The Guardian's Scores

For 6,656 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6656 movie reviews
  1. The film plays like nirvana for Pee-wee fans.
  2. In addition to being a funny, invigorating and inspirational ode to being the cleverest kid in the room, it’s a remarkable testament to the suspension of disbelief.
  3. The first act of the film wins some laughs on surrealist shock humour, but at the expense of ever accepting this character and her world as real.
  4. It is a bravura debut from a young film-maker, proving that one can still make a movie for no money at a family member’s house and come away with a work of art, not just a calling card.
  5. While engaging, this Desierto is a little dry.
  6. This is a thoroughly engrossing and densely textured drama, showing Farhadi's cool skill in dissecting the Iranian middle classes and the unhappiness of marriage.
  7. Big but boring, expansive but cheap-looking, Allegiant spins in place, waiting for next year’s Ascendent to come along and offer resolution. In all candour: you can do without it.
  8. If there was a strong enough story to latch the jokes on to, Keanu might have worked. As it stands, it reeks of a grossly underdeveloped sketch extended to feature length.
  9. If the lads were insufferable misogynistic pricks, Everybody Wants Some!! would make for horrible viewing. Thankfully they’re all intensely lovable.
  10. Now I understand why Jesus’s childhood remains such a mystery: the story is unbelievably boring.
  11. What makes this such a striking film is how the larger scope works perfectly in tandem with the very specific time and setting.
  12. When something is this engaging (and funny, did I mention funny?) it ceases to merely be about ideas and becomes, even in this borderline sci-fi context, a thoughtful movie about people.
  13. All three actors are tremendous, and director Dan Trachtenberg, making his feature debut, must be commended for keeping things tightly focused.
  14. Here is a scary movie that is so hammy and so clunkingly written it will reduce your brain to the consistency of muesli mixed with diesel.
  15. The ultimate reason why so much of this works is down to Sarandon herself. She sells the comic side as well as hitting all of the emotional beats.
  16. Even though The Wave is fiction, there comes a point where it ceases to be nail-biting fun and just an exercise in voyeuristic cruelty.
  17. There are no prizes for guessing what happens, but it’s a smart scary movie that relies on atmosphere and characterisation – not just jump-scares – for its effect.
  18. It’s somewhat heavy material for a film aimed at children, but perhaps very necessary in an age where a beer-stained uncle might have ruined Thanksgiving wearing a Make America Great Again baseball cap.
  19. Although many of the stories told here are deeply harrowing and the film sometimes seems to be trying to bite off too much, at least there’s a happy ending of sorts.
  20. Ficara and Requa have an irreverent streak, one that even might strike some as a little flippant against the gravity of the war.
  21. The restrained performances and luscious location photography are enough to make this a film worth exploring, though it might not be a bad idea to down a few caffeine-rich drinks before settling in to watch.
  22. There is some surreal fun at the beginning as everything collapses.... But then it’s the same thing over again.
  23. Crouching Tiger, Hidden Dragon: Sword of Destiny isn’t so much a continuation as a Xerox copy with cheap toner.
  24. The film has an impeccable technical finish, but it is insipid, contrived, solemn, and ever so slightly preposterous.
  25. It is Davies’ ability to invest even the most apparently-humdrum moments with some form of intense radiance that sustains his film.
  26. Emma Thompson gives us a scene-stealing performance which is enjoyably macabre.
  27. Richness, warmth and tenderness pulse from this lovely documentary.
  28. Grimsby has the occasional laugh and a succession of finely wrought grossout spectaculars which are reasonably entertaining.... But with its cod-Bond and mock-action material it carries a weird overall feel, like kids’ TV but produced on a lavish scale with added filth.
  29. It’s a bit derivative, with borrowings from a handful of other films, but there are some nasty moments.
  30. The story is clotted and overloaded, lacking the necessary clean tautness and suspense. And Kate Winslet's turn as a hatchet-faced Russian mob matriarch is a bit on the ridiculous side.

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