The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. The film hits a truly unexpected high when it introduces Daniel Craig's bank-vault expert Joe Bang, an imprisoned force of comic fury whose unhinged performance elevates Logan Lucky above any notions of genre shtick. Good luck keeping that one locked up.
  2. Cat's Eye is a slickly efficient and very funny omnibus of tongue-in-cheek menace, reminiscent of the best Twilight Zone episodes. [20 Apr 1985]
    • The Globe and Mail (Toronto)
  3. Beyond the eerily evocative impersonation, Hoffman's brilliance lies in not only playing the shrewd puppet master but also revealing that he too comes with strings attached, the most dominant being his consuming need for acclaim.
  4. The best American movie so far this year.
  5. Fontaine’s flirtatious pastiche stands on its own. For Flaubertians, however, it offers up even more droll entertainment. Though admittedly some of the laughs will be from recognizing their own cleverness.
  6. A sensual and heady stew of romance, family drama, police procedural, political polemic and ghost story, Atlantics marks the debut of a ferocious talent in Diop.
  7. Kaurismaki is a master at infusing his movies with apparently contradictory qualities. The best of them -- and The Man Without a Past is surely that -- are hard to describe precisely because they seem to exist, to balance precariously, in the tension between opposites.
  8. It has the staccato wit of a drawing-room comedy, the fatal flaw of a tragic romance and the buzzy immediacy of a front-page headline, all powered by a kinetic engine typically found in an action flick. And that's just the opening scene.
    • 86 Metascore
    • 88 Critic Score
    An utterly ravishing portrait of listless luxuriance, a fantasy of decadent wealth and beauty.
  9. Fred Schepisi's sensuously staged film version of John le Carre's spy thriller, is energetic but thoughtful, a virtually perfect adapatation of a virtually perfect novel. [18 Dec 1990]
    • The Globe and Mail (Toronto)
  10. Is it, the debate asks, a truly substantial work or just a stylish cop-out? Well, for once, I'm voting with the French.
  11. It's appalling, it's wicked, it's bleak, and it's very funny. In fact, the movie's ability to disturb us is directly linked to its ability to amuse us. We're made to feel guilty precisely because we're made to laugh - seeing something so sordid shouldn't be so engaging. [28 Jan. 1994]
    • The Globe and Mail (Toronto)
  12. Nomad: In the Footsteps of Bruce Chatwin paints the picture of a man who was complex, complicated, talented and unparalleled. And perhaps above all, very loved.
    • 74 Metascore
    • 88 Critic Score
    Joe
    None of this would work with anywhere near the power it does without Nicolas Cage, whom Green has smartly cast in this sometimes maddeningly erratic and ill-disciplined actor’s most perfectly suited role since "Leaving Las Vegas" and "Adaptation."
  13. The Martian is nearly all things to all audiences: a ticking-clock drama, an intimate character study, a sci-fi comedy, a rollicking space adventure. It’s almost impossible to dislike, which is perhaps its only flaw. When a huge film reveals its eager-to-please intentions from the get-go, the stakes evaporate awfully quick.
  14. Call it what you like – a modern Russian epic, a crime drama, a black comedy or a scream in the dark – Leviathan is a shaggy masterpiece.
    • 71 Metascore
    • 88 Critic Score
    A funny, strange and wondrous little film. [31 May 1988]
    • The Globe and Mail (Toronto)
    • 84 Metascore
    • 88 Critic Score
    A precise, subtle and emotionally affecting portrait of the fraying friendship between two men, director Kelly Reichardt's Old Joy is an increasingly rare sort of American independent film: It aspires to be something other than a Hollywood movie with less money.
    • 81 Metascore
    • 88 Critic Score
    A refreshing take on vampire lore.
    • 78 Metascore
    • 88 Critic Score
    Moore leads this fresh and loving English-language take by Chilean director Sebastian Lelio of his own 2013 film "Gloria," but is well supported by other loves in her life, present and past: Brad Garrett, Holland Taylor, Rita Wilson and others.
  15. Past the surface flaws of Color Out of Space, there are shiny Cage diamonds to be found.
  16. It’s hard to describe Nickel Boys. It seems like an injustice to call it, simply, a film. It’s a remarkable piece of art, even more impressive when you consider that it’s photographer and filmmaker RaMell Ross’s debut feature film – in fiction.
  17. Defining a politician’s titan legacy in a singularly unexpected way, Meeting Gorbachev meets its expectations.
  18. It is beautiful, delirious, frustrating and so wedded to that film-critic notion of the unimpeachable “Kaufman-esque” sensibility that there is little point in arguing with its power, with its immeasurable impact. It works, even (especially?) when it’s not supposed to.
  19. Everything about The Queen of Versailles, a documentary both sharply observant and deliciously funny, is jumbo-sized – the riches, the rags, his ego, her breasts, their steroidal pursuit of happiness.
  20. Unwieldy but moving, simultaneously grandiose yet unadorned (like a Japanese tea ceremony), distanced but compassionate, Kagemusha is less a movie than a monumental frieze - it's Kurosawa's Ivan the Terrible, animated by the socially outraged, sweetly sentimental heart of Mark Twain's The Prince and the Pauper. [18 Oct 1980]
    • The Globe and Mail (Toronto)
  21. The no-contest wildest comedy of the season, will keep your mind busy for weeks.
  22. For all its fuss and fury, Flight of the Red Balloon succeeds magnificently.
  23. A remarkable documentary as important as it is compelling.
  24. Inoffensive in its simplicity; its high, if naive, spirits send viewers out into the all too real streets clothed in the glow of a fantasy well-spun.

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