The Guardian's Scores

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For 6,616 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,508 out of 6616
  2. Mixed: 3,788 out of 6616
  3. Negative: 320 out of 6616
6616 movie reviews
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    • 58 Metascore
    • 40 Critic Score
    One Million Years B.C.
    Harryhausen's dinosaurs are well worth a look, but the rest of One Million Years BC will bore the furry pants off anyone more advanced than a Neanderthal.
  2. Eden
    It’s all too silly and the writing too hokey for us to keep up and by the end, truly care about who survives or not.
  3. Brahman Naman
    Q’s morality tale isn’t without laughs. The quizzers are adept at alluding to and meshing together the greats of English literature with crude dick jokes.
  4. Jimmy P.
    Scenes have a habit of stopping at any second, with or without whopping soundtrack.
  5. Jumanji: The Next Level
    What gives Jumanji its likability is that it has the emphases and comedy beats of an animation, but also the performance technique of live action – and the occasional reshuffling of avatars and players lets the actors show off a little bit further. Jumanji’s next level is rather satisfying.
  6. Moana 2
    It is all inoffensive enough, but weirdly lacking in anything genuinely passionate or heartfelt, all managed with frictionless smoothness and algorithmic efficiency.
  7. Mean Girls
    There are plenty of laughs and fun along the way.
  8. Back to the Outback
    The aesthetic of the animation is, like the script, rather nondescript, with boilerplate-looking gloss and shine – like any number of less memorable DreamWorks or Pixar productions
  9. The Kill Room
    Nicol Paone’s flat direction and Jonathan Jacobson’s listless screenplay leave the cast painting by numbers.
  10. Our Son
    All the characters are rounded, fallible and likable in equal measure, and even if the score is a bit syrupy, it’s a pleasant, engaging watch.
  11. The Birthday Cake
    Odd though the film is and full of peculiar needle drops showcasing classic tunes that don’t especially fit the action, the whole thing looks pretty good thanks to cinematographer Sean Price Williams.
  12. The Equalizer 3
    Like McCall, [Washington] knows his tools, an arsenal not of guns and blades but of withering stares and crumpled smiles. It’s almost enough to outshine everything else.
  13. Hope Gap
    Nicholson fails to give his film the specificity and emotional depth required to make it seem necessary. We’ve been here before and nothing in the film’s 100-minute length truly justifies why we’re back here again.
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