For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Benjamin Lee
The pace, which had been so tightly controlled in the first two films, is a curious mess, starting off painfully slowly, then rushing when it really matters.- The Guardian
- Posted Nov 4, 2015
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Reviewed by
Jordan Hoffman
Out 1: Noli Me Tangere is confounding at every level.- The Guardian
- Posted Nov 3, 2015
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Reviewed by
Peter Bradshaw
McCullin emerges as an unsentimental, plain-speaking, thoughtful man, disgusted at the inhumanity of war – and yet candid about how he is also personally and professionally drawn to its drama.- The Guardian
- Posted Oct 29, 2015
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Reviewed by
Peter Bradshaw
It’s a crunching disappointment: a dull, crass, formulaic and frankly misjudged chiller.- The Guardian
- Posted Oct 27, 2015
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Reviewed by
Leslie Felperin
Director Jill Soloway's comedy-drama isn't perfect – the leitmotif about open eyes feels over-workshopped, and the ending's a bit pat – but it nails with self-lacerating precision the manners and mores of a certain type of hipster parent, the bourgeoisie's muddled attitudes towards sex workers, and the precarious foundations of friendship.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
The endgame is disappointingly predictable, but writer-director-cinematographer Jeremy Saulnier has a lovely touch with faces, light and telling details.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
The script is smarter than the premise sounds, with writers David Chirchirillo and Trent Haaga dispensing enough information to make victims both sympathetic and despicable, the instigators charismatic and sinister.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
Admittedly, there are a lot of documentaries like this, made by citizen journalists recording uprisings in their homelands, but this is one of the best of the recent crop, and a timely reminder of a conflict that's slipped out of the headlines of late.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
The result is an amusing, and occasionally touching meditation on fame, sibling rivalry and ambition, with a sweet payoff.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
Ultimately, it's mostly a mood piece where not much really happens apart from the inciting incident, but as a study of childhood and adolescence (it makes a great companion piece to Richard Linklater's Boyhood) it's ripe with telling details and atmosphere.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
Essential viewing for anyone interested in what freedom of information means in the digital age, this passionate, fascinating, unapologetically partial but fair documentary celebrates Aaron Swartz.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
Putting aside the worthiness of its politics, this is also a crackling, tense thriller, graced with beautifully measured performances, that explores with wisdom and sorrow the best and worst in human nature.- The Guardian
- Posted Oct 26, 2015
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Reviewed by
Leslie Felperin
Fans of the band will undoubtedly love the package, which puts the group front and centre. Those who are more agnostic about the music but nostalgic for the period will enjoy the peripheral material.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
You can’t help feeling you’ve seen variations on this coming-out story too many times (which applies to the gay theme as much as the disability one), and everyone is just a little too nice to be true, even the bullies.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
McGregor, who is having a bit of comeback moment right now, is kind of great as the ruthless antihero, and the action set pieces have plenty of fizz.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
Byrkit’s parable about choices and how they make us who we are has an eerie potency.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
The fight scenes are terrific, but the haphazard plotting, off-the-peg characterisations and drippy music elsewhere lack flavour.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
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Reviewed by
Leslie Felperin
A banal and credulity-stretching finale that feels like a bad Twilight Zone episode, but the first hour or so is terrific.- The Guardian
- Posted Oct 25, 2015
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Leslie Felperin
It’s tremendously reassuring to find out that Spinney is just the sort of kind-hearted sweetheart you’d expect, a man who’s spent a lifetime making children happy. And it’s a kick to see archive footage and interviews with some of the old, non-puppeteer cast members.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
It’s an immensely likable movie, impeccably acted and wise about the nature of exile.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
Folky music and Studio Ghibli-level flights of eerie fancy are obvious pleasures, but even more subtle and entrancing is the way Moore and his team use echoed shapes to suggest hidden patterns in nature and parallels between the real and the mythical.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
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Reviewed by
Leslie Felperin
The use of video diaries and the expository speeches are painfully on the nose at times, and dramatically spins a bit out of control by the end, while some of the acting is patchy. Still, one can’t but fail to be impressed with the film’s commitment to investigate its issues with subtlety and frankness.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
Fashioned out of well-worn, if not hackneyed, horror tropes, Demonic is no meta-level deconstruction of the genre, but it’s a more than competent, fugue-like manipulation that freshens familiar components with a tricky structure.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
There’s no doubting Heineman and his crew’s audacity as they venture close to the line of fire, but the commitment to observing dispassionately at all times starts to feel a bit like a cop-out.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
There’s no missing the polemical points being made or doubting the film is meant to inspire further action, but even hardened whale-eating oil oligarchs are likely to be charmed by the idealism and smarts of these audacious activists.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Leslie Felperin
Dense thickets of information, told via rostrum-shot photos and documents plus angry mob’s worth of witnesses, become a grind after a while, as does the trite guitar-led mystery music.- The Guardian
- Posted Oct 25, 2015
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Reviewed by
Jordan Hoffman
Animator Raul Garcia’s 70-minute anthology of five Poe stories, Extraordinary Tales, has its moments, and will be a welcome respite for any middle schooler sitting through a boring lecture. But if we were ever asked if we wanted a second viewing, we’d have to quoth the raven: nevermore.- The Guardian
- Posted Oct 22, 2015
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Reviewed by
Mike McCahill
It’s a test of one’s tolerance for watching predominantly empty frames – the anonymous performers scarcely count – in the hope something will jolt us from mounting tedium.- The Guardian
- Posted Oct 22, 2015
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Reviewed by
Leslie Felperin
Amusingly tacky and offensive though it is, proceedings grow a bit monotonous, because all the tunes have pretty much the same beat and everything is pitched at the same hysterical, OTT level.- The Guardian
- Posted Oct 22, 2015
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Reviewed by
Paul MacInnes
So bogged down by form, Franco fails to get his head up enough to think about content.- The Guardian
- Posted Oct 22, 2015
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Reviewed by