For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 2.9 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kate Taylor
An icy Sarah Gadon can’t plumb it, offering a quietly mannered performance where a beautifully furrowed brow and occasional tear suggest the character cares more about looking elegant than dying. Thankfully, in the warmer roles of Yoli and her resilient Mennonite mother, Alison Pill and Mare Winningham do find the big broken heart at the core of this story.- The Globe and Mail (Toronto)
- Posted Sep 13, 2021
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Sarah-Tai Black
Not precious, but humanist, The Gravedigger’s Wife is a striking first from a filmmaker and cast we should hope to see more of.- The Globe and Mail (Toronto)
- Posted Sep 13, 2021
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Sarah-Tai Black
Fuqua is reliable in his continued ability to craft tense and measured films for broad audiences looking for complicated tales of morality.- The Globe and Mail (Toronto)
- Posted Sep 13, 2021
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Sarah-Tai Black
There is an urgency to these stylistic choices which ask us how we might best realize, through image and sound, both the memory and feeling of violence, of hope, of salvation for the damned. As in life, the grotesque and the beautiful exist concurrently and are each given fair weight.- The Globe and Mail (Toronto)
- Posted Sep 12, 2021
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Amil Niazi
It’s a shame that both Umair Aleem’s script and Cedric Nicolas-Troyan’s (The Huntsman: Winter’s War) direction ultimately feel rote because both Winstead and Martineau’s performances are fun to watch. Their playful, natural chemistry keeps the film from dragging on and lends a necessary levity and wit to the movie’s 106 minutes.- The Globe and Mail (Toronto)
- Posted Sep 12, 2021
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Johanna Schneller
The songs are clever; the actors dig in (especially Amy Adams and Julianne Moore as Connor and Evan’s moms, respectively). And Ben Platt’s voice is undeniable, a thing of wonder, a pure emotion-delivery system. You will be moved.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Sarah-Tai Black
Amin’s story is given life and depth, charted here with a care for his wholeness rather than too simply his refugee status.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Aparita Bhandari
Although the film doesn’t fully deliver on the political-thriller element, it asks some powerful questions: How does violence become intimate, blurring the line of morals and ethics?- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Aparita Bhandari
Russia’s stark landscape makes for breathtaking and sometimes comical scenes. This is a trip well worth taking.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Aparita Bhandari
Dug Dug is cleverly crafted, with its sharp edits and evocative sound design lending some bite to the satire. When the truth is revealed at the end, it’s stranger than fiction.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Brad Wheeler
The racial context is incisive; the retelling is tense, tight and chilling. These kinds of stories are emotionally wrenching to watch but can’t be told too often.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Kate Taylor
There is exquisite dramatic tension here, built partly by Campion’s deft storytelling and partly by her powerful cast.- The Globe and Mail (Toronto)
- Posted Sep 11, 2021
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Kate Taylor
Billed by the director as his tribute to cinema, One Second is affectionate and sweet – perhaps a bit too sweet, considering this premiere was much delayed after the film was held back by the Chinese government for supposed technical reasons in 2019.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Brad Wheeler
This could have been a thriller, but thrills are cheap and Moratto aims for something more documentative, sombre and meditative. It’s about paying debts and the illusionary concept of freedom.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Aparita Bhandari
Just like a jazz tune, the film establishes an image, elaborates on it and brings it back to a more-or-less satisfying close.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Barry Hertz
A highly abstract look at family, memory and regret, all filtered through the reality of daily life in the Métis Nation, Ste. Anne makes a big impression.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Barry Hertz
With Night Raiders, Goulet can confidently claim to be today’s most effective practitioner of Indigenous sci-fi, a subgenre in which time-tested cinematic thrills – speculative fiction, violence, a heightened sense of style – act as Trojan Horses for themes that audiences might otherwise ignore. Everyone wins.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Barry Hertz
Quiet and reverent, as if filmed entirely in hushed tones, Sciamma’s film is supremely confident in its every element.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Johanna Schneller
Munn’s exquisitely readable face, which cycles through emotional states with delicate flickers, is Bateman’s strongest asset. Her weakest is her storytelling.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Aparita Bhandari
Aloners manages to delicately infuse what otherwise seems like a slice-of-life drama with shots of mystery that keep us invested in Yu Jin’s otherwise humdrum life.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Kate Taylor
Cumberbatch excels once again at breathing life into a sorrowful genius.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Barry Hertz
Director Maria Schrader’s new sci-fi-tinged rom-com might be conventionally structured, but it is also smoothly crowd-pleasing work, tackling all the anxieties and neuroses of midlife romance with the fears and promises of next-generation technology.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Aparita Bhandari
Right from its opening frame, there’s a lyrical, dreamlike quality to Payal Kapadia’s debut feature.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Chandler Levack
It’s a beautiful work of cinematic concentration that’s purely Apichatpong.- The Globe and Mail (Toronto)
- Posted Sep 10, 2021
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Kate Taylor
The director’s larger point is deployed with such subtlety that it creeps up on the viewer with devastating force.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Reviewed by
Aparita Bhandari
Within India’s multilingual cinematic universe, Malayalam cinema has long established its own narrative. Despite its occasional disjointedness, Nithin Lukose’s debut feature is a worthy addition to that tradition.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Aparita Bhandari
A quiet study of its characters, Ali & Ava is a fresh take on otherwise well-worn rom-com narratives.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Chandler Levack
With great humour and heartbreak, Whether the Weather is Fine is the kind of film intrepid cinephiles long to discover at TIFF.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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Chandler Levack
Although the most dramatic events in the film tend to happen off screen, both men endure jail time, devastation of their property and familial heartbreak for participating in such a high-risk, high-reward career.- The Globe and Mail (Toronto)
- Posted Sep 9, 2021
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