For 7,293 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,350 out of 7293
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Mixed: 1,827 out of 7293
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Negative: 1,116 out of 7293
7293
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ray Conlogue
There's a lot to like in this film. As in the original, it has more than a few echoes of Animal Farm in its portrayal of humanity as the exploiter species. It respects both its child audience, by permitting Babe and his sunny decency to win out, and its adult audience, by generating more wit than the average dozen Hollywood films.- The Globe and Mail (Toronto)
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Stephen Cole
A splendid adventure sure to thrill children and fantasy buffs, while leaving everyone else passably entertained.- The Globe and Mail (Toronto)
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Kate Taylor
There’s nothing subtle about The Finest Hours, but much that is satisfying.- The Globe and Mail (Toronto)
- Posted Feb 14, 2016
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Brad Wheeler
As for the winner and new champion, it has to be Kuosmanen, who never met a boxing-film cliché he couldn’t discreetly avoid.- The Globe and Mail (Toronto)
- Posted Apr 13, 2017
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- The Globe and Mail (Toronto)
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Jennie Punter
While the visuals aren't nearly as eye-popping as those of the underwater movies, the film is more inspiring thanks to its human heroines.- The Globe and Mail (Toronto)
- Posted Apr 7, 2011
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Rick Groen
Despite Marber's sardonic wit and Nichols's intelligent direction, the film winds up in the ironic position of practising exactly what it preaches: Closer invites and even gains our intimacy, only to finish by driving us ever farther away.- The Globe and Mail (Toronto)
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Barry Hertz
Films about single film scenes, however, represent unexplored territory. Which is why 78/52 is such an enticing prospect – a deep dive into one of the most influential moments in cinema history: the shower scene in Alfred Hitchcock's Psycho.- The Globe and Mail (Toronto)
- Posted Oct 12, 2017
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Permanent Midnight is a slick, entertaining, show-biz saga whose worst fault may be that it has a happy ending. Stahl has not only recovered from debauchery, he's making a ton of cash with his book and the movie. In fact, this may be as quintessential a morality tale for the nineties as the Monica Lewinsky story. [25 Sep 1998, p.D9]- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Mar 1, 2019
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Stephen Cole
Tetro is Coppola's best film since Apocalypse Now because the filmmaker has abandoned conventional drama – what for him had become a straightjacket – indulging in a collage style that allows him to honour favourite filmmakers.- The Globe and Mail (Toronto)
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Liam Lacey
In its mocking but acutely observed style, Hobo is a well-designed cinematic mess: There are whiplash jump cuts, patches where the sound almost disappears, and the whole thing is projected in a queasy, faded Technicolor.- The Globe and Mail (Toronto)
- Posted May 2, 2011
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Barry Hertz
Cronenberg offers a light touch to the material, spiking the deeply depressing dystopia with a sibling-rivalry battle royale that eagerly, if sometimes wobblily, shifts between sharp humour and slippery sentimentality.- The Globe and Mail (Toronto)
- Posted Apr 23, 2024
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Stephen Cole
Patricio Guzmán's documentary, Nostalgia for the Light, pays equal attention to the astronomers and searchers, regarding their quest as the same – a search for life.- The Globe and Mail (Toronto)
- Posted Mar 15, 2011
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Barry Hertz
Whatever you normally do during the rousing finale of a Rocky movie. It will feel familiar, but just go with it.- The Globe and Mail (Toronto)
- Posted Nov 20, 2018
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Liam Lacey
Peaches Does Herself is constantly inventive, from the Road Warrior/Rocky Horror fantasy costumes, to the hump-happy choreography.- The Globe and Mail (Toronto)
- Posted Oct 15, 2013
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Liam Lacey
Animal Kingdom isn't perfect: Some performance moments are over-ripe, and there's an episode of arbitrary cruelty that's excessively creepy.- The Globe and Mail (Toronto)
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Liam Lacey
For all its ballyhoo'd full access to Vogue's inner workings, the movie's cinéma-vérité approach feels perilously close to advertorial.- The Globe and Mail (Toronto)
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Barry Hertz
Maybe arguing the merits of a quote-unquote bad movie through the means of an imperfect documentary is the only option that makes sense. I have the distinct feeling, though, that somewhere in Europe, Verhoeven is laughing his ass off.- The Globe and Mail (Toronto)
- Posted Jun 17, 2020
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Kate Taylor
A bold, if sometimes preachy, film that is stylistically daring, improbably entertaining and politically supercharged.- The Globe and Mail (Toronto)
- Posted Aug 9, 2018
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Liam Lacey
What really distinguishes it from any number of drug-escapade stories is the unusual and welcome sense of Dostoyevskian moral gravity of the narrative.- The Globe and Mail (Toronto)
- Posted Aug 23, 2012
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The quickest and easiest way to humanize an unlikeable movie character is to give him a lovable dog, and so it goes with Riddick.- The Globe and Mail (Toronto)
- Posted Sep 5, 2013
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Stephen Cole
The best Brit noir since "Croupier" is a complex, marvellously twisty thriller.- The Globe and Mail (Toronto)
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Rick Groen
In God's ghetto, as in so many of the world's forsaken places, warring armies of infants brandish their weapons of self-destruction, while politicians bluster and inspectors sleep.- The Globe and Mail (Toronto)
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Liam Lacey
Myers's sheer fertility of invention is of a different order, and even if he misses as often as he hits, he's definitely a swinger.- The Globe and Mail (Toronto)
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Music, naturally, is a big part of this movie -- Disney has a soundtrack to sell -- with both Cyruses, Taylor Swift and Rascal Flatts performing.- The Globe and Mail (Toronto)
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Rick Groen
So much cinematic majesty perched precariously atop so little common sense. But, hell, maybe Quentin's right; relax, enjoy -- a castle with a shaky foundation is still quite a sight.- The Globe and Mail (Toronto)
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Liam Lacey
Precious is a bit like having a piano dropped on your head: messy but memorable.- The Globe and Mail (Toronto)
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Barry Hertz
Cody’s third-act twist threatens to unravel Theron’s hard work; yet, somehow, the power of Tully remains firmly in Theron’s skilled and capable hands.- The Globe and Mail (Toronto)
- Posted May 3, 2018
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