The Guardian's Scores

For 6,610 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
6610 movie reviews
  1. It’s a fierce, thoughtful drama.
  2. It is possible to come away from the film less than convinced, but very impressed by the sheer force of Petzold’s film-making talent (recently so stunning in his drama Transit) but which has been here deployed for something which is a bit flimsy and silly.
  3. Charlatan is a film that does not quite satisfy the curiosity it arouses.
    • 85 Metascore
    • 60 Critic Score
    Ultimately, there is something trite at the centre of the movie, most especially in the overuse of Nat King Cole’s haunting Mona Lisa to suggest Tyson’s ambiguity and Hoskins’s puzzlement. But this is almost concealed by Tyson’s sense of desperation and Hoskins’s painful sincerity.
  4. It’s a low-budget effort with high ambitions, something that’s hard not to admire, and while it often feels like the teaser for a bigger and better movie, it’s perhaps a sign that Hardiman is setting sail for Hollywood next.
  5. For all its fantastical vein, this movie has an interesting grasp of what high school is really like – not a Hollywood narrative, neither funny nor tragic, and certainly nothing like that most unreal of genres, the coming-of-age drama. Rather it’s messy, downbeat and inconclusive, without teachable moments – like everything else in real life.
  6. If only they’d put fuller faith in the true nature of their premise, and leaned all the way into the kookier side of body horror. Instead of trying for the sophistication of Cronenberg and coming up short, they’d be better off embracing the near-absurdity of lower-rent cult objects like Basket Case from the start.
  7. Life can be desperately embarrassing in your first year at university when you are trying out new identities and personalities. This film replicates that agonising discomfort.
  8. Onwubolu avoids the usual flash and posturing in favour of a careful, rooted storytelling, finding subtly different perspectives on gang life, and offering his characters as many ways out as there are ways in.
  9. A sombre, well-acted film about sacrifice and regret.
  10. Believable performances, along with a deep understanding of place, lend Drunk Bus a cheeriness that is entertaining and heartwarming.
  11. If you’re a parent whose screen-time rules have crumbled in lockdown, under no circumstances watch this film until normal service resumes.
  12. It’s a technically impressive work with some lovely images — and a bit of a sugary taste.
  13. The period trappings – which must have cost a bomb – are lush and smartly deployed without being heavy-handed, and the two young leads are very watchable.
  14. Larson, Harris and Vellani are an entertaining intergalactic ensemble.
  15. It's been a while since I've seen a silly baddie get the seat of his trousers set on fire, run around squawking, and then sit down in a water trough with an ecstatic sigh.
  16. It has to be said that Nobody rattles enjoyably and bone-crunchingly along and as for Odenkirk, this career turn more or less pays off. He never tries to be macho exactly, and spends a lot of his time flinching and scowling at all the cuts and bruises on his face.
  17. The Grand Bizarre is a film that will alienate many with its video-artiness but the focus here on looking and looking again with wonder at the everyday stuff around us may strike a chord at the moment.
  18. Like the structure at its centre, Spaceship Earth is a smart concept that never really takes off.
  19. The Half of It is a strong, warm-hearted and quietly progressive addition to the expanding Netflix teen movie pack which treats its target audience with the respect they deserve.
  20. If you’re looking for a definitive Dalai Lama documentary, this narrow-focus film about his lifelong passion for science probably won’t cut it.
  21. It’s pacy enough to secure at least our divided attention, competently trotting along in the background revealing surprises that aren’t really that surprising, like a pulpy, well-worn airplane novel that you guiltily devour in a day.
  22. Sometimes a seemingly unprepossessing genre film comes along that has finer qualities than you would expect. Such is the case here.
  23. It’s an interesting film, which Trank tops off with a contrived finale of bizarre, spectacular (and contrived) violence, yet the woozy slipping-into-dementia-fantasy sequences, although striking, mean sometimes that the visual impact of what we are seeing is sometimes lessened, as we wait to see if it is really happening or not.
  24. The opportunistic genre-welding holds together thanks to vivid performances. Bolger makes a slightly implausible character arc completely convincing, graduating from panicky improvisation to grim determination.

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