The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Toddlers will dig the shenanigans, but bewildered adults should root for the annihilation of this tapped-out series.
  2. Happily, Star Trek Beyond is much more than a mere refresh. Thanks to Lin’s steady directorial hand and knack for visualizing improbable set-pieces, the new film is bold, breathless and propulsive, a distillation of the action movie to its purest elements.
  3. It’s shocking and troubling, but it doesn’t add much to the reality we already know cruelly exists.
    • 43 Metascore
    • 50 Critic Score
    The scenes between Stewart and co-star Nicholas Hoult tend to be long and lingering, even bordering on dull, and the melodramatic music grows bothersome. By the time it reaches its abrupt ending, the only emotion audiences might be left with is boredom.
  4. Dunn’s work is a far more fantastical feat, one that mixes slow-burn drama with a welcome Cronenbergian sensibility. Oh, and Isabella Rossellini plays a talking hamster. Just try to top that.
    • 78 Metascore
    • 88 Critic Score
    The Innocents is a powerful, brave film that will stay with you for days.
  5. We’re primed to expect that the culture clash, when it comes, will be powerful and dangerous. Instead, the film suddenly backs down, and the resulting learning and growing feels like chickening out.
  6. Paul Feig’s female-led reboot of the long-dormant franchise is thrilling, hilarious, lovingly crafted and the wild, colourful, giddy blockbuster this otherwise staid summer movie season so desperately needs.
    • 70 Metascore
    • 75 Critic Score
    This unrealized focus is not to say that The Music of Strangers is not worth seeing. It is, for many reasons, not the least of which is Neville’s pacing and the beautiful camerawork, as well as the many fine performances.
  7. Laudable for its commentary on hedge-fund greed and a government unable to take care of its people, the well-acted film loses points for story conveniences that rob the final scenes of the emotional weight otherwise earned. A promise made is a balance owing, and The Debt fails to pay off.
  8. Overly sensitive pet owners, however, would be advised to take a walk.
  9. A fascinating and compelling dive into an artist’s uniquely ticking parts, gives voice to a complex dude and broadens the picture.
  10. Director Jeremy Sims probably uses a setting-sun metaphor more than necessary, but otherwise his decisions are immaculate and his film should hold audiences in thrall. On a journey of self-discovery, the metre keeps running. Might as well, Last Cab tells us, get your money’s worth.
  11. If children will be entertained by the unwilling roommates’ narrow escape from cats, dog catchers and the Flushed Pets, it is the mass of surrounding detail, from the glittering Manhattan skyline and Gidget’s sleek modernist pad to the animals’ remarkable mastery of domestic technology, that will impress the adults.
  12. You may think I’m being too hard on this film. It’s possible I saw it on the wrong night, in the wrong mood. But I’m fed up with the cheap laziness of this strain of comedy. When I was eight, I found it side-splitting that Ken’s doll hand was moulded in a curve that fit perfectly over Barbie’s breast. But then I grew up.
  13. Scratch off Lewis as a contender for the new Bond actor. As for McGregor, he may have failed his audition as well. Our Kind of Traitor is tense enough, but lacks lustre and pizzazz. Perhaps a better-utilized Harris could have popped things up.
    • 84 Metascore
    • 88 Critic Score
    A case study in blunt-force media trauma.
  14. That the film – part dark comedy and part cinematic dare – is the most unusual sight you’ll encounter at the movies this year is not up for debate.
  15. The movie trots pleasantly along, but it never races.
  16. There’s also not much chemistry between Skarsgard and Robbie in a film that hints at the Greystokes’ great sex life but barely shows it. Instead, we get flashes of flesh that are hilariously dated in their obviousness.
  17. The problem with the Purge films is they feel like they’re made for people who would actually take part in the purge.
  18. One of the most aggressively stupid blockbusters ever made, a painful exercise in Hollywood greed and artistic incompetence on every level.
  19. Instead of captivating us with swagger, McConaughey chooses to go grim and dogged. Director Ross does the same.
  20. Will she give up? Or will she fight? Ah, who cares. Sharknado isn’t Shakespeare and The Shallows isn’t deep. School’s out, schlock’s in – no lessons here.
  21. If you have ever heard of the term “catfishing” – and if you haven’t, I’m impressed and envious – then you’re already one step ahead.
  22. There remains a nasty whiff here of a movie that is trotting out lesbian love interests and clawing cat fights for male titillation. With fashion taking the place of ballet, The Neon Demon may well prove controversial in a "Black Swan" kind of way, offering a love-it-or-hate-it debate over the appeal of its melodrama versus the politics of its social critique.
  23. Waititi (who’s also responsible for the best comedy of 2015, "What We Do in the Shadows," and will next tackle the third "Thor" film) executes a series of deft narrative U-turns, twisting the tale into 101 minutes of pure comic joy.
  24. The script wants desperately to be about the unfathomable nature of love. The best it can deliver is this: “Love is loving someone who is covered in snot.” It’s all quirked up, but goes nowhere.
  25. De Palma is a true visionary, even if you might not quite agree with what that vision is. Either way, a trip through his wild and hugely influential filmography is mandatory for any film fan, and that’s just what directors Noah Baumbach and Jake Paltrow offer in their new documentary.
  26. If you see only one movie this summer, see the movie about the movie it took seven summers to make. Hype? You bet. But the hard sell is warranted when it comes to a documentary with a high-flying title and an action-adventure blockbuster legacy attached.

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