
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- Critic Score
Directed with feeling for its richly layered protagonists, the film is elevated by its emotional complexity but simultaneously dragged down by the relative shortage of propulsive, hardcore action.- The Hollywood Reporter
- Posted Sep 6, 2011
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Neil Young
This is awareness-raising documentary cinema at its most urgent and necessary.- The Hollywood Reporter
- Posted Sep 6, 2011
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James Greenberg
Liz Garbus' documentary tells the compelling and powerful story of the late chess prodigy.- The Hollywood Reporter
- Posted Sep 6, 2011
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- Critic Score
Informative and, especially in its last hour, surprisingly dramatic.- The Hollywood Reporter
- Posted Sep 6, 2011
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Reviewed by
Stephen Farber
Director David Weissman brings a rewardingly fresh and personal perspective to the subject.- The Hollywood Reporter
- Posted Sep 5, 2011
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- Critic Score
Sumptuously clothed in vintage fashion, pop idols Wu and Hsu may bring in a younger crowd otherwise indifferent to the dated subject, but their performances are unimpressive.- The Hollywood Reporter
- Posted Sep 5, 2011
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Reviewed by
James Greenberg
This is a film that should be seen by anyone who wants to learn where we've come from as a nation.- The Hollywood Reporter
- Posted Sep 5, 2011
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Reviewed by
Todd McCarthy
The pressure cooker plot calls for intense performances all around but first among equals are Winslet and Ehle.- The Hollywood Reporter
- Posted Sep 5, 2011
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John DeFore
The PG-13 film is heavy on scenes of cloudy blood in the water but almost entirely lacking shock shots of flesh torn asunder. (And while marketing relies heavily on bikinis, the movie's light on that kind of flesh as well.)- The Hollywood Reporter
- Posted Sep 2, 2011
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