For 6,616 reviews, this publication has graded:
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41% higher than the average critic
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5% same as the average critic
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54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | London Road | |
|---|---|---|
| Lowest review score: | Melania |
Score distribution:
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Positive: 2,508 out of 6616
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Mixed: 3,788 out of 6616
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Negative: 320 out of 6616
6616
movie
reviews
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Reviewed by
Cath Clarke
It slips just a little too easily into the generic pigeonholing of first generation south Asian narratives, but rattles along with fun and energy.- The Guardian
- Posted Sep 11, 2024
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Reviewed by
Peter Bradshaw
A syrupy drizzle of tasteful prettiness covers this cloying movie about the painter Pierre-Auguste Renoir (Michel Bouquet) and his film-maker son Jean Renoir (Vincent Rottiers).- The Guardian
- Posted Jun 29, 2013
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Reviewed by
Benjamin Lee
Gliding close to genre tropes but moving more comfortably as an uneasy drama about the alarming power of blind faith, The Other Lamb is an intriguing mood piece, strikingly made and well-performed if not quite as powerful as it could have been.- The Guardian
- Posted Apr 2, 2020
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Reviewed by
Mike McCahill
The actors lend it a sick heft, and there are droll, region-specific footnotes...but one senses the sniggering film-makers playing variably funny games with our phobia of pedophiles, rather than having anything lasting to say about it.- The Guardian
- Posted Dec 10, 2013
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Reviewed by
Peter Bradshaw
It is a vivid snapshot of a troubled private life at the apex of the US music scene.- The Guardian
- Posted Nov 16, 2023
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Reviewed by
Cath Clarke
There’s more wit and energy this time around, and a genuinely sweet message about friendship. Even the fart joke (every kids’ movie must have at least one) was a cut above and had the adults giggling.- The Guardian
- Posted Jul 24, 2025
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Reviewed by
Peter Bradshaw
It is a strange film in some ways, speckled with powerful, insightful moments but also with some strained acting, pulled punches and fudged attitudes, unable to decide if its heroines are compromised through having been loyal Fox staffers.- The Guardian
- Posted Dec 9, 2019
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Reviewed by
Henry Barnes
Amma Asante's second feature tells Dido's extraordinary story in handsome, if formulaic, style.- The Guardian
- Posted Oct 16, 2013
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Reviewed by
Peter Bradshaw
There are smart moments of fear and subliminal shivers of disquiet, the dance sequences are good and of course Guadagnino could never be anything other than an intelligent film-maker. But this is a weirdly passionless film.- The Guardian
- Posted Sep 1, 2018
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Jordan Hoffman
It’s coarse and it’s stupid, but it is, thanks mostly the two good performances and some stylish use of music and editing, a little bit moving.- The Guardian
- Posted Feb 1, 2016
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Luke Buckmaster
Baby Done is funny; it’s sweet; it means something. Most of all it’s charming.- The Guardian
- Posted Jan 20, 2021
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Reviewed by
Benjamin Lee
As a comedy, it’s simply not funny and as a horror, it works better in pieces but not with the consistency a film set over one night would require.- The Guardian
- Posted Aug 20, 2019
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Reviewed by
Peter Bradshaw
Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric regret for lost time, lost film projects, lost love and all those beautiful women that you never got to sleep with.- The Guardian
- Posted May 23, 2015
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Reviewed by
Xan Brooks
How ironic to realise that the greatest Mitt Romney campaign ad should arrive too late to save him.- The Guardian
- Posted Jan 28, 2014
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Reviewed by
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Reviewed by
Benjamin Lee
Born to be Blue is a curious mixture of fact and fiction, cliche and originality, style and emotion – it never truly soars but by throwing the ingredients of Baker’s life together and producing something different, it’s never less than intriguing.- The Guardian
- Posted Sep 18, 2015
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Reviewed by
Cath Clarke
Mandico has made a wildly strange debut, striking enough to make you sit up and pay attention.- The Guardian
- Posted Aug 23, 2018
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Reviewed by
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Like The Man Who Knew Too Much, The Fury yokes together a spy thriller and a domestic drama while also incorporating elements of SF and horror.- The Guardian
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Reviewed by
Peter Bradshaw
It’s not a movie so much as 159-minute trailer for a film called Elvis – a relentless, frantically flashy montage, epic and yet negligible at the same time, with no variation of pace.- The Guardian
- Posted May 25, 2022
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Reviewed by
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Reviewed by
Benjamin Lee
The novelty of a malevolent presence in the wholesome, brightly lit world of a kids TV show can’t quite sustain an engaging 95-minute feature, Kelly not knowing where to take his admittedly attention-securing setup.- The Guardian
- Posted Jan 27, 2026
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Reviewed by
Phil Hoad
The finale is more of a schmaltzy salute to the guide-dog ethos than intimate documentation of the new owners’ stories. The street training sequences, though – shot in swooping knee-high Steadicam – are thrilling; mini kerbside action movies.- The Guardian
- Posted May 18, 2019
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Reviewed by
Peter Bradshaw
Phoenix is the key to it all: a performance as robust as the glass of burgundy he knocks back: preening, brooding, seething and triumphing.- The Guardian
- Posted Nov 14, 2023
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Reviewed by
Peter Bradshaw
This is an unrepentantly cynical take on the hope-and-change promised to the US in 2008; this year's election race makes it look even bleaker, an icily confident black comedy of continued disillusion.- The Guardian
- Posted Sep 3, 2012
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Reviewed by
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Reviewed by
Peter Bradshaw
This long film is blisteringly brilliant for the first hour or so. Then there are shark-jumping issues.- The Guardian
- Posted Jan 26, 2018
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Reviewed by
Benjamin Lee
It’s a breeze of a watch and with the bar for studio comedy being so very low right now, it’s at least mildly inventive and likably goofy, enough to warrant a cautious recommendation (premium rental price: no, next time you’re on a plane: sure).- The Guardian
- Posted Feb 11, 2021
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Reviewed by
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Reviewed by
Peter Bradshaw
It’s a fascinating story but the resulting film insists on a kooky relatability that isn’t really there. A misfire.- The Guardian
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Reviewed by
Henry Barnes
Infinitely Polar Bear is heartfelt and honest, but it's too cute by half.- The Guardian
- Posted Jan 26, 2014
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Reviewed by
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Reviewed by
Peter Bradshaw
Veteran French director Jean-Jacques Annaud serves up some high-octane film-making with this old-fashioned disaster movie, composed in a docu-realist style, about the catastrophic fire that engulfed Paris’s Notre Dame cathedral in 2019.- The Guardian
- Posted Jul 26, 2022
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Reviewed by
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Reviewed by
Peter Bradshaw
Its fervency and its eroticism give the film its currency.- The Guardian
- Posted May 29, 2025
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Reviewed by
Jordan Hoffman
Cheadle’s got the cred, and the period evocation is tremendous. It’s just that I’m not sure he has all that much to say- The Guardian
- Posted Oct 12, 2015
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Reviewed by
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Reviewed by
Peter Bradshaw
Fury is a punchy, muscular action film, confidently put together and never anything other than watchable.- The Guardian
- Posted Oct 10, 2014
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Reviewed by