The Guardian's Scores

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For 6,571 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,490 out of 6571
  2. Mixed: 3,762 out of 6571
  3. Negative: 319 out of 6571
6571 movie reviews
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  1. Ferrari: Race to Immortality
    As a film, it’s altogether keener to Turtle Wax the brand than stop for even a moment to examine what Ferrari the man, logo and company ever stood for.
    • 66 Metascore
    • 80 Critic Score
    Our New President
    It’ll annoy many with its refusal to take a stance beyond the absurdity of it all, but that lack of easy outrage makes it a true original. An important documentary for our times too, taking us deep into the heart of a bubble far from our own.
  3. The Nothing Factory
    Worryingly, there is an actual film-maker in the story who appears to be intervening in the action and The Nothing Factory appears to retreat into self-reference when it could be offering concrete ideas on the issue of people keeping their jobs.
  4. Utoya: July 22
    It is an absorbing and moving tribute to the courage of the young victims of Utøya.
  5. Season of the Devil
    Season of the Devil is the work of a real auteur: every millisecond of his film has been rigorously created. There are moments of dreamlike intensity and the despair of the period is genuinely conveyed. Only the strongest devotee of Diaz could however deny the presence of longueurs in this film.
  6. Mug
    Mug is a strange, engaging film – well and potently acted and directed, a drama that puts you inside its extended community with a mix of robust realism and a streak of fantasy comedy.
  7. Born and Bred
    Trapero creates a cinematic eco-system that moment by moment, scene by subtle scene, completely enfolds you.
  8. Bergman: A Year in a Life
    There are some riveting revelations here.
  9. Mosley: It's Complicated
    The film feels more like an authorised biography than a documentary, and for that reason it’s a little dull.
  10. Days and Nights in the Forest
    Ray's language of cinema is a kind of miraculous vernacular, all his own. It has mystery, eroticism and delight.
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