The Guardian's Scores

For 6,573 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6573 movie reviews
    • 89 Metascore
    • 100 Critic Score
    Two-Lane Blacktop should have established Hellman as one of the great directors of his generation. Instead, its box-office failure made him an enduring cult figure.
  1. Roeg revels in the hallucinatory, creating a wilderness that exists as much in the mind as it does the land.
  2. If anything, Robert Altman's self-styled "anti-western" looks even richer, stranger and more daring than it did when it first appeared back in 1971.
    • 61 Metascore
    • 70 Critic Score
    A clever caper movie. [08 Oct 2011, p.46]
    • The Guardian
    • 51 Metascore
    • 60 Critic Score
    Offbeat comedy-drama about a former New York judge convinced he is Sherlock Holmes. Amiable, if a little too clever for its own good. [04 Jan 2000, p.36]
    • The Guardian
    • 54 Metascore
    • 60 Critic Score
    Schizophrenic performance from the estimable Walter Matthau, playing the central characters of three Neil Simon stories set in New York's Plaza Hotel. His barely contained rage as the dad who finds his daughter refusing to come out of the bathroom on her wedding day is particularly good, but the jokes are thinly rationed. [19 Nov 2005, p.53]
    • The Guardian
  3. There's no mistaking its chilling charisma and style. [11 Jun 1999, p.15]
    • The Guardian
  4. There is a tenous narrative logic - in which Jodorowsky himself, dressed in cowboy black, must gun down four desert-dwelling killers - which gives the film a measure of watchability. But it's hardly deep.
  5. A brilliantly textured film to be savoured.

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