The Guardian's Scores

For 6,556 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6556 movie reviews
  1. Leisurely pacing rather draws it all out a bit, but there’s real inventiveness to the way Park wrong-foots the viewer and handles the operatic displays of gunfire and death – and the leads are rather charming.
  2. It delivers some much-needed laughs.
  3. Ahmed’s performance clarifies the drama and delivers the meaning of Ruben’s final epiphany. He gives the film energy and point.
  4. It’s a solid evening’s entertainment, assembled with an assurance rare at this budgetary level.
  5. It’s all just too sanitised and safe, a journey that stumbles as it takes us from the unknown to the familiar, a film that plods when it should stride. How did a bracing idea about rebellion, sexual awakening and lawlessness turn out so boring?
  6. It’s a deeply intelligent and sympathetic rendering of real-life situations, using nonprofessionals playing approximations of themselves.
  7. Antebellum offers neither a coherent social commentary nor – thanks to its pat, ahistorical ending – a revenge thriller’s catharsis. What else, besides entertainment, could its purpose be?
  8. This is a wonderfully absorbing and moving family drama with a buttery, sunlit streak of sentimentality.
  9. If the devil did exist then surely he’d have the power to destroy films as dull as this.
  10. The much-hyped battles deliver the giddy thrills we demand but in the moments when the pair aren’t at war there’s also a staggeringly well-built and extensive universe to explore and one that’s barely been teased in the trailers we’ve seen.
  11. Very young kids might find some enjoyment in the brightly hued, fast-paced mania of it all, but those with any real affection for the pair of violently opposed animals will leave unimpressed.
  12. This is another well-intentioned but syrupy and pointless hagiography.
  13. The low stakes of the camp drama and the soundtrack’s indistinguishably familiar pop (adaptations of contemporary Christian hits, plus four original songs) aim for easy, catchy, comfortable fun – a breezy intention which casts some of the script’s insensitive moments in even harsher light.
  14. There’s a kind of blunt brute force to [Bloom's] performance – and he looks almost unrecognisable, as if he’s using certain muscles in his face for the first time.
  15. A lively idea for a drama, but the sheer oddity of the real-life premise slows it down.
  16. Building to a remorseless climax, Sims-Fewer and co-writer/director Dusty Mancinelli brilliantly, and times almost unwatchably, overhaul the rape-revenge movie as something far more realistic, traumatised and noxious.
  17. With a running time of 107 minutes, the film goes on just a little longer than it really needs to before it gets predictably violent, grotesque and reasonably scary at last. But Milburn and Kennedy certainly know how to build a unique atmosphere.
  18. At last, just what world cinema really needs right now: an exquisitely made film about street dogs in Istanbul, satiating that universal desire to see distant lands, coo over beautiful, noble animals, and satisfy the audience’s need to feel guilty about the misfortune of poorer, unluckier people.
  19. [A] riveting and valuable documentary.
  20. All the traditional ingredients are there, and I do have to say that the film does a good initial job of being claustrophobic and spectacular at the same time.
  21. It is at once a relief and an obscure disappointment that the mystery is not left enigmatically unsolved.
  22. An entertaining skewering of the hidden global politics in retail trendiness.
  23. It is a really powerful film and Brady’s final dialogue scene exerts a lethal grip.
  24. An unthrilling, bland drama.
  25. Snyder’s film may be exhausting but it is engaging. Justice is served.
  26. First time director Martin Krejci draws lovely performances from his cast, and the whole thing looks dreamy and splendid thanks to Andrew Droz Palermo’s cinematography – but the last act could have done with some serious workshopping to smooth out the motivational kinks and deflationary resolution.
  27. Strictly in terms of generating jumpscares and gross-out moments this is efficient enough as a cinematic machine, but the script credited to four different people including Lauder hasn’t got a lot of finesse or subtlety.
  28. The disparate ingredients do not always gel. But in fits and starts Bombay Rose casts quite a spell.

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