The Globe and Mail (Toronto)'s Scores

For 7,296 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7296 movie reviews
  1. It marks the first time in a decade that Sidney Poitier has worked in front of the camera. Well, after such an extended absence, maybe he wanted to limber up slowly, just a little light stretching to iron out the kinks in his actor's reflex. If so, the guy made the perfect choice. As flicks go, this is definitely a low-impact workout. [12 Feb 1988]
    • The Globe and Mail (Toronto)
  2. The title – Hugh Hefner: Playboy, Activist and Rebel – is fine as far as it goes. But if you leave out "octogenarian mammophile" and "calendar fetishist," you leave something essential out of the story.
  3. Most of the cast range from tolerable to appealing (especially Molina and Pena), with a conspicuous exception. Debra Messing, as the career-driven outsider, is consistently stilted.
  4. At each stage of the romance, the movie digresses with a series of swing-and-miss gags, often with an abusive twist.
    • 33 Metascore
    • 50 Critic Score
    Those ghosts might want to find a new vocation, because their work here is done.
  5. Arthur and the Invisibles may be a tale for children, but it's got the bad habits of a profligate adult -- the thing borrows shamelessly from its betters and then pretends to be self-sustaining.
  6. Running more than two hours – a very long time for an adaptation of a book without a plot – Eat Pray Love is like an overstuffed lightweight suitcase, with little room for us to feel the emotional connections Liz makes with new friends along the way.
  7. Although the entire film is beautifully framed and shot, especially the surreal sequences, precious little coheres into anything resembling a compelling narrative.
  8. Soul Surfer is a true story that plays like bad fiction.
  9. The reach of this sprawling, ambitious epic often exceeds its grasp. It has something in common with its hero. [5 Dec 1981]
    • The Globe and Mail (Toronto)
  10. On the byways of any bustling metropolis, here is what the combination of bicycles + cars + pedestrians is certain to produce: (1) nasty accidents and (2) ferocious debates. More surprisingly, on the silver screen in Premium Rush, here is what the same combination fails to produce: a good action movie.
  11. Occasionally, the cast rises above the material.
  12. Barrymore's charm helps make Beverly Hills Chihuahua a congenial family outing.
  13. Though it's undoubtedly ingenious, for such a clever movie, it's a shame Rubber couldn't be more fun.
  14. Unfortunately, the new film Matthias & Maxime arrives lacking much of the emotional urgency of the Dolan who once captured the international art-house crowd, feeling provincial in more ways than one.
  15. Fails to ever come alive as a human comedy in the manner of the best mockumentaries.
  16. For a film meant to float on a gossamer veil of mystery, The Illusionist falls -- make that flops -- with quite the heavy thud. It's an intended piece of magic that plays like a ponderous slab of melodrama, sleight of hand gone ham-handed.
  17. “Bodhi,” in Sanskrit, is short for “being of wisdom.” In Hawaii, “Keanu” means “cool mountain breeze.” And, in Hollywood, Point Break means never having to bother with a plausible plot.
  18. Jack Goes Boating barely stays afloat – it's a deep disappointment.
  19. Suggestive of "X-Men," "The Matrix" and the television show "Heroes," Push is one of those time-mangling thrillers that manages to seem both complicated and superficial.
  20. Bursting with potential that never gets realized.
  21. The questions the movie raises have less to do with science than movie execution: Do the actors sound so robotic because they are playing robots well or humans badly? And did a machine write this dialogue? If so, could we please apply for an upgrade?
  22. Isn't unequivocally bad. Rather, this is what's known in the boxing world as an "opponent" -- shows up on the weekend just to fill out the card, to do battle with its betters, earn a little cash and be completely forgotten come Monday morning.
  23. But for a lightweight summer romantic comedy, The Perfect Man delivers the goods and includes a couple of scenes that are, surprisingly, fresh and quite funny, both of which, incidentally, involve the music of Styx.
  24. Simultaneously salacious and sugary.
  25. Still, what makes Sly's new film fascinating is that, 35 years after he created and starred in the ultimate little-boy fantasy, "Rocky," Stallone remains such a guileless, big-dreaming innocent.
  26. Best when Fraser is on screen. Ian McKellen, who starred with Fraser in "Gods and Monsters," called him the most natural actor he'd worked with, marvelling at Fraser's ability to disappear into roles.
  27. What gets sacrificed on the altar of this new franchise launch is any real sense of fun.
  28. No clichés are avoided in the pleasant, if relentlessly adorable ensemble comedy Dog Days.
  29. Doomed to be cool, but not very deep. Some of this movie is grossly amusing while some of it is just plain gross. [24 Nov 1995]
    • The Globe and Mail (Toronto)

Top Trailers