The Globe and Mail (Toronto)'s Scores

For 7,293 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7293 movie reviews
  1. Essentially agenda-free, My Perestroika has the quality of a candid conversation with long-lost cousins from another country.
  2. Top Five finds Rock in an elevated form, at 49. Things change, sometimes for the better.
  3. No doubt, Blood Brother is narrowly focused on Braat’s needs and evolution, but in contrast to social-issue films filled with talking-head experts and bullet-point graphs, this is a portrait of a caregiver that goes to the core of motivation – in this case, the need to share love.
  4. Sometimes, the quiet lyricism of DuVernay’s direction seems at odds with the grittiness of the subject matter, like poetry force-fed into prose.
  5. Possibly no one else does "grim" with as much unsparing enthusiasm as the Scandinavians.
  6. A quiet study of its characters, Ali & Ava is a fresh take on otherwise well-worn rom-com narratives.
  7. The Clowns and the Krumpers have a rivalry that parallels the Bloods and the Crips battle for the neighbourhood, but fought out in moves, not bullets.
  8. Ali
    It's not Smith's fault that the movie can't quite pry apart the man from the myth from the metaphor. The three may well be inseparable by now and, at this point in his history and ours, that's surely the way we prefer it.
  9. The film’s own unhurried pace might frustrate the popcorn crowd, but it is the blasé, blank-faced unconcern for expediency from judges, prosecutors and bailiffs that should prove much more infuriating.
  10. Ultimately, the performances carry the film.
  11. It may be a slim story, but its gentle humour, natural rhythm and above all authentic performances make Tomboy beautiful, intimate cinema.
    • 65 Metascore
    • 75 Critic Score
    The question subtly, craftily documented in The Swell Season is whether the fans or Hansard himself want to see the singer cast in this new role of success.
  12. It may not go the distance, but it’s surely worth a step into the ring.
  13. The heavy Star Wars legacy sits lightly on Ehrenreich’s shoulders in a Disney-Lucasfilm movie that is finally having fun.
  14. Mainly, it features dramatic footage of the protests, following the protestors’ logic as a leaderless movement coalesces on social media and crowd-sources strategies on the fly.
  15. Like Clint Eastwood's "Unforgiven," the underlying tension involves the protagonist's journey to regain his humanity. Hostiles, a hotbed of hostility.
    • 52 Metascore
    • 75 Critic Score
    It doesn't prick the social conscience or offer insights into the human condition, but it does well what it sets out to do: tell a loopy love story and make audiences feel good. This is summer entertainment - and long-shelf-life video - of the first order. [12 June 1992]
    • The Globe and Mail (Toronto)
  16. Ultimately, Shine a Light is illuminating indeed, even fascinating, but not in the way Scorsese intended. What he has created, inadvertently, is an invaluable documentation of semi-fossilized Stones – musicologists may like it, sociologists should love it and, some distant day, anthropologists will treasure it.
  17. Yet while last month’s Claire Denis drama "High Life" will go down as one of the year’s ultimate masterpieces, the Swedish soul-crusher Aniara will likely be remembered as an ambitious if ultimately weaker curiosity: the "Antz" to Denis’s "A Bug’s Life" (a sentence I never thought I’d be able to employ, but here we are).
  18. As a young man he dreamed of racing cars. Now he rides a bicycle to the market each day, to negotiate with an elite fraternity of top fish dealers, who save their best for Jiri's restaurant. Like the fish that are disappearing from the oceans, they're probably the last of a breed.
  19. Nasty in its narrative and nifty in its aesthetic, Stephen Susco’s new film is a solid argument against doing anything remotely illicit online.
  20. A movie that is often as awkward and as filled with mixed impulses as the age it documents.
  21. A conventional mixture of thriller and moral drama, the film is unsettling in both intentional and unintentional ways.
  22. In a series of mini-rants with insights that range from the ho-hum to the profound, the sixtysomething Žižek, paunchy, bearded and bobbing his hands like a squirrel’s paws, rummages through what he calls the trash can of ideology.
  23. Unlike "Being John Malkovich," which JCVD sometimes resembles, there is no secret portal to the star's head; instead, the audience gets a fleeting glimpse through the smeared window of his soul.
  24. As torpedoes shoot through the seas and depth charges pass by, carrying their whining cargo of destruction, Das Boot brings the presence of death to within a whisper of the eardrum.
  25. By Cinema Stathama considerations, The Beekeeper is a masterpiece – the best B(ee)-movie of this cold-hearted season.
    • 68 Metascore
    • 75 Critic Score
    It's rare for a documentary style to match its subject so ideally.
  26. Throughout, Dorff is doggedly credible as an obtuse actor, but the richer performance here is from Fanning, and it might have been a stronger movie told from her character's point of view.
  27. If children will be entertained by the unwilling roommates’ narrow escape from cats, dog catchers and the Flushed Pets, it is the mass of surrounding detail, from the glittering Manhattan skyline and Gidget’s sleek modernist pad to the animals’ remarkable mastery of domestic technology, that will impress the adults.

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