The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
  1. Audrey is the best kind of inscrutable hero, as precise in her obsession as she is enigmatic in every other aspect of her life. For moviegoers starving for something new who, like Audrey, have nearly given up the ghost, Measures for a Funeral is a symphony, full and rich.
  2. Despite these advantages, North Dallas Forty's descents into farce and into the lone man versus the corrupt system mentality deprive it of real resonance. It's still not the honest portrait of professional athletics that sport buffs have been waiting for. It is, though, a stylish cut above most films of this type. [4 Aug 1979]
    • The Globe and Mail (Toronto)
  3. Turns out to be one of the most compelling, finely orchestrated and oddly enchanting films of the year so far.
  4. Can a little-read 18th-century literary masterpiece be food-spittingly funny? Can it also include contemporary English actors riffing about their bad teeth, getting drunk and kissing their personal assistants? The answer is yes, as long as you agree that the best way to adapt an original book is with a correspondingly original film.
  5. Good Night, and Good Luck may be simplified history, but it's almost consistently well-crafted.
  6. Firecrackers is not as casually joyful as its title suggests – but it is absolutely as incendiary.
  7. Crosby, as we learn in the fascinating documentary David Crosby: Remember My Name, is no easy rider. He’s no easy anything. What he is is stunningly self-aware, relentlessly candid and highly interested in the subject at hand, which is himself.
  8. Aquarela’s soundtrack shifts from ambient post-rock to gnarly speed-metal to widescreen strings. The effect is a serenely apocalyptic warning: Climate change is a killer, with water as its indiscriminately lethal weapon.
  9. This haunting Chilean documentary is more poetry than journalism as filmmaker Patricio Guzman compares the fate of the indigenous people of Patagonia with that of the disappeared of the Pinochet regime.
    • 80 Metascore
    • 75 Critic Score
    Even though the subject of this British documentary is a traveller who got lost in a more terrestrial sort of void, the spirit of the stranded astronaut haunts Deep Water.
  10. Upbeat it ain't, but when the light fades from the final frame, there remains something unusual in the Dardennes canon – the possibility of an escape from futility's clutches, and a reason for hope that might, just might, be more than an illusion.
  11. There's a certain nostalgia at work here, but where the film really clicks is on the subject of the creative process and as a meditation on the human-machine dynamic.
  12. Presented the usual way, the film would be enchanting. In 3-D, however, Coraline is completely engrossing. Selick uses the technique brilliantly to enhance the comedy and horror that mingle in his more "family-friendly" version of Gaiman's dark story.
  13. The director simply trusts that his performers and sun-dappled visuals will carry the film forward. And he’s right – there’s little narrative propulsion to Too Late to Die Young, yet it hums along with a vibrant humanity all the same.
  14. Though Little Miss Sunshine is consistently contrived in its characters' too-cute misery, the conclusion, which is genuinely outrageous and uplifting, is almost worth the hype.
  15. An anthropological marvel and an animal-drive movie that belongs beside the classics of the genre - Red River and Lonesome Dove.
  16. The pace is leisurely; this is no amped-up police procedural. I love what savvy director David Lowery does with the camera, panning here and there, picking up stray sights and happenings. Top-rate stuff.
  17. Too busy to be boring or deeply engaging, Tarzan is an efficient Disney treatment of a time-tested story. The results aren't bad, just not quite worth a chest-pounding victory yell.
  18. In a well-paced two and a half hours, Berg's film is an ambitious mixture of summary and fresh investigation.
  19. Shakespeare would have delighted in the chapter, especially in the antagonist, but not at the expense of the longer and darker and still-unfinished book.
  20. Arabian Nights is a remarkable achievement, but also an erratic one.
  21. You can practically taste the grit and grime of the mean streets of this North of England setting. [17 Aug 1996, p.11]
    • The Globe and Mail (Toronto)
  22. Yep, just like a good meal - you feel satisfied without feeling stuffed. There's also a pleasant, lingering aftertaste - deceptively clever, even wise moments that sneak back up on you, demanding re-examination. [16 Sep 1994]
    • The Globe and Mail (Toronto)
  23. The crash, lethal in an eye-blink, was hard to watch when I saw it live on television, and it's not any easier here. The day was clear – no rain in sight.
  24. Whatever the experts say, any viewer can observe the large gap between the damaged original and the perfect restoration. Perhaps the only definitive thing one can say about the most expensive painting in the world is that, regardless of who painted it in the 16th century, it is a creature of the 21st.
  25. Time Bandits is the best children's picture since The Black Stallion, but it is a satiric, inventive, fantastical vacation for the filmgoer of any age: imagine an intelligent Raiders of the Lost Ark with a deeply bitchy sense of humor. [06 Nov 1981]
    • The Globe and Mail (Toronto)
  26. If you long for the bleak intelligence of an Ingmar Bergman film, where humankind is deeply flawed and God is indifferently silent and the landscape is cloaked in perpetual winter, then Beyond the Hills promises to be your cup of despair.
  27. The story is captivating, the characters are magnificently fleshed out, and the emotional stakes are entirely, utterly believable.
  28. Life is the collection of memories, and Campbell is losing them. But there is solace in the reality that you will not miss what you cannot recall.

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