The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
    • 76 Metascore
    • 75 Critic Score
    A film as lithe and seductive as its lethal main character.
    • 38 Metascore
    • 75 Critic Score
    Stupendously silly but viciously funny.
  1. Kimberly Reed’s debut documentary, Prodigal Sons, would make a terribly contrived novel, but is a compelling and sensational real-life story.
  2. Swords cross, blood spurts and bosoms heave in The Princess of Montpensier, French director Bertrand Tavernier's thoroughly ravishing drama.
  3. Ten
    Ten may strain your patience but that's the high-stakes gamble of this provocative project.
  4. A demanding blend of spectacle, drama and exposition of ideas.
  5. At its simple core, Sleeping Beauty is a perfectly pitched chamber piece about the menace of voluntary oblivion.
    • 35 Metascore
    • 75 Critic Score
    If Leguizamo imports a hint of pathos into his performance, Waterston adds a dollop of menace to hers, delivering another of Ross's attacks on what separates girls from men. In this world, women are their own worst enemy.
  6. Laurent is determined in mapping the depiction of the patriarchal violence endured under both the supposition of scientific method as well as the social order of the world outside of the institution; however, the film struggles to keep a similar pace and substance within its story world.
  7. With the bigger story and more fully developed relationships than the previous films, this is the first Twilight film that feels like a real movie in its own right.
  8. Cedergren excels at balancing Asger’s cynical cool with his desire to help (or perhaps simply help himself), and the entire endeavour will leave you with a new-found respect for 911 operators.
  9. The nostalgia quotient might be indulgent overload for some, though catnip for others.
  10. Terry produced some of the happiest sounds in the history of jazz; Keep on Keepin’ On keeps the smiles coming.
  11. Often refuses to adhere to the formula, sometimes offering a tantalizing ambiguity, other times aspiring to a more complex drama it cannot entirely deliver.
  12. Pretty much a non-stop head-bobbing knee-bouncer.
  13. A father-son academic rivalry provides fodder for this caustic comedy set in the Talmud Department of the Hebrew University of Jerusalem.
  14. To have a great time with Barfly's funny funkiness, you don't have to share Bukowski's soused attitude toward alcoholism, however; Mickey Rourke and Faye Dunaway, whose wonderful performances transcend Bukowski's conceit, certainly don't. [13 Nov 1987]
    • The Globe and Mail (Toronto)
  15. Fatal Attraction becomes as seductive as the seduction it depicts. In the always stylish, sometimes careless hands of director Adrian Lyne, the film lures us in with an artful blend of stately pacing and caressing close-ups and brooding silences. [23 Sep 1987 p.C7]
    • The Globe and Mail (Toronto)
  16. The title comes from prosecutor Ferencz, who compares his work to that of the 16th-century astronomer Tycho Brahe, who said he watched the sky so future generations could use him as their foundation.
  17. In a demanding role light on dialogue, Sutherland’s rangy, loping physicality serves both the character and the action well – camera and fugitive are seldom at rest, and on the move in tense, extended bursts whenever an opportunity presents itself.
    • 73 Metascore
    • 75 Critic Score
    While "Wedding Crashers" ultimately succumbs to endorsing the mushy romantic clichés that it spends the rest of the time ridiculing, The 40-Year-Old Virgin offers a wiser take on the anxieties, negotiations and expectations that surround love and sex, particularly for people who've been burned before.
  18. Ambitious and brooding, Coogan has the darker nature; lighthearted and affable, Brydon is all sunny-side up. Happily, both possess a devilishly quick wit and the need to go beyond self-impersonation to the more celebrated variety.
    • 93 Metascore
    • 75 Critic Score
    How refreshing then to find a movie with an honest-to-gosh dysfunctional family at its core, a family utterly Tolstoyan in its unhappiness, utterly Dostoevskyan in its despair. [16 Jun 1995]
    • The Globe and Mail (Toronto)
  19. Sandburg’s "The Prairie Years" is a source behind The Better Angels, a gorgeous look at the raw, wooded Indiana of the early 1800s and a dreamy study of the boy Lincoln who was destined to leave it behind.
  20. No matter who you side with here, Waste Land – the title should come with a question mark – is a fascinating adventure, populated by memorable characters.
  21. An odd and irresistible documentary.
  22. The structure of the film mirrors the changes in the joke which in turn reflect the moral of the story -- hey, it's all a matter of perspective.
  23. By the end of the The Spectacular Now, you’re not quite ready to let these characters go. Instead, like director François Truffaut did with his character Antoine Doinel in a series of films, you want to check back with them every few years, to see how how they’re getting on.
  24. A twofold story of heroic achievements and personal failings.
  25. Absurd fun with a tortured relationship, Prick Up Your Ears follows facts with farcical fidelity. [01 May 1987]
    • The Globe and Mail (Toronto)

Top Trailers