For 6,585 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,496 out of 6585
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Mixed: 3,770 out of 6585
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Negative: 319 out of 6585
6585
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Bradshaw
Director Marielle Heller and screenwriters Noah Harpster and Micah Fitzerman-Blue have adroitly set up the tightrope that Tom Hanks has to walk across, stretching it between irony and belief, and the result is a really entertaining and touching film.- The Guardian
- Posted Jan 30, 2020
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Reviewed by
Benjamin Lee
It’s a remarkable match-up between film-makers and actor and reaffirms the importance of that partnership, especially for a movie star stuck in a profitable rut. Sandler deserves more, and if he wants us to keep watching, then so do we.- The Guardian
- Posted Sep 10, 2019
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Reviewed by
Peter Bradshaw
Victor Kossakovsky’s Aquarela is an absorbing and disturbing spectacle, a sensory film about the climate crisis, and it begins with what might be the soundtrack to the end of the world – a persistent tinkling, crackling, trickling.- The Guardian
- Posted Dec 13, 2019
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Reviewed by
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Reviewed by
Peter Bradshaw
The result falls somewhere between a slave-escape drama, an action thriller, a western and even an unexpected kind of superhero film. It’s a winning combination, although Lemmons does not immerse us in the agony and injustice of slavery as such; she puts together a well-crafted movie that is the showcase for an excellent performance from Erivo.- The Guardian
- Posted Sep 11, 2019
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Reviewed by
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- The Guardian
- Posted Oct 11, 2019
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Reviewed by
Xan Brooks
Baumbach seeks to mine his material for laughs, no matter how desperate the situation becomes.- The Guardian
- Posted Aug 29, 2019
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Reviewed by
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Reviewed by
Peter Bradshaw
There are, arguably, scenes in this film which are less than subtle – and there were times when I wanted something more indirect. But Manville and Neeson have a real empathy and intimacy on screen.- The Guardian
- Posted Sep 14, 2019
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Reviewed by
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Reviewed by
Peter Bradshaw
It is a very grueling spectacle, often brilliant, sometimes slightly redundant and perhaps not able to maintain the storytelling rush of its first act. But it is always weirdly plausible in its pure strangeness and in the oddly poignant moments- The Guardian
- Posted Sep 13, 2019
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Reviewed by
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Reviewed by
Xan Brooks
While I confess that I found Ema to be a notch down on his best work, it’s still hugely distinctive and daring and may well be a grower.- The Guardian
- Posted Sep 9, 2019
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- The Guardian
- Posted Sep 15, 2019
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- The Guardian
- Posted Sep 1, 2019
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Reviewed by
Peter Bradshaw
The Painted Bird is a brutal kind of ordeal, but eerie, unearthly and even beautiful sometimes: a bad dream that leaks into waking reality.- The Guardian
- Posted Sep 13, 2020
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Reviewed by
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Reviewed by
Phil Hoad
You will no doubt bail out at some point – but that’s part of the deal. Llinás has done enough to make sure we come back.- The Guardian
- Posted Sep 26, 2019
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Reviewed by
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Reviewed by
Peter Bradshaw
The Killer is quite a spectacle and, incidentally, much more pessimistic than Sirk.- The Guardian
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Reviewed by
Cath Clarke
This is not social realism in the style of Ken Loach, but it is a film with a strong sense of outrage. Some might find it relentlessly bleak.- The Guardian
- Posted Jul 26, 2019
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Reviewed by
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Reviewed by
Peter Bradshaw
The Perfect Candidate is the sort of film I can imagine getting a remake in contemporary America or Britain, with not as many changes as we might assume.- The Guardian
- Posted Mar 31, 2020
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Reviewed by
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Reviewed by
Xan Brooks
About Endlessness contains moments of devilish wit, but at heart it is a sad, sweet picture, threaded with themes of estrangement and separation. Andersson isn’t exactly asking us to laugh at or pity these people. Instead, we’re being encouraged to wonder at their predicament – and perhaps relate it to our own.- The Guardian
- Posted Sep 9, 2019
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Reviewed by
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- Critic Score
There is much to irritate in the film, but it's bold, individual and a landmark in British cinema, with outstanding performances.- The Guardian
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- Critic Score
An impressively faithful and highly effective film, aside from the misjudged [spoiler omitted] ending.- The Guardian
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