For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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- The Globe and Mail (Toronto)
- Posted Oct 16, 2014
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Kimberly Reed’s debut documentary, Prodigal Sons, would make a terribly contrived novel, but is a compelling and sensational real-life story.- The Globe and Mail (Toronto)
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Jennie Punter
Swords cross, blood spurts and bosoms heave in The Princess of Montpensier, French director Bertrand Tavernier's thoroughly ravishing drama.- The Globe and Mail (Toronto)
- Posted Jun 2, 2011
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Reviewed by
Liam Lacey
Ten may strain your patience but that's the high-stakes gamble of this provocative project.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A demanding blend of spectacle, drama and exposition of ideas.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
At its simple core, Sleeping Beauty is a perfectly pitched chamber piece about the menace of voluntary oblivion.- The Globe and Mail (Toronto)
- Posted Dec 9, 2011
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If Leguizamo imports a hint of pathos into his performance, Waterston adds a dollop of menace to hers, delivering another of Ross's attacks on what separates girls from men. In this world, women are their own worst enemy.- The Globe and Mail (Toronto)
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Sarah-Tai Black
Laurent is determined in mapping the depiction of the patriarchal violence endured under both the supposition of scientific method as well as the social order of the world outside of the institution; however, the film struggles to keep a similar pace and substance within its story world.- The Globe and Mail (Toronto)
- Posted Sep 13, 2021
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Reviewed by
Liam Lacey
With the bigger story and more fully developed relationships than the previous films, this is the first Twilight film that feels like a real movie in its own right.- The Globe and Mail (Toronto)
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Barry Hertz
Cedergren excels at balancing Asger’s cynical cool with his desire to help (or perhaps simply help himself), and the entire endeavour will leave you with a new-found respect for 911 operators.- The Globe and Mail (Toronto)
- Posted Oct 19, 2018
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Brad Wheeler
The nostalgia quotient might be indulgent overload for some, though catnip for others.- The Globe and Mail (Toronto)
- Posted Apr 6, 2022
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Brad Wheeler
Terry produced some of the happiest sounds in the history of jazz; Keep on Keepin’ On keeps the smiles coming.- The Globe and Mail (Toronto)
- Posted Nov 13, 2014
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Kate Taylor
Often refuses to adhere to the formula, sometimes offering a tantalizing ambiguity, other times aspiring to a more complex drama it cannot entirely deliver.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A father-son academic rivalry provides fodder for this caustic comedy set in the Talmud Department of the Hebrew University of Jerusalem.- The Globe and Mail (Toronto)
- Posted Mar 4, 2012
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Jay Scott
To have a great time with Barfly's funny funkiness, you don't have to share Bukowski's soused attitude toward alcoholism, however; Mickey Rourke and Faye Dunaway, whose wonderful performances transcend Bukowski's conceit, certainly don't. [13 Nov 1987]- The Globe and Mail (Toronto)
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Rick Groen
Fatal Attraction becomes as seductive as the seduction it depicts. In the always stylish, sometimes careless hands of director Adrian Lyne, the film lures us in with an artful blend of stately pacing and caressing close-ups and brooding silences. [23 Sep 1987 p.C7]- The Globe and Mail (Toronto)
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Liam Lacey
The title comes from prosecutor Ferencz, who compares his work to that of the 16th-century astronomer Tycho Brahe, who said he watched the sky so future generations could use him as their foundation.- The Globe and Mail (Toronto)
- Posted Oct 16, 2014
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Nathalie Atkinson
In a demanding role light on dialogue, Sutherland’s rangy, loping physicality serves both the character and the action well – camera and fugitive are seldom at rest, and on the move in tense, extended bursts whenever an opportunity presents itself.- The Globe and Mail (Toronto)
- Posted Apr 29, 2017
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While "Wedding Crashers" ultimately succumbs to endorsing the mushy romantic clichés that it spends the rest of the time ridiculing, The 40-Year-Old Virgin offers a wiser take on the anxieties, negotiations and expectations that surround love and sex, particularly for people who've been burned before.- The Globe and Mail (Toronto)
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Rick Groen
Ambitious and brooding, Coogan has the darker nature; lighthearted and affable, Brydon is all sunny-side up. Happily, both possess a devilishly quick wit and the need to go beyond self-impersonation to the more celebrated variety.- The Globe and Mail (Toronto)
- Posted Jun 30, 2011
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How refreshing then to find a movie with an honest-to-gosh dysfunctional family at its core, a family utterly Tolstoyan in its unhappiness, utterly Dostoevskyan in its despair. [16 Jun 1995]- The Globe and Mail (Toronto)
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Brad Wheeler
Sandburg’s "The Prairie Years" is a source behind The Better Angels, a gorgeous look at the raw, wooded Indiana of the early 1800s and a dreamy study of the boy Lincoln who was destined to leave it behind.- The Globe and Mail (Toronto)
- Posted Nov 13, 2014
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Stephen Cole
No matter who you side with here, Waste Land – the title should come with a question mark – is a fascinating adventure, populated by memorable characters.- The Globe and Mail (Toronto)
- Posted Dec 12, 2010
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- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The structure of the film mirrors the changes in the joke which in turn reflect the moral of the story -- hey, it's all a matter of perspective.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
By the end of the The Spectacular Now, you’re not quite ready to let these characters go. Instead, like director François Truffaut did with his character Antoine Doinel in a series of films, you want to check back with them every few years, to see how how they’re getting on.- The Globe and Mail (Toronto)
- Posted Aug 15, 2013
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- The Globe and Mail (Toronto)
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Reviewed by
Jay Scott
Absurd fun with a tortured relationship, Prick Up Your Ears follows facts with farcical fidelity. [01 May 1987]- The Globe and Mail (Toronto)
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