For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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- Critic Score
The monster isn't very interesting (or scary) to look at: he's just an oily, overgrown gremlin.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
The film's best players can all be found in the supporting cast.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Even the visions of attractive half-dressed bodies lolling about in various Madrid bedrooms or leaping into spontaneous music videos don't prove compelling for long.- The Globe and Mail (Toronto)
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Reviewed by
Leah McLaren
By the end of the Stoked, the viewer is left with a lot of trivia about the history of skateboarding, and scant insight.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
As for the old and graceful Jackie, he's completely missing in action, his supple talents sacrificed on the high altar of movie technology -- that frenetic place where superheroes are a colossal bore and real ones are sadly impotent.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A movie that is often as awkward and as filled with mixed impulses as the age it documents.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- Critic Score
When Uptown Girls isn't trying to play up its wacky high jinks -- and those tend to be so weak they can't possibly float the film -- it stoops to the kind of psychological character development films this shallow should really avoid like the plague.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A better, and more relevant movie, might have left us at the point of troubled introspection, but Costner is compulsive about tying up loose ends and upbeat messages. If the climax of Open Range is disappointing, the ending is almost intolerable.- The Globe and Mail (Toronto)
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Jennie Punter
I think the guy who exited the advance screening after less than 15 minutes said it best. "This movie's garbage," he hollered, as the audience members tittered and shuffled their feet, which they continued to do throughout this humourless, hackneyed yawnfest.- The Globe and Mail (Toronto)
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Ray Conlogue
One of Stephen Chow's extravagant and very funny martial-arts spoof movies.- The Globe and Mail (Toronto)
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Rick Groen
If the cinematography lacks the up-close-and-personal drama of "Blue Crush," it's still adequate to the occasion -- after all, like any star worth her salt, the ocean has yet to meet a camera she doesn't like.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
Lots of buildings and cars explode, but there isn't a spark between any of the characters.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The movie is directed by Mark Waters (responsible for the indie black comedy, "The House of Yes") and mostly, he's workmanlike, but smart enough to get out of the way of the nicely balanced two lead performances.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The film is an attack on religious hypocrisy, mixing melodrama and black humour in a volatile blend.- The Globe and Mail (Toronto)
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Ray Conlogue
For those who don't know his (Lelouch's) work, And Now Ladies and Gentlemen will be fun because his style is unique and unpredictable. But for those who have known him in better form, this one is not a must-see.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The climax, however, is far superior here, open-ended and ambiguous and neatly linked to this film's recurring metaphor: Teeth, of course, which "outlast everything," which survive the death of the body just as marriage can survive the demise of love. They both endure, yellowed and rootless.- The Globe and Mail (Toronto)
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Reviewed by
Ray Conlogue
Speaking personally, I wouldn't voluntarily go to this flick. But for those with a greater gross-out threshold, it's a better film than anyone should normally expect in this genre.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A hypnotic, black hole of a movie that sucks reputations, careers and goodwill down its vortex. Rarely has a movie that doesn't star Madonna achieved such a skin-crawling mixture of deluded preening and bungled humour.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Spy Kids 3-D: Game Over, is still offbeat, but more in the sense of unco-ordinated than syncopated.- The Globe and Mail (Toronto)
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Stephen Cole
Isn't nearly as much fun as the original. For one thing, Lara having a boyfriend wrecks everything.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Seabiscuit is a good enough movie, in the sense that it's a well-crafted assemblage of pathos and rousing moments, solidly acted and handsomely shot -- but it's far from champion material.- The Globe and Mail (Toronto)
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Even though the presence of such political and social nuances is largely inconceivable in an American romantic comedy, they only make this busy, blustery film seem more muddled.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
There's no doubt the cast is driven and talented; some day, it might be interesting to watch a film about what such kids are really like.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
There are people who find treasures in celebrities' garbage cans so it's a reasonable gamble they might want to buy tickets to watch their throwaway home-movie projects as well.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
By its third act, Okwe has found his solution and Dirty Pretty Things comes across as both clever but a little pat, another British drama about the misfits who pool their resources to defy the oppressive system, though it does not precisely leave a warm glow.- The Globe and Mail (Toronto)
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Reviewed by
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- The Globe and Mail (Toronto)
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