The Guardian's Scores

For 6,554 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6554 movie reviews
  1. The beamingly ingenuous Cruise, whose character is not burdened with any doubts or an inner life, somehow sells it to you.
  2. The elegance of Power’s approach belies the extremities of his blood-splotched, hard-nosed story. Which, as the film escalates conflicts and scampers towards closure, is more than grim – borderline misanthropic, perhaps.
  3. Sadly the acting and dialogue needed a little work.
  4. It’s all wonderfully preposterous, but also endearing and gratifying.
  5. The movie stunningly replicates that sense of inside and outside that must be felt by witnesses to any historic moment: the private debate, the enclosed conflict, and the theatre of confrontation unfolding beyond. What a dynamic piece of cinema.
  6. It’s decently and honestly acted by Jack Lowden, who keeps the film alive, but it somehow winds up being a story about always following your dream and never giving up.
  7. It’s a haunting little film that ends with a somewhat overwhelming poignancy.
  8. Cruz carries the film. She has a ridiculous kind of heroism, and her disguises are hilarious, particularly as a knight, when she insists on wearing a false beard under her helmet.
  9. Patti Cake$ is by no means a hopelessly bad movie, it’s just hampered by its desperate need to be a crowd-pleaser.
  10. The summer of inessential animation continues with this very middling sequel to 2014’s semi-forgotten squirrel-based timekiller.
  11. A sombre, relevant piece of work.
  12. After Love is intelligent, compassionate, challenging film-making.
  13. It’s rare that a film so convoluted also manages to be so determinedly boring.
  14. The Emoji Movie is a force of insidious evil, a film that feels as if it was dashed off by an uninspired advertising executive.
  15. It’s a film to remind you of the almost miraculously collaborative nature of cinema, but also the radiant personalities of individuals.
  16. This is a sombre, grieving movie which appears to gesture to the ghost-town ruin that is still in Detroit’s future.
  17. It’s run-of-the-mill, and crassly manipulative.

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