For 6,594 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,497 out of 6594
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Mixed: 3,778 out of 6594
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Negative: 319 out of 6594
6594
movie
reviews
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Reviewed by
Peter Bradshaw
What DAU. Natasha shows is the bizarre way that, in totalitarian societies, the normal and the abnormal, the banal and the grotesque, and the human and the inhuman live together side by side.- The Guardian
- Posted Feb 26, 2020
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Reviewed by
Benjamin Lee
There’s something refreshingly blunt about what Together is trying to say about the dangers of codependency, a film too busy having fun to waste time writing a self-satisfied dissertation.- The Guardian
- Posted Jan 29, 2025
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Reviewed by
Peter Bradshaw
Ozon has made a decent and valuable film, though it often seems like the drama part of a docudrama: some of the scenes feel like respectful re-enactments that could have gone into a documentary.- The Guardian
- Posted Oct 24, 2019
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Reviewed by
Peter Bradshaw
Martin Eden is a sad story of a sad man who lacks the capacity for happiness and who is astonished to find that artistic success is as compromised as any other kind. But there is a kind of thrill in tracing his progress from rags to riches to annihilation.- The Guardian
- Posted Jul 8, 2021
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Reviewed by
Peter Bradshaw
It’s a huge aspartame rush of a film: a giant irresistible snack, not nutritious, but very tasty.- The Guardian
- Posted Apr 22, 2016
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Reviewed by
Xan Brooks
It’s a lovely slice of life, a heartfelt New York story – and judging from the brief burst of writing that we are permitted to hear, the postman can rest easy whether he is on stage or at work.- The Guardian
- Posted Aug 31, 2025
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Reviewed by
Jordan Hoffman
In addition to its ability to take this odd premise and run with it, Nina Forever scores by being tremendously erotic. Granted, what’s sexy varies from taste to taste, but the exuberance in passion exhibited by young Abigail Hardingham is refreshing in a landscape of independent films that too frequently play nudity for a cheap laugh or just to tick a box off a potential distributor’s list of requirements.- The Guardian
- Posted Feb 11, 2016
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- The Guardian
- Posted Mar 6, 2024
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Reviewed by
Peter Bradshaw
Hepburn is in the boho-gamine mode, and this has a brittle charm, (arguably more than in Breakfast At Tiffany's four years later) but there is something unconvincing in the May-to-December pairing of 28-year-old Hepburn and 58-year-old Astaire and also something grumpy and not particularly classy about the way this film shrieks with laughter at silly modern women filling their empty heads with trendy Parisian intellectualism.- The Guardian
- Posted Jun 7, 2022
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Reviewed by
Peter Bradshaw
I would have loved to hear Kennedy on the tricky subjects of fusion cuisine or cultural appropriation. But there’s more than enough here to get your teeth into.- The Guardian
- Posted May 4, 2020
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Reviewed by
Peter Bradshaw
The film lets you appreciate Hadid’s delicate and complex situation.- The Guardian
- Posted Dec 30, 2020
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Reviewed by
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Reviewed by
Peter Bradshaw
The result is a rather stagey film whose back projections look quaint, with 3D apparently used to foreground items of furniture, such as table-lamps, giving rise to some eccentric camera-angles. But the set-up is ingenious and the "kill" scene genuinely thrilling. [2013 3D Release]- The Guardian
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