For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Barry Hertz
The film hits a truly unexpected high when it introduces Daniel Craig's bank-vault expert Joe Bang, an imprisoned force of comic fury whose unhinged performance elevates Logan Lucky above any notions of genre shtick. Good luck keeping that one locked up.- The Globe and Mail (Toronto)
- Posted Aug 17, 2017
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Reviewed by
Rick Groen
Beyond the eerily evocative impersonation, Hoffman's brilliance lies in not only playing the shrewd puppet master but also revealing that he too comes with strings attached, the most dominant being his consuming need for acclaim.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Nathalie Atkinson
Fontaine’s flirtatious pastiche stands on its own. For Flaubertians, however, it offers up even more droll entertainment. Though admittedly some of the laughs will be from recognizing their own cleverness.- The Globe and Mail (Toronto)
- Posted May 28, 2015
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Barry Hertz
A sensual and heady stew of romance, family drama, police procedural, political polemic and ghost story, Atlantics marks the debut of a ferocious talent in Diop.- The Globe and Mail (Toronto)
- Posted Nov 19, 2019
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Rick Groen
Kaurismaki is a master at infusing his movies with apparently contradictory qualities. The best of them -- and The Man Without a Past is surely that -- are hard to describe precisely because they seem to exist, to balance precariously, in the tension between opposites.- The Globe and Mail (Toronto)
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Rick Groen
It has the staccato wit of a drawing-room comedy, the fatal flaw of a tragic romance and the buzzy immediacy of a front-page headline, all powered by a kinetic engine typically found in an action flick. And that's just the opening scene.- The Globe and Mail (Toronto)
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An utterly ravishing portrait of listless luxuriance, a fantasy of decadent wealth and beauty.- The Globe and Mail (Toronto)
- Posted Jan 31, 2014
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Reviewed by
Jay Scott
Fred Schepisi's sensuously staged film version of John le Carre's spy thriller, is energetic but thoughtful, a virtually perfect adapatation of a virtually perfect novel. [18 Dec 1990]- The Globe and Mail (Toronto)
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Rick Groen
Is it, the debate asks, a truly substantial work or just a stylish cop-out? Well, for once, I'm voting with the French.- The Globe and Mail (Toronto)
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Rick Groen
It's appalling, it's wicked, it's bleak, and it's very funny. In fact, the movie's ability to disturb us is directly linked to its ability to amuse us. We're made to feel guilty precisely because we're made to laugh - seeing something so sordid shouldn't be so engaging. [28 Jan. 1994]- The Globe and Mail (Toronto)
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Anne T. Donahue
Nomad: In the Footsteps of Bruce Chatwin paints the picture of a man who was complex, complicated, talented and unparalleled. And perhaps above all, very loved.- The Globe and Mail (Toronto)
- Posted Dec 18, 2019
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None of this would work with anywhere near the power it does without Nicolas Cage, whom Green has smartly cast in this sometimes maddeningly erratic and ill-disciplined actor’s most perfectly suited role since "Leaving Las Vegas" and "Adaptation."- The Globe and Mail (Toronto)
- Posted May 2, 2014
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Reviewed by
Barry Hertz
The Martian is nearly all things to all audiences: a ticking-clock drama, an intimate character study, a sci-fi comedy, a rollicking space adventure. It’s almost impossible to dislike, which is perhaps its only flaw. When a huge film reveals its eager-to-please intentions from the get-go, the stakes evaporate awfully quick.- The Globe and Mail (Toronto)
- Posted Oct 2, 2015
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Liam Lacey
Call it what you like – a modern Russian epic, a crime drama, a black comedy or a scream in the dark – Leviathan is a shaggy masterpiece.- The Globe and Mail (Toronto)
- Posted Jan 22, 2015
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- The Globe and Mail (Toronto)
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- Critic Score
A precise, subtle and emotionally affecting portrait of the fraying friendship between two men, director Kelly Reichardt's Old Joy is an increasingly rare sort of American independent film: It aspires to be something other than a Hollywood movie with less money.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Jan 22, 2015
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- Critic Score
Moore leads this fresh and loving English-language take by Chilean director Sebastian Lelio of his own 2013 film "Gloria," but is well supported by other loves in her life, present and past: Brad Garrett, Holland Taylor, Rita Wilson and others.- The Globe and Mail (Toronto)
- Posted Mar 14, 2019
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Reviewed by
Chandler Levack
Past the surface flaws of Color Out of Space, there are shiny Cage diamonds to be found.- The Globe and Mail (Toronto)
- Posted Jan 24, 2020
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Aparita Bhandari
It’s hard to describe Nickel Boys. It seems like an injustice to call it, simply, a film. It’s a remarkable piece of art, even more impressive when you consider that it’s photographer and filmmaker RaMell Ross’s debut feature film – in fiction.- The Globe and Mail (Toronto)
- Posted Jan 10, 2025
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Brad Wheeler
Defining a politician’s titan legacy in a singularly unexpected way, Meeting Gorbachev meets its expectations.- The Globe and Mail (Toronto)
- Posted May 16, 2019
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Barry Hertz
It is beautiful, delirious, frustrating and so wedded to that film-critic notion of the unimpeachable “Kaufman-esque” sensibility that there is little point in arguing with its power, with its immeasurable impact. It works, even (especially?) when it’s not supposed to.- The Globe and Mail (Toronto)
- Posted Aug 27, 2020
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Rick Groen
Everything about The Queen of Versailles, a documentary both sharply observant and deliciously funny, is jumbo-sized – the riches, the rags, his ego, her breasts, their steroidal pursuit of happiness.- The Globe and Mail (Toronto)
- Posted Aug 2, 2012
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Reviewed by
Jay Scott
Unwieldy but moving, simultaneously grandiose yet unadorned (like a Japanese tea ceremony), distanced but compassionate, Kagemusha is less a movie than a monumental frieze - it's Kurosawa's Ivan the Terrible, animated by the socially outraged, sweetly sentimental heart of Mark Twain's The Prince and the Pauper. [18 Oct 1980]- The Globe and Mail (Toronto)
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Reviewed by
Barry Hertz
The no-contest wildest comedy of the season, will keep your mind busy for weeks.- The Globe and Mail (Toronto)
- Posted Jul 12, 2018
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Reviewed by
Stephen Cole
For all its fuss and fury, Flight of the Red Balloon succeeds magnificently.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
- Posted Jun 14, 2013
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Reviewed by
Jay Scott
Inoffensive in its simplicity; its high, if naive, spirits send viewers out into the all too real streets clothed in the glow of a fantasy well-spun.- The Globe and Mail (Toronto)
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