For 6,585 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,496 out of 6585
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Mixed: 3,770 out of 6585
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Negative: 319 out of 6585
6585
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Leslie Felperin
Chock full of delightful narrative surprises, imaginative genre tweaks, and warming performances from its two leads, this low-budget romcom-horror story is worth seeking out.- The Guardian
- Posted Jan 27, 2021
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Reviewed by
Peter Bradshaw
A startling piece of film-making, floating free of the conventional demands of period and narrative.- The Guardian
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Reviewed by
Peter Bradshaw
Snyder’s film may be exhausting but it is engaging. Justice is served.- The Guardian
- Posted Mar 15, 2021
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Reviewed by
Peter Bradshaw
With production designer Paulina Rzeszowska and cinematographer Annika Summerson, Bailey-Bond creates something almost unbearably close and oppressive, like the bottom of a murky fish tank. It’s a very elegant and disquieting debut.- The Guardian
- Posted Jan 30, 2021
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Reviewed by
Leslie Felperin
While a certain disarming naivety infuses the work, it nevertheless packs an evocative punch, with a moral message about intolerance and the need to protect more vulnerable species. It’s also one of the few films that could potentially induce a psychedelic trip with its visuals alone.- The Guardian
- Posted Oct 21, 2021
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Peter Bradshaw
In the Earth brings us back to Wheatley’s classic world of occult loopy weirdness and cult Britmovie seediness, with a new topical dimension of pandemic paranoia, and what keeps you watching is its unreadable, almost undetectable thread of black comedy.- The Guardian
- Posted Jun 16, 2021
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Charles Bramesco
Business as usual has largely resumed in Wuhan, but Wang’s film contends that that’s just the problem. The same apparatuses of messaging and censorship are still in operation, ensuring that the full extent of the malfeasance may never be fully known- The Guardian
- Posted Jan 31, 2021
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Reviewed by
Peter Bradshaw
Mass is performed with impeccable intelligence and sensitivity, although sometimes it feels like an exercise in award-winning acting. But I admit it: the final, unexpected dialogue scene, though arguably as stagey and showy as everything else, does deliver a punch.- The Guardian
- Posted Jan 20, 2022
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- Critic Score
This grim picture of borstal life packs a real punch. And kick, and headbutt. [13 Feb 2010]- The Guardian
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Reviewed by
Peter Bradshaw
There is such sensitivity and intelligence in the performances from Thompson and Negga and the cinematography from Eduard Grau and production design by Nora Mendis are both ravishing. It’s a very stylish piece of work from Hall.- The Guardian
- Posted Oct 28, 2021
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Peter Bradshaw
This film is enigmatic and yet very digestible, deadpan in its comedy and so insouciant and casual in its form, you might almost think that Katz had written it in five minutes, filmed it in a week. There is real artistry here.- The Guardian
- Posted May 20, 2021
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Reviewed by
Peter Bradshaw
It is simultaneously exasperating and magnificent that he shows no interest whatever in asking the Mael brothers anything about their personal, emotional or romantic lives.- The Guardian
- Posted Jul 29, 2021
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Reviewed by
Leslie Felperin
Beneath the crazy candy-coloured palette, there is actually some real human warmth in the love story, and the acting ensemble features some great comic performers in supporting roles.- The Guardian
- Posted Sep 13, 2022
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Phil Hoad
Amid the current explosion of affirmative diversity-driven film-making, there is a kind of strength in such a self-excoriating and uncompromising point of view. Corbine Jr is one to watch.- The Guardian
- Posted Oct 26, 2021
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Reviewed by
Peter Bradshaw
What an uncanny, exhilarating experience.- The Guardian
- Posted Apr 27, 2022
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Reviewed by
Peter Bradshaw
This is a richly intelligent drama, in which every word and every shot counts.- The Guardian
- Posted Mar 16, 2022
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Reviewed by
Leslie Felperin
Graham uses darkness and a very sparse score/soundscape to create a truly disturbing work that relies not so much on gore as the uncanny in its most potent form: stillness, pools of darkness and just-visible figures.- The Guardian
- Posted Feb 14, 2021
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Reviewed by
Ellen E Jones
These mid-90s, north-west Brooklyn specificities are fascinating and relevant; to Biggie’s art, certainly, but possibly also to his death.- The Guardian
- Posted Mar 1, 2021
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Reviewed by
Leslie Felperin
This goofy horror comedy, based on an online game of the same name, just goes to prove that if you have a great cast, smart direction and witty script you can just about get away with murder.- The Guardian
- Posted Jul 13, 2021
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Phil Hoad
This clever thriller teeters on the brink of abstraction, and walks a razor wire between horror and an incredulous absurdity meant to stand for how women must live in the modern world: the daily toll of living in fear of aggression, physical assault and withstanding the misogynistic structures that excuse them.- The Guardian
- Posted Mar 1, 2021
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Reviewed by
Phil Hoad
As for interpreting what it all means, leave that to Burns’s therapist. The flamboyance on display here, though, promises great things.- The Guardian
- Posted Mar 11, 2021
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Reviewed by
Peter Bradshaw
It is a really powerful film and Brady’s final dialogue scene exerts a lethal grip.- The Guardian
- Posted Mar 16, 2021
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Reviewed by
Peter Bradshaw
It is a riveting, dreamlike evocation of this man’s tortured, unhappy life, whose transient successes bring him no pleasure of any kind.- The Guardian
- Posted Mar 4, 2021
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Reviewed by
Peter Bradshaw
This trio of stories is elegant and amusing, with a delicacy of touch and real imaginative warmth.- The Guardian
- Posted Mar 5, 2021
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- The Guardian
- Posted Oct 28, 2021
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Reviewed by
Peter Bradshaw
This is a world of brutality and fear from which the movie averts its gaze at key moments, but the chill is unmistakable. The title appears to refer to a light which is inexorably fading.- The Guardian
- Posted Nov 9, 2021
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- The Guardian
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- Critic Score
Mostly, Kitano is as expressionless as Buster Keaton, but now and then a smile breaks out on that weather-beaten face. He doesn't use much camera movement either, but the combination of understatement and outrageousness is unique, and oddly appealing.- The Guardian
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Reviewed by
Peter Bradshaw
Jed Rothstein’s very entertaining documentary is another horror story from the tulip-feverish world of tech startups.- The Guardian
- Posted Aug 12, 2021
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Reviewed by
Leslie Felperin
With its really smart deep dives into cultural criticism, this is a seasonal stocking overflowing with spooky fun.- The Guardian
- Posted Jan 6, 2022
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