For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Brad Wheeler
If you see Dionne Warwick as the greatest-ever interpreter of the music of lyricist Hal David and composer Burt Bacharach, you wouldn’t be wrong. There’s more to her story, however, as shown by this lively, contextual bio-doc.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Aparita Bhandari
Filmed in Nova Scotia and featuring both English and Mi’kmaw, Wildhood beautifully captures the beauty of the landscape and its community as well as moments of humour, even as it treads some bleak spaces.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Kate Taylor
The laughs and the wisdom creep up on you in this small and subtle comedy about male relationships.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Brad Wheeler
Even if you’d rather die than be trapped in a broken elevator with endless Kenny G music, Lane’s excellent accomplishment is making 97 minutes about the musician so much smart fun.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Chandler Levack
Alison Klayman’s documentary about the making of Jagged Little Pill should be as raw as its source material, but plays it incredibly safe instead.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Brad Wheeler
With his elegant bio-doc Oscar Peterson: Black + White, director Barry Avrich discreetly (perhaps too discreetly) sniffs around the question of Peterson’s legacy and whether he truly received the respect he deserved in his lifetime.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Sarah-Tai Black
While Neptune Frost is at no loss for multi-faceted thinking, its development of these concepts too often remains at the surface of meaning. The Black futures envisioned here are largely concerned with aesthetics and, while sonically and visually lush, seem hollow in comparison to the range of their full potential.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Kate Taylor
Today’s YA generation is unlikely to appreciate the monosyllabic performances and stately pace, but Pilote delivers a beautiful film in the tradition of the Quebec canon.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Aparita Bhandari
To use the parlance of young people these days, Quickening is a mood.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Chandler Levack
Trier has an incredible ear for dialogue and can observe the pitiful drama of a millennial breakup like no other.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Aparita Bhandari
Using Toba Tek Singh as a recurring narrative device is sublime, for those who understand the reference and the burden it carries.- The Globe and Mail (Toronto)
- Posted Sep 5, 2021
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Aparita Bhandari
The movie is basically a sumptuous almost two-hour long music video/musical. And as we wind down the summer – looking ahead to yet more uncertainty in the fall (Variants! Elections! Just Life In General!) – it’s delightful to indulge in a flight of fantasy.- The Globe and Mail (Toronto)
- Posted Sep 5, 2021
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Cliff Lee
Shang-Chi is a first, but it’s firstly fun to watch.- The Globe and Mail (Toronto)
- Posted Sep 2, 2021
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Sarah-Tai Black
In its attempts to revisit the original film’s discrepancies, DaCosta’s film ends up only retracing its narrative inconsistencies with full force and even deeper perplexity. Gone is the alluring entanglement of erotics and fright, replaced here by flat characters limply stumbling over a script intent on hitting us over the head with its social commentary.- The Globe and Mail (Toronto)
- Posted Aug 31, 2021
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Chandler Levack
Vacation Friends could’ve been the fun, lackadaisical resort comedy it wants to be. Our ensemble has considerable chemistry and are all charismatic performers in their own right. It’s fun to watch Cena in goading jock mode, until Howery jumps off a cliff with his glasses still on. Unfortunately, Tarver’s film soon veers hard on its cinematic jet skis, and falls flat on its face.- The Globe and Mail (Toronto)
- Posted Aug 27, 2021
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Amil Niazi
Despite some clever, winking nods to the original, including appearances by Cook herself and Matthew Lillard, He’s All That fails to deliver on what She’s All That did so well: a sweet, lighthearted romance that hinges on the chemistry between its two leads.- The Globe and Mail (Toronto)
- Posted Aug 27, 2021
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Kate Taylor
Based on the 2015 book of the same title, The Hidden Life of Trees is a documentary both simple and startling.- The Globe and Mail (Toronto)
- Posted Aug 26, 2021
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Kate Taylor
Whatever the experts say, any viewer can observe the large gap between the damaged original and the perfect restoration. Perhaps the only definitive thing one can say about the most expensive painting in the world is that, regardless of who painted it in the 16th century, it is a creature of the 21st.- The Globe and Mail (Toronto)
- Posted Aug 26, 2021
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Barry Hertz
Misha and the Wolves is as much a documentary as it is a wrestling match: filmmaker versus subject, truth versus fiction. Ultimately, the viewer comes out the winner.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Barry Hertz
There is a certain charm to Shaw’s deadpan comedy – and I genuinely appreciated what I can only assume was an intentional callback to Michael Cera’s fate in 2013′s This Is the End – but one visit to the Cryptozoo was enough for me.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Barry Hertz
By focusing on the old men and their dogs who spend their time in the woods of Northern Italy searching for the prized fungus, Dweck and Kershaw operate on a level of gentle, removed observation.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Chandler Levack
While the film is tonally incongruous and confusing at points, Ivan and Gerardo’s powerful love story has such high stakes, you can’t help but swoon.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Sarah-Tai Black
Unfortunately, Demonic often lacks the substance and energy needed to back up its narrative originality and hybrid genre form. While it is refreshing to see the groundedness with which the director approaches his newest project, his larger-than-life ideas still seem to have trouble finding their exact footing.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Chandler Levack
It’s elegantly filmed and well constructed, building to a haunting climatic sequence that could sear your eyeballs.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Brad Wheeler
As for who’s the cat and who’s the mouse, that’s easy: Filmmaker Campbell is the former and we’re the latter. The Protégé plays with its viewers – if one is up for the game, there are worse ways to spend 109 minutes.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Sarah Hagi
For a film about memories, Reminiscence is ultimately truly forgettable.- The Globe and Mail (Toronto)
- Posted Aug 23, 2021
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Barry Hertz
We’re still a long, long way from the heights of animation titan Pixar. But you (parents, that is, not whichever five-year-old might have a Globe subscription) might also put your phone down for a stretch to see just what’s happening on-screen. At the very least, you’ll see which toys you’ll soon have to buy. Yelp!- The Globe and Mail (Toronto)
- Posted Aug 20, 2021
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Sarah Hagi
Despite its shortcomings, Beckett manages to be a semi-effective thriller, with Washington holding enough attention to get the audience to root for his titular protagonist, but the lack of character development means viewers are never fully invested in his story.- The Globe and Mail (Toronto)
- Posted Aug 12, 2021
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- The Globe and Mail (Toronto)
- Posted Aug 12, 2021
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Reviewed by
Barry Hertz
There isn’t enough raw drama, deep-felt emotion, or genuine artistry on display here to keep CODA from staring down its own obligatory end: a half-smile and a shrug.- The Globe and Mail (Toronto)
- Posted Aug 10, 2021
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