For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rick Groen
In the Scotland of Young Adam, love is getting dragged through the mud.- The Globe and Mail (Toronto)
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Liam Lacey
Rousing? Sort of. Never before, one feels, have so few given so much for so much real estate.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The mainstream prominence of pornography gets a shove forward with the teen comedy, The Girl Next Door, an improbably-not-terrible teen sex comedy.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
The obvious problem with The Whole Ten Yards is that it begins with the wrong kidnapping. Instead of taking Oz's wife, the criminals should have grabbed the authors of the original movie.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
If laughs are the currency of any comedy, then this one pays minimum wage and, worse, makes you work damn hard even for that pittance.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
It's a treat because, making no apologies for the source material, director Guillermo del Toro lets his picture gorge on power bars of pop energy, sugared with sprinkles of playful humour, and, at least twice, laced with a visual style so piercingly keen that horror morphs into beauty. Not bad for a pulpy outing.- The Globe and Mail (Toronto)
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Liam Lacey
Whatever the narrative shortcomings, these characters have the warmth of antique painted storybooks, unlike the eerie plastic simulation of Pixar characters.- The Globe and Mail (Toronto)
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Rick Groen
In its nearly two-hour running time, in its always lugubrious pace, in its almost complete absence of laughs, The Prince & Me is a comedy that plays like a tragedy. No stricken bodies, though, unless you count the ones in the audience slumped back in their seats -- perchance they slept.- The Globe and Mail (Toronto)
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Jennie Punter
Okay, it's just a movie, but his "reward" just doesn't cut it, even on a basic storytelling level. A crooked casino and a nephew's experiment with drugs are not enough justification for the hero's violent acts of vengeance.- The Globe and Mail (Toronto)
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Liam Lacey
Looking like some gorgeous fan painting come to life, Spring, Summer, Fall, Winter . . . and Spring is pictorially spellbinding.- The Globe and Mail (Toronto)
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Liam Lacey
The United States of Leland has a resonance of "Elephant" without the visual poetry or structural sophistication, or "American Beauty" without the leavening comedy, but it's neither an insightful nor well-made film.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Mainly bad, and a shockingly bland departure from a hitherto spunky guy.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The overstuffed farce remains, but the caustic leanness and meanness of the original are gone with the Mississippi wind. That leaves us to settle for occasionally funny moments in an otherwise uneven picture.- The Globe and Mail (Toronto)
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Liam Lacey
If nothing else can be said of Dogville, it's a film that is like nothing else.- The Globe and Mail (Toronto)
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Stephen Cole
Ironically, the only good thing about Never Die Alone is its rap-retro soundtrack (God bless Curtis Mayfield!). Otherwise the film is so full of crap they should name a Port-a-San after it.- The Globe and Mail (Toronto)
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Liam Lacey
The plot's not so hot -- it feels like it was jotted down by someone on an after-dinner napkin.- The Globe and Mail (Toronto)
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Rick Groen
You'll be rewarded with a terrific finale. The twists here are the rare sort that seem both narratively surprising and emotionally engaging.- The Globe and Mail (Toronto)
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Stephen Cole
If only Taking Lives had given Jolie a greater foil than Ethan Hawke -- a young Kevin Spacey or Jack Nicholson say -- the film might have been a B-movie classic.- The Globe and Mail (Toronto)
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Rick Groen
This time the script makes scant metaphoric use of the mall. In fact, metaphors are generally in short supply here. Scares too.- The Globe and Mail (Toronto)
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Stephen Cole
It's a bright, busy imitation of independent moviemaking. But it's hardly an independent film. Hopefully, next time out, director Crowley, a promising storyteller, will find his own story to tell.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
After 90 minutes of diligently searching the premises of ACB2, no evidence of mass entertainment can be found. Recommend cancellation of all future similar missions.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
A poet is not a pirate (except in his dreams), and, minus the gold in his teeth and kohl over his eyes and trinkets in his tresses, Depp is handicapped here -- for all his deft brushwork, he can only do so much with a flat character on a small canvas.- The Globe and Mail (Toronto)
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Ray Conlogue
Spartan is all good. Then it isn't. Then it isn't at all good. Not at all.- The Globe and Mail (Toronto)
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Jennie Punter
A believable, tender story of how a terrible crisis can turn out to have a positive, transforming effect on a family as long as there is love.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
First a bit about the movie, which really isn't one -- more like a 48-minute press release promoting the glories of NASCAR.- The Globe and Mail (Toronto)
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Liam Lacey
There's a surprising sweetness in the bond between the two cops. The gay subtext of the partnership is used for humour but it's never sniggering or mean.- The Globe and Mail (Toronto)
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Jennie Punter
The beautifully photographed film is quite stylized at times...But it manages to steer clear of the stereotypes one might expect of a movie set in this time and place, thanks in part to the underlying and, mostly, underplayed themes of spirituality and the search for identity.- The Globe and Mail (Toronto)
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