The Guardian's Scores

For 6,594 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6594 movie reviews
  1. It’s slickly made but shoddily scripted, with sub-reality TV dialogue...and a range of unengaged, soapy performances. There is some fun to be had from the loud and nasty death scenes though, which allow us the pleasure of seeing self-absorbed Facebook addicts get gruesomely murdered.
  2. There’s a lingering sense of familiarity that persists and what felt fresh in the first film, and tweaked in The Lego Batman Movie, is at risk of feeling tired here.
  3. It’s a film so cartoonishly outsized that it almost renders the first film restrained by comparison
  4. Our Souls at Night is your classic Hollywood weepie, so immaculately played that it confounds crass preconceptions.
  5. Watching it is akin to be being waylaid by an expert raconteur. There is the curious sense that it has told this tale before; that every joke has been honed and rehearsed; every anecdote lovingly polished in advance.
  6. What a peculiarly dodgy, conservative film this is – a lazy salute to a good queen and her faithful Indian servant. It’s a film about the Raj era that looks as if it was made back then, too.
  7. This is not much more than a light crowdpleaser, but when you’ve got two powerhouse performers like this it is very difficult not to find oneself at least temporarily charmed.
  8. Stronger is a film filled with warmth and humanity, but one that doesn’t sugarcoat the reality that comes with it.
  9. Even in the film’s less successful moments, I admired the loose shagginess of it all.
  10. As well as showcasing the blandest and most tasteful three-way sex scene in history, this movie spreads an odd pall of sentimentality and period-glow nostalgia over a fascinating real-life story.
  11. As an unpretentious and unashamedly mainstream romantic adventure, it’s a solidly entertaining diversion, old-fashioned in its no-frills brand of storytelling and direction.
  12. Sorkin is spellbound by his subject, fascinated by the many details of her admittedly impressive life, but the magic he clearly feels fails to translate on screen.
  13. It’s surprising that a film about Deep Throat could be such an anticlimax.
  14. Gary Oldman is terrific as Churchill, conveying the babyishness of his oddly unlined face in repose, the slyness and manipulative good humour, and a weird deadness when he is overtaken with depression.
  15. The malfunctioning studio system has foisted many subprime ideas upon us recently, but this opportunistic, Trump-age hybrid of war-on-terror drama and YA fantasy numbers among the junkiest.
  16. The film’s real ferocity is saved for the ideologues of terror.
  17. The dazzle of the cast and the targeted in-jokes never take away from the film’s core messaging about the importance of believing in one’s own ability as an artist.
  18. It’s a decent tennis movie, solidly told and choreographed, but it’s in the film’s depiction of a same-sex romance between King and her hairdresser, played beautifully by Andrea Riseborough, where things truly comes alive.
  19. Ex Libris rolls out like a collection of short films.... It’s like watching Wiseman skip along through the stacks of all accumulated human knowledge.

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