For 6,556 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,481 out of 6556
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Mixed: 3,756 out of 6556
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Negative: 319 out of 6556
6556
movie
reviews
- By Date
- By Critic Score
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- The Guardian
- Posted May 20, 2025
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Reviewed by
Peter Bradshaw
It is a very disturbing parable of the insidious micro-processes of tyranny.- The Guardian
- Posted May 20, 2025
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Reviewed by
Cath Clarke
The two women’s scenes together give the film its most interesting moments.- The Guardian
- Posted May 20, 2025
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Reviewed by
Leslie Felperin
To knock its sentimental failings would be like kicking a puppy – and there are actual puppies in the film just to ensure it snags the heartstrings. Resistance is futile.- The Guardian
- Posted May 20, 2025
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Reviewed by
Jesse Hassenger
All told, there’s hardly a single smile in Lilo & Stitch ’25 not generated through the stolen valor of the earlier screenplay, and hardly a poignant moment that’s not more admirably raw in the G-rated version.- The Guardian
- Posted May 20, 2025
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Reviewed by
Peter Bradshaw
This movie, visually and dramatically superb in every way, moves with unhurried confidence across the screen, pausing to savour every bizarre bit of comedy or erotic byway, or note of pathos, on its circuitous path to the violent finale.- The Guardian
- Posted May 20, 2025
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- The Guardian
- Posted May 19, 2025
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Reviewed by
Peter Bradshaw
The madly, bafflingly overwrought and humourless storytelling can’t overcome the fact that everything here is frankly unpersuasive and tedious. Every line, every scene, has the emoting dial turned up to 11 and yet feels redundant.- The Guardian
- Posted May 19, 2025
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Reviewed by
Peter Bradshaw
This is a big, muscular picture which aspires to the crowd-pleasing athleticism of Spike Lee’s sports icons; it’s very enjoyable and there’s a great turn from Washington.- The Guardian
- Posted May 19, 2025
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Reviewed by
Peter Bradshaw
It is engaging and sympathetically acted and layered with genuinely funny moments, mysterious and hallucinatory setpiece sequences, and is challengingly incorrect thoughts about the haves who fear the contagious risk of coming into contact with the have-nots.- The Guardian
- Posted May 19, 2025
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Reviewed by
Peter Bradshaw
A deeply humane and emotionally literate piece of work.- The Guardian
- Posted May 18, 2025
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Reviewed by
Peter Bradshaw
The house is just there and the characters waft through it. Gray admirers might prefer Gray Matters, Marco Antonio Orsini’s documentary on the subject.- The Guardian
- Posted May 18, 2025
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Peter Bradshaw
It is always entertaining, and delivered with the usual conviction and force but with less of the romantic extravagance than we’ve seen before, less of the childlike loneliness that has been detectable in his greatest movies.- The Guardian
- Posted May 18, 2025
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Reviewed by
Peter Bradshaw
None of this, arguably, is inaccurate. But it’s all very smooth: a slick Steadicam ride through a historic, tumultuous moment.- The Guardian
- Posted May 18, 2025
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Reviewed by
Peter Bradshaw
It hardly needs to be said that subtlety is not really among this film’s attributes - but it is fierce, angry, engaged, and intensely, sensually alert to every detail of its own pleasure and pain.- The Guardian
- Posted May 17, 2025
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Peter Bradshaw
It’s a confident, often engaging mix of music and no-frills theatrical performance, with Bono often coming across like some forgotten character that Samuel Beckett created but then suppressed due to undue levels of rock’n’roll pizzazz.- The Guardian
- Posted May 17, 2025
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Peter Bradshaw
It borders on cliche a little, but there is compassion and storytelling ambition here.- The Guardian
- Posted May 17, 2025
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Peter Bradshaw
There is no accumulation of drama or tension or intellectual revelation and the setpiece shootout is ultimately valueless. What exactly is it saying that we didn’t know already? The wait for Aster to recover his directorial form goes on.- The Guardian
- Posted May 16, 2025
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- The Guardian
- Posted May 16, 2025
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Reviewed by
Andrew Lawrence
Tomorrow is too murky, meandering and self-indulgent an inside joke for audiences to remember it for more than its smirking moments. In time the Weeknd may come to regret this too, a missed opportunity.- The Guardian
- Posted May 15, 2025
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Reviewed by
Cath Clarke
With a blend of archive footage and re-enactments the film-makers skilfully recreate the urgency, passion and energy of their protest.- The Guardian
- Posted May 15, 2025
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Peter Bradshaw
This is a really exhilarating, disturbing picture which foregrounds excellent writing and performances.- The Guardian
- Posted May 15, 2025
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Reviewed by
Peter Bradshaw
It is a wildly silly, wildly entertaining adventure which periodically gives us a greatest-hits flashback montage of the other seven films in the M:I canon - but we still get a brand new, box-fresh Tom-sprinting-along-the-street scene, without which it wouldn’t be M:I.- The Guardian
- Posted May 14, 2025
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Radheyan Simonpillai
Where Bloodlines excels is in the clever and often diabolical storytelling craft and visuals. There’s a decadence in the film-making that isn’t at odds with the campy nature of Final Destination but instead realizing its full potential.- The Guardian
- Posted May 13, 2025
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Reviewed by
Peter Bradshaw
It is very intelligent and humane, and what a great performance from Collias.- The Guardian
- Posted May 13, 2025
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- The Guardian
- Posted May 9, 2025
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Reviewed by
Jesse Hassenger
Though it’s positioned in the early days of the summer movie reason, Shadow Force winds up as an unintentional advertisement for staying home.- The Guardian
- Posted May 9, 2025
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Benjamin Lee
The big reveal, while illogically daft, does have a certain on-paper thematic novelty to it but it’s cursedly both over-explained and hard-to-really-understand, a “why are you doing this?” response that rambles into nonsense.- The Guardian
- Posted May 8, 2025
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Benjamin Lee
Actor turned writer-director Jillian Bell’s naked, and sometimes literally naked, attempt to craft a new rewatchable comfort food favourite with notes of both sweet and salt is charming when it works but distractingly effortful when it doesn’t.- The Guardian
- Posted May 8, 2025
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Peter Bradshaw
Andres Veiel’s sombre documentary tells the gripping, incrementally nauseating story of Helene “Leni” Riefenstahl, the brilliant and pioneering German film-maker of the 20th century who isn’t getting her name on a Girls on Tops T-shirt any time soon.- The Guardian
- Posted May 7, 2025
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