The Globe and Mail (Toronto)'s Scores

For 7,293 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7293 movie reviews
  1. Like newfangled Western revisions of ramen itself – sprinkled with corn niblets and topped with melty hillocks of shredded Swiss cheese – Tampopo is an exercise in hybridity.
  2. But like Tasya, Possessor succeeds in getting under your skin. If this is just a taste of what Brandon Cronenberg has in store for cinema, then long live the new flesh.
    • 61 Metascore
    • 75 Critic Score
    Whether or not this flies in the unforgiving fan world remains to be seen. But for those less intemperately invested, The Wolverine will come as a welcome and bracing surprise: An almost human-scaled superhero movie about a guy who goes to die in Japan and ends up beating his way back to life.
  3. A fantastic holiday toy that, amazingly enough, doesn't require batteries.
  4. Relentless, thorough and devastating.
  5. There are zombie movies and then there are George Romero films.
    • 53 Metascore
    • 75 Critic Score
    This is a profoundly disturbing work. It should be essential viewing, particularly in high schools and universities, whence the next generation of policy makers will one day emerge, hopefully more enlightened than we have been.
  6. The film is at its best in scenes set in Europe in the 1950s – the protracted genesis of "Mastering the Art" provides the drama here.
  7. Certainly long and not always engaging and comes with a predictably basic ending, yet there are unexpected pleasures, moments of beauty and tiny pockets of joy to sustain you through the journey.
    • 78 Metascore
    • 75 Critic Score
    Wong Kar-Wai makes gifted use of a hand-held camera in Chungking Express; little seems to have been shot with anything else. That, linked with a clear taste for chiaroscuro imagery, makes for a fast-paced film that combines visual flair with story lines that are subtle enough to leave the most important things unspoken. [15 Mar 1996]
    • The Globe and Mail (Toronto)
  8. A masterly piece of documentary chicanery that kills George W. Bush without once pandering to his legions of ill-wishers.
  9. The Canadian film "Atanarjuat" travelled back to the past to meet an ancient legend on its own ground and treated the tale realistically. Whale Rider whisks its legend up into the present, and then adds a touch of lyricism.
  10. The producers of Hidden in Plain Sight decided that they couldn't deal with Sept. 11 in the film without losing focus on its principal subject. The result is that the film stands as a testimonial to the world as it existed before that date, a world very different from the one we now live in.
  11. With his breathy, antic delivery, pouring out his heart in staccato bursts, Cusack puts a nice loop on the sensitive teen theme. For his is an upbeat, mature brand of sensitivity, the healthy kind that makes fine discriminations, not nasty judgments.
  12. Both Page and Wood hand in tough yet delicate performances as, over the course of a year, adversity shapes their characters.
  13. It’s a fine yarn spiced up with moments of hip hop, animation and pop culture references, all packaged nicely in something like the hot-pink doughnut boxes that the cruller maestro Ngoy supposedly invented.
  14. Willie may not have a heart of gold. But he’s got a heart of bloody, barely thumping meat, same as the rest of us. And in this bitter season of unceasing, frostbitten darkness, it’s heart enough.
  15. A Canadian spin on Thelma & Louise, the ambitious new drama Nika & Madison has all the fiery spirit of its made-in-Hollywood inspiration, if not quite the narrative dynamism and endless resources.
  16. An efficient, cold-blooded sci-fi splatter movie that never makes the mistake of forgetting that on some level it is deeply ridiculous.
  17. Handsomely mounted, emotionally involving sci-fi movies don't often show up in the darkened galaxies of our theatre chains. So Alvart's English-language debut is definitely a film you want to catch on the big screen. Just don't sit too close, lest you end up with a dose of pandorum.
  18. Whether the film is uniquely brilliant or dismissively dumb is not the issue here. Either choice can (and will) be offered – it’s the choosing that counts.
  19. It’s a corny, old fashioned boy-dog love story, as adorable as anything Walt Disney ever signed off on.
  20. What’s missing in Get Him to the Greek are the supporting characters that made "Forgetting Sarah Marshall" so engaging.
  21. Actress Helen Buday is coolly persuasive in the seesaw role of an unbalanced housewife who jerks from despair to anger.
  22. No, this isn't the Care Bears. But it is a compelling yarn, in a Grimm sort of way, a throwback to a time when storytellers felt freer to tap the emotional currents that run deep and often dark in all children, and when the stories themselves formed a moral maze that trusted the kids to find their own way home.
    • The Globe and Mail (Toronto)
  23. One of the more ingenious and fresh surprises of the summer.
  24. Unfortunately, as the phone battery wears down, the plot's theatrics heat up to pot-boiling degrees of incredulity – a senile mother, a vicious personnel director, even a coiled serpent, all vie to raise the ante. Talk about your bad day.
  25. If you long for the bleak intelligence of an Ingmar Bergman film, where humankind is deeply flawed and God is indifferently silent and the landscape is cloaked in perpetual winter, then Beyond the Hills promises to be your cup of despair.
  26. As far as movies-as-line-items go, Homecoming is better than it has any right to be. The story is slight but spry, thanks partly to the jettisoning of origin story but also due to its blessedly small stakes.
  27. Beijing Bicycle is a good film that owes a huge debt to a better film. And that, of course, is Vittorio De Sica's "The Bicycle Thief."

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