For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rick Groen
The result, like so many stout travellers from stage to screen, is respectable. Stolidly, bloodlessly, yawningly respectable.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
Sounds promising. What a disappointment then to report that Just Like Heaven is more like purgatory, a sweating, straining attempt to marry the wisecracking fury of the modern sitcom to the classic Rock-Doris, Cary-Kate romantic comedy.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Of course, given the abundance of voice-over, Nic Cage is unburdened from any great need to act. But he narrates splendidly, delivering the stuff with an unrepentant glee laced with liberal doses of irony.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Schreiber has one major casting coup in Eugene Hutz, the New York-based Ukrainian/Gypsy/Punk musician who plays Alex.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Ghoulishness and innocence walk hand-in-hand in Tim Burton's Corpse Bride, a movie that digs into Hollywood's past to resurrect the antique art of stop-motion animation and create a fabulous bauble of a movie.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
So no one would argue that Thumbsucker sucks. But the thing does seem just so indie-movie familiar.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Separate Lies is deceptive in more ways than it intends. Because the acting is so uniformly superb, we're almost fooled into believing that the movie is as good as the cast. It isn't, not by half.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
By the conclusion, the movie turns into the ursine answer to "Free Willy," veering dangerously close to New Age parody: Free your inner bear -- and begin to heal from the last time you got mauled.- The Globe and Mail (Toronto)
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- Critic Score
Positively hops with jolts and frights but they're the cheap kind.- The Globe and Mail (Toronto)
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- Critic Score
The tedious, tortuous storyline and lifeless cast are two larger problems.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Grade Underclassman an "Unacceptable effort," and "D" for derivative.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Constant is the very thing The Constant Gardener is not. Attractive yet fickle, the movie beckons enticingly one moment and wanders off the next.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Sorry, but the real Grimms did a whole lot more with a great deal less.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Though The Cave really, really tries to be scary from as many directions as possible, it fails to hold much in reserve and never manages to build suspense.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The trouble with Undiscovered isn't that it's actively annoying but it's so dramatically listless it seems determined to become Unremembered.- The Globe and Mail (Toronto)
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- Critic Score
While "Wedding Crashers" ultimately succumbs to endorsing the mushy romantic clichés that it spends the rest of the time ridiculing, The 40-Year-Old Virgin offers a wiser take on the anxieties, negotiations and expectations that surround love and sex, particularly for people who've been burned before.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Sitting through Red Eye is like watching a master carpenter at work on a custom bookcase. No one would call the result art, but you're sure bound to admire the sheer craft of the thing, the clean lines and seamless joints and meticulous attention to detail.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
My advice is to choose the first half, where things are really funny until they aren't.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
A fine, solid cast and fully exploited settings cannot make up for the by-the-numbers screenplay, which is filled with all-too-convenient plot points.- The Globe and Mail (Toronto)
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In the worst scenes in Deuce Bigalow: European Bigalow, it's as if Schneider and Co. are straining to invent new taboos just so they can break them, a strategy that provokes more confused silence than laughter.- The Globe and Mail (Toronto)
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The director's approach is far too ham-fisted and erratic to bring Four Brothers up to the level of enjoyable trash -- it's too crummy to earn that distinction.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The picture's broad outline may be fact, but everything inside gets painted in a deep shade of bogus.- The Globe and Mail (Toronto)
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Reviewed by
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- The Globe and Mail (Toronto)
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- Critic Score
It is also extremely well-written in the fearless way of a smarty pants on a roll in the university cafeteria.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
It's not so much a movie in three acts as three movies stuffed into a single casing, and often showing the strain.- The Globe and Mail (Toronto)
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