For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Bradshaw
The beamingly ingenuous Cruise, whose character is not burdened with any doubts or an inner life, somehow sells it to you.- The Guardian
- Posted Aug 24, 2017
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Reviewed by
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Reviewed by
Luke Buckmaster
The elegance of Power’s approach belies the extremities of his blood-splotched, hard-nosed story. Which, as the film escalates conflicts and scampers towards closure, is more than grim – borderline misanthropic, perhaps.- The Guardian
- Posted Aug 24, 2017
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Reviewed by
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- The Guardian
- Posted Aug 24, 2017
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Reviewed by
Jordan Hoffman
It’s all wonderfully preposterous, but also endearing and gratifying.- The Guardian
- Posted Jul 24, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
The movie stunningly replicates that sense of inside and outside that must be felt by witnesses to any historic moment: the private debate, the enclosed conflict, and the theatre of confrontation unfolding beyond. What a dynamic piece of cinema.- The Guardian
- Posted Aug 21, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
It’s decently and honestly acted by Jack Lowden, who keeps the film alive, but it somehow winds up being a story about always following your dream and never giving up.- The Guardian
- Posted Aug 21, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
It’s a haunting little film that ends with a somewhat overwhelming poignancy.- The Guardian
- Posted Aug 17, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
Cruz carries the film. She has a ridiculous kind of heroism, and her disguises are hilarious, particularly as a knight, when she insists on wearing a false beard under her helmet.- The Guardian
- Posted Aug 14, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
Patti Cake$ is by no means a hopelessly bad movie, it’s just hampered by its desperate need to be a crowd-pleaser.- The Guardian
- Posted Aug 14, 2017
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Reviewed by
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Reviewed by
Mike McCahill
The summer of inessential animation continues with this very middling sequel to 2014’s semi-forgotten squirrel-based timekiller.- The Guardian
- Posted Aug 10, 2017
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Reviewed by
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- The Guardian
- Posted Aug 9, 2017
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Reviewed by
Peter Bradshaw
After Love is intelligent, compassionate, challenging film-making.- The Guardian
- Posted Aug 8, 2017
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Reviewed by
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Reviewed by
Charles Bramesco
It’s rare that a film so convoluted also manages to be so determinedly boring.- The Guardian
- Posted Aug 3, 2017
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Reviewed by
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Reviewed by
Charles Bramesco
The Emoji Movie is a force of insidious evil, a film that feels as if it was dashed off by an uninspired advertising executive.- The Guardian
- Posted Jul 28, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
It’s a film to remind you of the almost miraculously collaborative nature of cinema, but also the radiant personalities of individuals.- The Guardian
- Posted Jul 27, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
This is a sombre, grieving movie which appears to gesture to the ghost-town ruin that is still in Detroit’s future.- The Guardian
- Posted Jul 26, 2017
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Reviewed by
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- The Guardian
- Posted Jul 24, 2017
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