For 6,554 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6554
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Mixed: 3,754 out of 6554
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Negative: 319 out of 6554
6554
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Bradshaw
The film is pitched with insouciant ease and a lightness of touch at both children and adults without any self-conscious shifts in irony or tone: it’s humour with the citrus tang of top-quality thick-cut marmalade.- The Guardian
- Posted Oct 31, 2017
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Reviewed by
Leslie Felperin
The script’s nuanced treatment of the complex relationships and a feel for the many-faceted, multicultural city in which it’s set – a unique urban blend of hedonism and tradition, bound together by hummus and history – redeem any shortcomings.- The Guardian
- Posted Oct 29, 2017
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Reviewed by
Cath Clarke
Why drag the franchise back now? The screamingly obvious answer is sheer cash-grab cynicism. Or perhaps it’s to cater to the generation of kids who’ve grown up riding the Saw-themed roller coaster at Thorpe Park. Either way, it’s depressing.- The Guardian
- Posted Oct 27, 2017
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Reviewed by
Charles Bramesco
Hall’s marching in lockstep with a lengthy platoon of directors who have already blazed this same path through enemy territory. And though he’s got some upstanding troops at his disposal, his plan of attack lacks that crucial unexpected element that can take an opposing battalion – or an audience – off guard.- The Guardian
- Posted Oct 24, 2017
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- The Guardian
- Posted Oct 20, 2017
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Reviewed by
Jordan Hoffman
It isn’t nearly as deep as it thinks it is, but it is marvellously entertaining.- The Guardian
- Posted Oct 19, 2017
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Reviewed by
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Reviewed by
Steve Rose
Comic book movies have spent a long time striving to be taken as serious, grown-up entertainment but Thor: Ragnarok is almost an admission that you can’t play this material straight. This is probably the wisest strategy with Thor.- The Guardian
- Posted Oct 19, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
The mystery remains: did the North Koreans get it? Did they not get it? Or did they choose a foggy condition of semi-incomprehension as the only state in which they could reconcile ideological piety with reaching out the hated west?- The Guardian
- Posted Oct 16, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
It’s by no means the worst of Allen’s later films (Cassandra’s Dream remains unrivaled in that department) and the flashes of brilliance from Winslet and stunning visuals do lift it but there’s an overwhelming, existential pointlessness to it all.- The Guardian
- Posted Oct 13, 2017
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Reviewed by
Luke Buckmaster
When the comedy becomes less of a focus and will-they-or-won’t-they drama rolls through tropey cogwheels, Alex & Eve loses some of its cheeky lustre and never quite gets its back again.- The Guardian
- Posted Oct 12, 2017
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Reviewed by
Peter Bradshaw
It’s a serviceable, watchable thriller, with very gruesome images.- The Guardian
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Jordan Hoffman
There is a sincere effort to get beneath the facade of what an extremely fit twentysomething firefighter’s life is like. There’s even a possibility that the film’s first act is intentionally distancing so that the later scenes will have a bigger payoff.- The Guardian
- Posted Oct 11, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
It’s Groundhog Day meets Scream, although lacking the first film’s novelty and the latter’s postmodern smarts.- The Guardian
- Posted Oct 11, 2017
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Reviewed by
Leslie Felperin
Although the treacly soundtrack overpunches on the sentiment at times, this is undeniably moving stuff – especially scenes where some of the doctors see footage of patients they helped save, still very much alive and thriving today.- The Guardian
- Posted Oct 5, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
Rooney Mara and Ben Mendelsohn bring a controlled intensity and force – and even a twisted kind of chemistry – to this disturbing if structurally flawed movie.- The Guardian
- Posted Oct 3, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
Blade Runner 2049 is a narcotic spectacle of eerie and pitiless vastness, by turns satirical, tragic and romantic.- The Guardian
- Posted Sep 29, 2017
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Reviewed by
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Reviewed by
Leslie Felperin
Writer-director Attila Till’s plucky comedy-drama isn’t quite the radical representation of disability it seems to think it is, but has its heart in the right place.- The Guardian
- Posted Sep 28, 2017
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- Critic Score
Five Foot Two never quite shakes the feel of a longform advert for Gaga’s new phase that’s preaching to the converted.- The Guardian
- Posted Sep 26, 2017
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Reviewed by
Benjamin Lee
It’s slickly made but shoddily scripted, with sub-reality TV dialogue...and a range of unengaged, soapy performances. There is some fun to be had from the loud and nasty death scenes though, which allow us the pleasure of seeing self-absorbed Facebook addicts get gruesomely murdered.- The Guardian
- Posted Sep 20, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
There’s a lingering sense of familiarity that persists and what felt fresh in the first film, and tweaked in The Lego Batman Movie, is at risk of feeling tired here.- The Guardian
- Posted Sep 20, 2017
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Reviewed by
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Reviewed by
Gwilym Mumford
It’s a film so cartoonishly outsized that it almost renders the first film restrained by comparison- The Guardian
- Posted Sep 19, 2017
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Reviewed by
Xan Brooks
Our Souls at Night is your classic Hollywood weepie, so immaculately played that it confounds crass preconceptions.- The Guardian
- Posted Sep 17, 2017
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Reviewed by
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Reviewed by
Xan Brooks
Watching it is akin to be being waylaid by an expert raconteur. There is the curious sense that it has told this tale before; that every joke has been honed and rehearsed; every anecdote lovingly polished in advance.- The Guardian
- Posted Sep 17, 2017
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Reviewed by
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Reviewed by
Xan Brooks
What a peculiarly dodgy, conservative film this is – a lazy salute to a good queen and her faithful Indian servant. It’s a film about the Raj era that looks as if it was made back then, too.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
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Reviewed by
Jordan Hoffman
This is not much more than a light crowdpleaser, but when you’ve got two powerhouse performers like this it is very difficult not to find oneself at least temporarily charmed.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
Stronger is a film filled with warmth and humanity, but one that doesn’t sugarcoat the reality that comes with it.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
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Reviewed by
Benjamin Lee
Even in the film’s less successful moments, I admired the loose shagginess of it all.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
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Reviewed by
Peter Bradshaw
As well as showcasing the blandest and most tasteful three-way sex scene in history, this movie spreads an odd pall of sentimentality and period-glow nostalgia over a fascinating real-life story.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
Benjamin Lee
As an unpretentious and unashamedly mainstream romantic adventure, it’s a solidly entertaining diversion, old-fashioned in its no-frills brand of storytelling and direction.- The Guardian
- Posted Sep 16, 2017
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Reviewed by
Benjamin Lee
Sorkin is spellbound by his subject, fascinated by the many details of her admittedly impressive life, but the magic he clearly feels fails to translate on screen.- The Guardian
- Posted Sep 16, 2017
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Reviewed by