For 6,610 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,503 out of 6610
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Mixed: 3,787 out of 6610
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Negative: 320 out of 6610
6610
movie
reviews
- By Date
- By Critic Score
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- The Guardian
- Posted Oct 7, 2021
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Reviewed by
Peter Bradshaw
It is possible to come away from the film less than convinced, but very impressed by the sheer force of Petzold’s film-making talent (recently so stunning in his drama Transit) but which has been here deployed for something which is a bit flimsy and silly.- The Guardian
- Posted Feb 28, 2020
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Reviewed by
Peter Bradshaw
Charlatan is a film that does not quite satisfy the curiosity it arouses.- The Guardian
- Posted Feb 28, 2020
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Reviewed by
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- Critic Score
Ultimately, there is something trite at the centre of the movie, most especially in the overuse of Nat King Cole’s haunting Mona Lisa to suggest Tyson’s ambiguity and Hoskins’s puzzlement. But this is almost concealed by Tyson’s sense of desperation and Hoskins’s painful sincerity.- The Guardian
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Reviewed by
Benjamin Lee
It’s a low-budget effort with high ambitions, something that’s hard not to admire, and while it often feels like the teaser for a bigger and better movie, it’s perhaps a sign that Hardiman is setting sail for Hollywood next.- The Guardian
- Posted Apr 8, 2020
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Reviewed by
Peter Bradshaw
For all its fantastical vein, this movie has an interesting grasp of what high school is really like – not a Hollywood narrative, neither funny nor tragic, and certainly nothing like that most unreal of genres, the coming-of-age drama. Rather it’s messy, downbeat and inconclusive, without teachable moments – like everything else in real life.- The Guardian
- Posted Apr 16, 2020
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Reviewed by
Charles Bramesco
If only they’d put fuller faith in the true nature of their premise, and leaned all the way into the kookier side of body horror. Instead of trying for the sophistication of Cronenberg and coming up short, they’d be better off embracing the near-absurdity of lower-rent cult objects like Basket Case from the start.- The Guardian
- Posted Sep 10, 2021
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Reviewed by
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Reviewed by
Peter Bradshaw
Life can be desperately embarrassing in your first year at university when you are trying out new identities and personalities. This film replicates that agonising discomfort.- The Guardian
- Posted Sep 30, 2021
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Reviewed by
Mike McCahill
Onwubolu avoids the usual flash and posturing in favour of a careful, rooted storytelling, finding subtly different perspectives on gang life, and offering his characters as many ways out as there are ways in.- The Guardian
- Posted May 5, 2020
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- The Guardian
- Posted Apr 10, 2020
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Reviewed by
Phuong Le
Believable performances, along with a deep understanding of place, lend Drunk Bus a cheeriness that is entertaining and heartwarming.- The Guardian
- Posted May 25, 2021
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Reviewed by
Cath Clarke
If you’re a parent whose screen-time rules have crumbled in lockdown, under no circumstances watch this film until normal service resumes.- The Guardian
- Posted May 28, 2020
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Reviewed by
Peter Bradshaw
It’s a technically impressive work with some lovely images — and a bit of a sugary taste.- The Guardian
- Posted Mar 30, 2020
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Leslie Felperin
The period trappings – which must have cost a bomb – are lush and smartly deployed without being heavy-handed, and the two young leads are very watchable.- The Guardian
- Posted May 28, 2020
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Reviewed by
Peter Bradshaw
Larson, Harris and Vellani are an entertaining intergalactic ensemble.- The Guardian
- Posted Nov 8, 2023
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Reviewed by
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Reviewed by
Peter Bradshaw
It's been a while since I've seen a silly baddie get the seat of his trousers set on fire, run around squawking, and then sit down in a water trough with an ecstatic sigh.- The Guardian
- Posted Apr 6, 2020
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Reviewed by
Peter Bradshaw
It has to be said that Nobody rattles enjoyably and bone-crunchingly along and as for Odenkirk, this career turn more or less pays off. He never tries to be macho exactly, and spends a lot of his time flinching and scowling at all the cuts and bruises on his face.- The Guardian
- Posted Jun 9, 2021
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Reviewed by
Cath Clarke
The Grand Bizarre is a film that will alienate many with its video-artiness but the focus here on looking and looking again with wonder at the everyday stuff around us may strike a chord at the moment.- The Guardian
- Posted Apr 9, 2020
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Reviewed by
Benjamin Lee
Like the structure at its centre, Spaceship Earth is a smart concept that never really takes off.- The Guardian
- Posted May 7, 2020
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Reviewed by
Benjamin Lee
The Half of It is a strong, warm-hearted and quietly progressive addition to the expanding Netflix teen movie pack which treats its target audience with the respect they deserve.- The Guardian
- Posted Apr 30, 2020
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Reviewed by
Cath Clarke
If you’re looking for a definitive Dalai Lama documentary, this narrow-focus film about his lifelong passion for science probably won’t cut it.- The Guardian
- Posted May 28, 2020
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Reviewed by
Benjamin Lee
It’s pacy enough to secure at least our divided attention, competently trotting along in the background revealing surprises that aren’t really that surprising, like a pulpy, well-worn airplane novel that you guiltily devour in a day.- The Guardian
- Posted Apr 30, 2020
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Reviewed by
Leslie Felperin
Sometimes a seemingly unprepossessing genre film comes along that has finer qualities than you would expect. Such is the case here.- The Guardian
- Posted May 21, 2020
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Reviewed by
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Reviewed by
Peter Bradshaw
It’s an interesting film, which Trank tops off with a contrived finale of bizarre, spectacular (and contrived) violence, yet the woozy slipping-into-dementia-fantasy sequences, although striking, mean sometimes that the visual impact of what we are seeing is sometimes lessened, as we wait to see if it is really happening or not.- The Guardian
- Posted May 11, 2020
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Reviewed by
Phil Hoad
The opportunistic genre-welding holds together thanks to vivid performances. Bolger makes a slightly implausible character arc completely convincing, graduating from panicky improvisation to grim determination.- The Guardian
- Posted Apr 16, 2020
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Reviewed by