The Guardian's Scores

For 6,554 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6554 movie reviews
  1. It’s flawed by a slightly unconvincing and anticlimactic gun-related ending, but well acted, forthright and confident in the universe it creates.
  2. There are moments when the film aches for focus. This again is down to Galloway. He is, like Blair, charismatic, opportunistic and never entirely consistent. The documentary lives and dies on those strengths and weaknesses.
  3. This could provide some small-screen entertainment for bored kids on a rainy day. But really: enough.
  4. [A] richly enjoyable documentary tribute.
  5. This new movie could arguably have given Elba more to do, earlier in the picture, but it is the inter-relationship of the Enterprise’s crew which is the real source of drama. An entertaining adventure.
  6. A mawkish family comedy, intent to please, The Hollars plays like an extended sitcom.
  7. Though hats are respectfully doffed, this is a four-woman show, deftly managed to allow all the leads – McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones – a chance to showcase their own distinct brands of comedy.
  8. What Dream is Destiny makes clear is that commercial success really isn’t everything, and that being a director who isn’t bothered by it can lead to a singular if perhaps undervalued career.
    • 72 Metascore
    • 80 Critic Score
    Not only is it wonderful – it is heartfelt, comedic, gorgeous and just the right amount of sad.
  9. This is a derivative movie, whose comic entanglements are perhaps there to provide an alibi for the obvious plot implausibilities - but it’s well made, great looking, and nicely acted.
  10. It’s not ground-breaking, but there are laughs, and it is a good audience movie.
  11. Plaza has found her Ron Burgundy: the vessel of a true imbecile in which to pour her strange genius.
  12. [A] terrifically stylish work.
  13. It’s a winning and likable film.
  14. It’s a one-note drama of simmering resentment. That note is sustained with impressive conviction.
  15. Reasonably good fun.
  16. The Legend of Tarzan ends up being a garbled, clunky production that tries to please everyone and ends up pleasing no one.
  17. If it’s far from bleeding edge – within days, it’ll look as dated as Tron and The Lawnmower Man do today – it’s a modest upgrade on all those killer-website movies that popped up a decade ago, keeping us at least semi-interested as to who stands and falls.
  18. Inevitably, perhaps, it pulls its punches, and soft-pedals on any authentic misery that its scenarios might evoke. But its essential amiability and decency comes through.
  19. What could have been mere summertime chum is actually one of the more cleverly constructed B-movies in quite some time.
  20. Joyless and tedious, a reboot quite without the first film’s audacity and fun... It’s a movie that is going through the intergalactic motions.
  21. This lifeless, by-the-numbers production is an excruciating exercise in cliche and tedium. Its sole joy is in trying to figure out which of its leads is overacting most.
  22. If this film were a person, you’d want to give it a big hug, as you would a gawky teenager, and reassure it that it will be tough out there, that not everyone is going to get its idiosyncratic charms, but that’s OK because it’s awesome just the way it is.
  23. Director Susanna White favours a generic spy-movie look: those chilly blue filters surely need resting now. Yet she works smartly with her actors: while Skarsgård wolfs down great handfuls of scenery, McGregor effectuates a thoughtful transformation from ineffectual tourist to man in the field.
  24. Eat That Question does a good job of giving us just a taste of nearly every era in Zappa’s multifaceted career.
  25. It’s a beguiling mix of animated storytelling and narration that doesn’t flinch from exploring the emotional highs and lows that accompany a life with autism.
  26. The result, while instantly forgettable, is a fundamentally pleasurable experience.
  27. As the violence escalates, an absurdist dose of humor is added to the mix, injecting the film with a distinctly modern sensibility that is welcome and does not let up.
  28. An awful number of cliches are being ticked off here (the Fincher-esque lighting, the dogged and socially inept cop), but it’s a diverting potboiler for crime drama completists.
  29. The will-they-won’t-they dynamic of the film grips you and it’s almost impossible not to root for Strompolos and Zala, especially when things on set get hairy.

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