The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. An eat-the-rich satire that would go rotten without its supremely overqualified cast, The Menu is as much fun as it is ephemeral.
  2. A movie that feels a bit like digging a hole in the ground -- an exercise that may build character but doesn't seem to accomplish much else.
  3. A trifle compared to Robert Altman's great films -- But it's a very assured trifle, and an unusually good-natured Altman film.
  4. It's a pinball arcade of a flick -- the Coens invent a bunch of wonderfully flaky characters, stick them into a Plexiglas narrative, and let them bounce off each other.
    • 71 Metascore
    • 63 Critic Score
    A slick and star-studded comedy trumpeting a glib libertarianism that talks a good game but is as woolly headed as the liberalism fixed in its sights.
  5. A surprisingly effective work of family entertainment that hits all its marks, and then some.
  6. This is Romero at his best - a set-piece of sustained chills all precisely shot and rhythmically cut, good enough to make us forgive (if not forget) the cast that is merely competent, and an ending that is downright tepid. But even at half-throttle, Romero can quicken the pulse. Worse than it could have been, Monkey Shines is still better than most. [29 July 1988]
    • The Globe and Mail (Toronto)
  7. But at heart, the terrain mapped by Map of the Human Heart is emotionally shameless; it's a forties movie tossed into the nineties. It should find a lot of fans. [14 May 1993]
    • The Globe and Mail (Toronto)
  8. While Lawrence keeps the momentum steady – just like his contest’s most able-bodied walkers – and ensures that every few minutes delivers some kind of violent jolt, there’s just not enough meat to this particular roadkill story to keep one cinematic foot in front of the other.
  9. The Good Girl isn't really the title of this movie at all. Instead, it's now widely known as The Movie That Proves Jennifer Can Act.
  10. Mostly, it's a Coen brothers movie so slick, so careful in rationing its darkly perverse and personal elements, that it seems suspiciously sweet. Intolerable Cruelty feels like the Coens' peculiar new way of being cynical, by pretending they're not.
  11. If you like movies in which fashionably dressed people spend a lot of time smoking and talking cryptically about sex in dark, overfurnished Paris apartments, you should put down your café au lait and run out to see this film right now. If not, you probably just don't like French movies.
  12. Embracing such depths, Bukowski somehow made his art. Simulating them, Factotum just makes us queasy.
  13. Tropic Thunder is an assault in the guise of a comedy – watching it is like getting mugged by a clown.
  14. Both smart and shrewd -- it wraps that same comforting message in a thoroughly entertaining package.
  15. What I can say, without angering (almost) anyone, is that Spider-Man: No Way Home is both a gigantic act of franchise-mad hubris, and a ridiculous amount of fun.
  16. It’s a stew so thick with brand loyalty that you just might choke on all the intellectual property and consequential commerce.
  17. Now if that isn't an inspirational story, it's hard to know what is.
  18. Not quite a comedy, not really a drama, Mad Dog and Glory throws your equilibrium but keeps your interest high. [5 Mar 1993, p.C3]
    • The Globe and Mail (Toronto)
  19. Sitting through Red Eye is like watching a master carpenter at work on a custom bookcase. No one would call the result art, but you're sure bound to admire the sheer craft of the thing, the clean lines and seamless joints and meticulous attention to detail.
  20. It's a masterpiece of exposition and compression. An allegorical examination of a transitional period in U.S. history. [01 Sept 1988]
    • The Globe and Mail (Toronto)
  21. With its intricate design, sly humour and timely theme, Travellers and Magicians is a lot more than just a travelogue.
  22. Beyond Thunderdome is a masterfully directed fantasy, convincing down to the smallest detail in its vision of an alternate existence, and it has gone beyond the relentless sadomasochism of The Road Warrior; Max has now taken up with children, and Mad Max Beyond Thunderdome is suitable for them. [9 July 1985]
    • The Globe and Mail (Toronto)
  23. From the very first scenes of the Canadian documentary Eternal Spring, you’re thrust into a thrilling, all-consuming film that challenges traditional documentary tropes and finds a way to tell a winding, difficult story with brilliant ease.
  24. Glowicki and Petrie are immensely committed and often fearless performers – so much so that you can see them frequently bouncing against the constraints of the story surrounding them, the actors seemingly confident that if they pushed themselves just past the brink, the movie’s half-untapped potential might burst wide open.
  25. Great title, and the whiff of existential loneliness that it conjures up – brothers locked not in solidarity but in solitude – permeates the entire movie.
  26. Chastain and Sarsgaard find all the pieces of Franco’s Memory worth saving, and proceed to connect with one another to build something that is new, remarkable, affecting. Hard to forget, even.
  27. They really pulled out all the stops on this one.
    • 71 Metascore
    • 75 Critic Score
    All in all, a perfectly superior example of industrially fortified Hollywood fun, and as good a guarantee as Doug Liman can offer that we haven’t seen the last of him yet.
  28. The film extends Jackie's fame beyond her allotted New York 15 minutes and keeps it alive 30 years later, thanks to a mixture of fond high-profile interviews and grainy archival clips.

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