The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Huston's performance has a keen edge to it, as do those of the other actors, yet everyone suffers from the same problem -- they're not playing knowable characters so much as thematic points on the broad spectrum of violence.
    • 53 Metascore
    • 50 Critic Score
    Even though William Safire doesn't fit in the target demographic, Stick It is more valuable as a survey of modern American teen argot than as a movie.
  2. Greengrass's reluctance to unduly demonize the villains or overly sentimentalize the victims is commendable on the surface, but it tends to blur the two sides and to mask the gulf that separates them.
  3. Normally, such saccharine inspiration only manages to clog the heart, not warm it. But there's a true original in this den of clichés and her name is Keke Palmer.
  4. RV
    Yes, Virginia, there is a poop fairy, which is why studio heads persist in tucking the likes of RV under their pillows, confident they'll awaken Monday morning to find all that brown turned straight to green.
  5. The lower orders seem to have been left out of The Lost City -- there just aren't any poor characters -- which for a movie about a workers' revolution seems downright slipshod.
  6. Lady Vengeance is more than half over before we discover the object of Geum-Ja's hatred: a kindergarten teacher named Mr. Baek. He's played by Choi Min-sik, the prisoner in "Old Boy," and here he's as tepid as he was heated in that film.
  7. Hugh Grant's Martin Tweed is nowhere as menacing (or interesting) as the callous bruiser who makes every episode of American Idol a chilling psychotic adventure.
  8. A contrived and tepid thriller that insists on wanting to interest us in its main plot -- the usual nefarious plan to assassinate the leader of the free world.
    • 31 Metascore
    • 38 Critic Score
    Though Silent Hill's shoddy dialogue and incoherent story constantly irritate, several sights and scenes possess a certain surreal grandeur...Sadly, that's not enough to compensate for Silent Hill's utter lack of tension, intrigue, character development or satisfactory explanations for what the hell's happening on the screen.
  9. Writing, casting and pacing are vital. Scary Movie 4 doesn't let any gag get stale. It's rapid-fire, hit-and-miss and hit-and-strike comedy.
  10. As far as story is concerned, the whole thing feels like a rerun of a raucous Saturday-morning television show aimed at hell-raising five-year-olds.
  11. Don't think for a second that Hollywood has cornered the market on formula flicks. Ever since the prototypical success of "The Full Monty," those crafty Brits have been running their own mimeograph machine.
  12. Hard Candy not only trips along a tightrope line between exploitation and art; in some ways, that line is its subject.
  13. Anyone expecting another dark satiric film in the same vein of Harron's earlier movies will be disappointed. Perhaps as befits a bondage-themed picture, The Notorious Bettie Page is very restrained, even a little starchy.
  14. A stylish, sharply observed erotic mystery.
  15. Fails to ever come alive as a human comedy in the manner of the best mockumentaries.
  16. The proverbial seems awfully pale here. Fans of Q.T. will find it patently derivative. Fans of Elmore will find it, well, El-less.
  17. An underdog's breakfast of a movie, with some quite funny characters and set pieces mixed with some excruciating "moral lessons," but at least it moves along at a brisk pace.
  18. If it weren't for Mo'Nique's fresh, appealing screen presence, Phat Girlz would fall flat.
  19. The whole thing has all the spontaneity of high-school morning announcements.
  20. Holofcener's work is character and dialogue-driven, with a keen sense of prickly female competitiveness and intimacy that a man couldn't, and probably wouldn't, dare portray.
  21. Didn't we just see this movie? Over in Britain, big bad governments may be outsourcing his job and rendering him redundant, but never fear -- the plucky working-class hero has definitely found a steady gig on the silver screen.
    • 37 Metascore
    • 38 Critic Score
    Sure, the food looks good and the prayers are worth hearing, but there just isn't enough wine in the world to tempt the prophet Elijah into dropping by this household when this is the company he'll get.
    • 74 Metascore
    • 63 Critic Score
    Informative and swiftly paced documentary.
  22. Basic Instinct 2 is double trouble -- the femme is to die for, the film is to die from.
  23. Essentially a journey from point A to point B, a simple classic plotline on which to hang a collection of set pieces -- some delightful, some wacky, some tediously hackneyed.
  24. This is well-crafted retro horror, too familiar to be really scary but smart enough to be fun. And funny too, with the kind of pure laughs that grow organically from the script, untainted by the chemical spray of irony.
  25. Mainly, it's a clever gimmick, cleverly wrought, offering further evidence that you can dress up the student body in all manner of garb for all types of genres.
  26. An uncomfortably fascinating document of a man whose bipolar disorder and artistic ambitions are inextricably connected.

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