The Globe and Mail (Toronto)'s Scores

For 7,302 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7302 movie reviews
    • 45 Metascore
    • 50 Critic Score
    Perry's methods are never subtle, but no contemporary filmmaker works harder to make sure ribs are tickled and tears are jerked.
  1. Despite (or maybe because of) its showy cleverness, Full Frontal merely seems full of itself -- it's a small film made by a big ego pretending to a modesty he no longer feels.
  2. But Eurotrip has no provocative central characters, an absolute must for a gross-out teen comedy. As their names suggest, Scott, Coop, Jenny and Jamie are wusses. "Animal House"'s Bluto Blutarsky would've swallowed them whole without belching.
  3. Luckily for the viewer, Ferrell is an irresistible presence. His occasional moments of unwarranted weirdness are the only thing that makes this otherwise pedestrian movie bearable (let alone interesting) to watch.
  4. What ends up on screen is confused storytelling that tries to solve too many social and family problems, sends mixed messages and, even worse, makes you laugh during parts when it's trying to be dead serious.
  5. This is a movie that is one giant Easter Egg, cracked and rotten and sulphurous in its stink.
  6. Hafstrom’s feature might be fine background noise to fold your laundry to. But there is also a very real danger that the film’s sloppy plotting and watered down set-pieces might also make you so disoriented and frustrated that your socks will end up in mismatched little balls.
  7. Twitchy, messy and uneven, it's an action flick that just won't shut up. The movie is somewhat saved by a smattering of wacky minor characters and humorous bits of non-essential business, but they certainly don't add up to a satisfying experience.
  8. Barely a chuckle in sight.
  9. With some movies, though, it's just the opposite. Like this one. It's a whole lot easier to forget than to forgive.
  10. Young Joan is played by Sophie Cookson, magnetic in the role. Dench is underused, though. The film’s suspense is waiting on the world-class actress to bust out some chops. It never happens. The spy who bored me, rather.
  11. A two- hour-plus surrealistic bummer - it makes the audience feel as if it is coming down from a virulent drug. (The pacing, the images, the music and the endemic menace recall clinical descriptions of cocaine-induced paranoia.)...A disgusting, misanthropic movie.
  12. There’s no thrill to this thriller. Nor is there nuance to the characters.
  13. Mostly I laughed at the idea that Steve Martin could ever understand what it means to be a lonely guy, and that Arthur Hiller, who directed this, or Neil Simon, who adapted it, or Ed Weinberger and Stan Daniels, who wrote it, could ever understand what it means to be a lonely guy. [28 Jan 1984]
    • The Globe and Mail (Toronto)
  14. The bad news is that Stella is an unintentionally hilarious mess, handily summed up by what Haskell sees as "the lowest level" of the woman's film - "(It) fills a masturbatory need, it is soft-core emotional porn for the frustrated housewife. [2 Feb 1990]
    • The Globe and Mail (Toronto)
  15. Country Strong has a pleasant soundtrack of conservative country music, many of the tunes newly written for the movie, some of them performed by old pros and some of them performed by the cast.
  16. The plot is cursory, the dialogue is repetitive and the psychology is cheap. Hanging in for the wanton violence may prove too much for anyone not seriously addicted to the guilty pleasures of cheesy sci-fi.
  17. This is an honestly moving, ungainly film. [25 Mar 1983]
    • The Globe and Mail (Toronto)
  18. Still, what makes Sly's new film fascinating is that, 35 years after he created and starred in the ultimate little-boy fantasy, "Rocky," Stallone remains such a guileless, big-dreaming innocent.
    • 45 Metascore
    • 50 Critic Score
    Amusement parks are fine, but with the danger gone, Adventures in Babysitting seems a lot like going to the park when all the scary rides are closed. [03 July 1987]
    • The Globe and Mail (Toronto)
  19. Lots of buildings and cars explode, but there isn't a spark between any of the characters.
  20. The picture is actually watchable. What's more, as romance comedies go, it's something of a novelty.
  21. If anybody should know how to make a good Lubitsch farce, it’s Bogdanovich. Luckily, he already has: You should just watch his classic What’s Up, Doc? instead.
  22. Any picture in which Burt Reynolds is a man unable to find a woman willing to have his child is quite clearly a limber farce and, sure enough, the most thoroughly stretched joke in Paternity, written by Charlie Peters and directed by Winnipeg comedian David Steinberg, is how utterly wrong Reynolds is for the role of Buddy Evans. [3 Oct 1981]
    • The Globe and Mail (Toronto)
  23. DELIGHTING the senses but leaving the emotions unscathed, a stylish thriller delivers exactly the same punch as a frantic roller-coaster ride - ambling up here, speeding down there, twisting, turning, big finish and off. The goal is nothing more (or less) than fun pure and simple. [16 Jan 1987]
    • The Globe and Mail (Toronto)
    • 45 Metascore
    • 50 Critic Score
    Not only does the 3-D format grant you a front row seat at this Jonas Brothers concert, but it puts sweet, sweaty Joe (he's the cute one) practically in your lap. For most JoBro fans, that alone is worth the price of admission.
  24. Above The Law is beneath contempt, a movie whose esthetic politics stand somewhere to the right of tyrannosaurus rex. You know the type. Take your standard-issue Vietnam vet, martial-arts-mastering, renegade cop and turn him loose on the mean streets of any photogenic city (Chicago and its El, in this neon-and-sleaze case). [26 Apr 1988]
    • The Globe and Mail (Toronto)
    • 45 Metascore
    • 50 Critic Score
    I don't know if you have to be a surfer to fully appreciate Chasing Mavericks, but it certainly wouldn't hurt.
  25. A redemption allegory so poker-faced you might forget that redemption is supposed to be a good thing.
  26. The style here is much more in the spirit of the smash and slash of the Conan movies than the banter and computer-generated monsters of the Mummy movies.

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