For 7,291 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,349 out of 7291
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Mixed: 1,826 out of 7291
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Negative: 1,116 out of 7291
7291
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Brad Wheeler
As for Hawke’s own filmmaking skills, it’s hard to find much wrong with this film, itself a meditation on art and the practice of craft. His touch is delicate, and let’s not worry too much if the tone is occasionally fawning.- The Globe and Mail (Toronto)
- Posted Mar 19, 2015
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Anne T. Donahue
Thanks to Iseman and Kwiatkowski’s heartwarming chemistry, Collins’ sharp dialogue and Vuckovic’s pointed direction, you find yourself running in step with two young women who are smart, interesting, brave and brilliantly capable. And that makes confronting the realities of their mission a little less terrifying.- The Globe and Mail (Toronto)
- Posted Sep 19, 2019
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Perhaps Jia is trying to prove the point that the future has already arrived. Or perhaps he is suggesting that the truth is stranger than science fiction. This is today's China: Anything is possible.- The Globe and Mail (Toronto)
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It’s a movie in which you can feel the spirit of the material infusing the filmmaker both as an artist and as a human being, and what results is that thing that occurs when even the simplest of songs sends sparks to the soul.- The Globe and Mail (Toronto)
- Posted Dec 4, 2014
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Brad Wheeler
The audience is invited to celebrate the purified wonder of youth and the dazzle of life’s invisible indispensables.- The Globe and Mail (Toronto)
- Posted Mar 10, 2016
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Brad Wheeler
“I’m selective about my audience,” says the singer. “I don’t need everybody to like me.” With a dour, sophisticated film that won’t be to everyone’s taste, writer-director Nicchiarelli seems to have taken those words to heart.- The Globe and Mail (Toronto)
- Posted Aug 17, 2018
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Liam Lacey
Tense car chases, action scenes handled with crisp panache and Canadian actor Ryan Gosling channelling Steve McQueen as an existential wheel man add up to make Drive one of the best arty-action films since Steven Soderbergh's "The Limey."- The Globe and Mail (Toronto)
- Posted Sep 9, 2011
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Jay Scott
As Lou, an almost prissily natty numbers runner certain that everything - even the ocean - has deteriorated, Burt Lancaster gives the performance of his life. [17 Apr 1981]- The Globe and Mail (Toronto)
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Barry Hertz
From its joyful and exuberant opening half to a late-game moment of deep and sombre introspection, Lee’s version of American Utopia is thoughtful pop performance art captured with the propulsive power of cinema.- The Globe and Mail (Toronto)
- Posted Oct 13, 2020
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Kate Taylor
The new film is the rare sequel that truly merits its existence, updating and expanding the themes of the 1982 original to bring them from the 20th century into the 21st. Yes, Blade Runner 2049 is one hard-working and deep-thinking replicant.- The Globe and Mail (Toronto)
- Posted Oct 5, 2017
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Barry Hertz
His characters are the brightest, slickest people you will ever meet, and whether you’re meant to love or loathe them, Sorkin has a genuine talent for ensuring his heroes and villains will forever stick in your head, wandering the recesses of your mind in an eternal walk-and-talk formation.- The Globe and Mail (Toronto)
- Posted Oct 2, 2020
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Moselle believes in the power of girls. The friendships through which Camille learns how to be loved become the anguish that breaks her heart and the forgiveness that humbly heals her. And resiliently they soar through the city, a harmony of wheels on pavement.- The Globe and Mail (Toronto)
- Posted Aug 17, 2018
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Barry Hertz
Part siege movie, part rural drama, part gore-soaked freak-out, Bacurau is the one instance where it’s the destination, not the journey, that matters.- The Globe and Mail (Toronto)
- Posted Sep 10, 2019
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Rick Groen
It may well be the ultimate family picture of this or any year. [22 Nov 1996, p.D2]- The Globe and Mail (Toronto)
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Jay Scott
A non-stop, shoestring trip with more adventures and a helluva lot more smarts than you'll find in most American movies...All in all, there's more plain fun to be had here in 10 minutes than in a whole hour on the road with that jerk Indiana Jones.- The Globe and Mail (Toronto)
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Rick Groen
Nell is a good movie made great by the lambent presence of Jodie Foster. [23 Dec 1994]- The Globe and Mail (Toronto)
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Barry Hertz
Clifton Hill becomes just as thrilling and disturbing as its titular strip of haunted houses and fading-fast motels.- The Globe and Mail (Toronto)
- Posted Sep 10, 2019
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Barry Hertz
Campbell is tasked with carrying much of the film’s action and dialogue -- including two seemingly rambling but actually profound monologues delivered to unseen audiences in a nondescript bar -- and easily commands the screen.- The Globe and Mail (Toronto)
- Posted Oct 9, 2019
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Rick Groen
A meditation on death that has you humming to the melody and laughing at the joke -- it's an elegiac picture that refuses to eulogize.- The Globe and Mail (Toronto)
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Brad Wheeler
This story of personal redemption tacks drama by the nautical mile. "The ocean is always trying to kill you,” says Edwards, a woman like most who knows about facing high odds and salty conditions.- The Globe and Mail (Toronto)
- Posted Jul 11, 2019
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Brad Wheeler
It's not only packed with high-toned classical and contemporary cultural allusions, but manages to wear its popcorn inspirations on its sleeve.- The Globe and Mail (Toronto)
- Posted Jul 17, 2012
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Ray Conlogue
Clever and confident use of limited resources in an unfamiliar medium. Kenneth Branagh has made the right choice nine out of 10 times, and the tenth is easily forgiven because of the youthful ardor of that bright face and that bright talent. [10 Nov 1989]- The Globe and Mail (Toronto)
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Liam Lacey
A beautiful, probing art documentary.- The Globe and Mail (Toronto)
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Barry Hertz
It is only when Diggs and Casal near the end of the film − including a too-convenient-by-half encounter with a cop − that the effort’s ambition in creating a treatise on all of Western society’s ills begins to crack. But until then, Blindspotting possesses enough flair, passion and sweat to put up one hell of a fight.- The Globe and Mail (Toronto)
- Posted Jul 25, 2018
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Barry Hertz
An intense new film that pivots on a tremendous, teeth-gnashing performance from Law as a 1980s father whose aspirations of upward mobility threaten to destroy his life.- The Globe and Mail (Toronto)
- Posted Sep 16, 2020
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John Semley
Without “spoiling” it, it’s a film that at least opens up a possibility for change, instead of providing another rote reshuffling of power from the Black Hats back to the White Hats.- The Globe and Mail (Toronto)
- Posted Jul 17, 2014
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Rick Groen
Yes, The King's Speech is a lively burst of populist rhetoric, superbly performed and guaranteed to please even discriminating crowds.- The Globe and Mail (Toronto)
- Posted Dec 11, 2010
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Kate Taylor
Turtletaub has some difficulty ending the film, which resolves itself with one too many closeups of Macdonald gazing out at the world, whether from a lakeshore or a train window, as both the script and its director struggle to figure out what happens next.- The Globe and Mail (Toronto)
- Posted Aug 9, 2018
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- The Globe and Mail (Toronto)
- Posted May 10, 2018
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Reviewed by
Jay Scott
Once you overlook the laborious contrivance of Jerry's background, Down and Out in Beverly Hills is a sharp, sweet comedy of affluent manners. [31 Jan 1986]- The Globe and Mail (Toronto)
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