For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Barry Hertz
An awkward, needlessly dark, atrocious mess whose visual tics courtesy of director Tomas Alfredson amount to, basically, snow. So. Much. Snow. Shockingly, a fetish for the white stuff in no way overcomes any clunky narrative obstacles here – and they are legion.- The Globe and Mail (Toronto)
- Posted Oct 19, 2017
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Reviewed by
Rick Groen
This picture breaks through the limits and goes way beyond the pale -- it seems to enjoy irking us for the sheer hell of it.- The Globe and Mail (Toronto)
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It's unclear whether any of the actors here have promising political careers since their only purposes are to serve as prey, adversaries and involuntary incubators to their guests.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
His take on metaphor is painfully literal, his approach to style is hilariously Hollywood. In lieu of black-and-white realism, we're given visual shtick. [02 May 1995]- The Globe and Mail (Toronto)
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Rick Groen
There are easily 54 reasons to dis 54, but let's start and finish with the obvious: The script plays like a proud offering from the lead hand at the Cliché Factory.- The Globe and Mail (Toronto)
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Liam Lacey
The paradox here is that the message of respect for animal life is outweighed by the lack of respect for human beings.- The Globe and Mail (Toronto)
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Liam Lacey
Somewhere in literary afterlife, dear reader, Jane Austen has just rolled over and reached for her musket.- The Globe and Mail (Toronto)
- Posted Sep 19, 2013
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Reviewed by
Stephen Cole
The Virginity Hit is another slice of "American Pie," one more youth comedy that encourages its cast (and audience) to ridicule a fumbling, well-meaning teenager.- The Globe and Mail (Toronto)
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Liam Lacey
Land of the Lost is one of those films so caught up in its concept it has forgotten its audience.- The Globe and Mail (Toronto)
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Delta Farce is so relentlessly racist (and homophobic), without ever having the intelligence to pass that bigotry off as satire, that viewers will be left thinking "Borat" has a soft touch.- The Globe and Mail (Toronto)
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Reviewed by
Brad Wheeler
This is a story of villainous oppression, unfortunately told with oppressive earnestness.- The Globe and Mail (Toronto)
- Posted Mar 2, 2017
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- The Globe and Mail (Toronto)
- Posted Jan 14, 2011
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From his limp, liberal feminist pulpit (from which he also spews sexist jokes), Moore makes a condescending case for why Clinton isn’t only the least-bad choice, but an actually good choice. His thesis? Basically: she’s the pantsuit Beyoncé!- The Globe and Mail (Toronto)
- Posted Nov 3, 2016
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- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The filmmakers have also advertised that their new movie eliminates the "Pow! Right in the kisser!" threats of spousal abuse that permeated the original series. The question of audience abuse has yet to be addressed.- The Globe and Mail (Toronto)
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Rick Groen
C'mon, in matters of haunted-house inhabitation, settling into an ex-mortuary is like renting above a dentist's office -- ashen faces and ghastly screams come with the territory.- The Globe and Mail (Toronto)
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Jay Scott
More than merely another bad movie, it's the most depressing development yet in Coppola's career. It's a would-be cash cow bred cynically to excrete money, the arty answer to "Child's Play 2" or "Back to the Future III."- The Globe and Mail (Toronto)
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Rick Groen
Just when you think it's going to rollick, this lazy movie rolls over and plays dead When Honeymoon's ends, it's not a moment too soon. [28 Aug 1992]- The Globe and Mail (Toronto)
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Liam Lacey
One of the most preposterous efforts by any major director in recent memory.- The Globe and Mail (Toronto)
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Ray Conlogue
Here is a truly unfunny comedy from Universal Studios, which seems determined to prove that Hollywood can be opportunistic and clueless at the same time.- The Globe and Mail (Toronto)
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Liam Lacey
This is a no-cable, no-wake-up-call, cash-only dump of a film, where you breathe through a hankie and bring your own Lysol.- The Globe and Mail (Toronto)
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Jay Scott
The biggest anti-bonus of all, however, is the subject itself: running amok in middle-age. The French have already gnawed that particular turkey meatless. Now it has been passed to North Americans, who are picking the bones. Those bones rattle. [6 Oct 1979]- The Globe and Mail (Toronto)
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Liam Lacey
If you are expecting a pleasant evening of escapism, you will be cruelly fooled. The editor responsible for the trailer is clearly a genius.- The Globe and Mail (Toronto)
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So far as I can remember, no such film has ever asked its audience to experience the level of excruciating discomfort an actual fish must feel when it is gored by a sharp hook, yanked into the air, and left to flail in desperation before succumbing to an agonizing death... Until now.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
All that's missing are the laughs. In their place, we get wall-to-wall predictability. [13 Aug 1983]- The Globe and Mail (Toronto)
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Liam Lacey
The most gratifying thing about xXx: State of the Union is that nobody wastes much time on character, motivation, plausibility, dialogue or sex -- all that slow stuff that drags down ordinary movies.- The Globe and Mail (Toronto)
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Reviewed by
Sarah Hagi
American Underdog is a film so disjointed, so boring and so deeply uninspiring that it is difficult to root for anyone, or even think of Warner as a genuine underdog.- The Globe and Mail (Toronto)
- Posted Dec 30, 2021
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Reviewed by
Kate Taylor
This sadly derivative film has one too many screenings of "All the President’s Men" written all over it.- The Globe and Mail (Toronto)
- Posted Jul 26, 2018
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In the battle for the hearts, minds and fat wallets of North American teens, College fights dirtier and sinks lower than most gross-out screen comedies.- The Globe and Mail (Toronto)
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