The Globe and Mail (Toronto)'s Scores

For 7,296 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7296 movie reviews
  1. There's a big budget, big cast and big themes about religion, science and life on other planets. But Contact, which aims for awe, ends up with piffle.
  2. The ensemble is unwieldy and the attendant yarn much too cluttered.
  3. Despite its title, the movie admirably sticks to its game plan of ennobling the everyman as opposed to turning Papale into some kind of Superman.
  4. It's a movie intent on telling us the hotshots were heroes, without sufficiently dramatizing either their professional decisions or their private lives.
  5. Film noir is a style, but self-conscious film noir is just a stylistic tic, less a genre than an ailment. And The Black Dahlia has got a really bad case -- this thing is so mannered it convulses.
  6. Even the visions of attractive half-dressed bodies lolling about in various Madrid bedrooms or leaping into spontaneous music videos don't prove compelling for long.
  7. Isn't nearly as much fun as the original. For one thing, Lara having a boyfriend wrecks everything.
  8. A clear case of huevos con hubris.
  9. While Baron Cohen's lanky physical slapstick and verbal manglings are funny, the movie begins to feel like one of the later, worn-out Pink Panther movies.
  10. The fiction that follows can be safely regarded as much more than a war movie -- hell, this is a pro-war movie. Were it a politician, it would be Donald Rumsfeld.
  11. Trading in his thinker's cap for a craftsman's apron, Lee is content to carve a little something out of nothing much - the result is as dismissible as it is diverting. [Apr 12, 1996. pg. C.2]
    • The Globe and Mail (Toronto)
  12. Delicatessen is a carniverous sausage - lots of fat, a few meaty bits. [10 Apr 1992]
    • The Globe and Mail (Toronto)
  13. A talented cast and moments of brutal violence can't dislodge a sense of ho-hum predictability in Pride and Glory.
  14. By the time the film reaches its big mushy climax, in which the slackers discover their inner caring during a dopey medieval role-playing battle, the movie starts to feel something like a pleasure again.
  15. A uniquely Canadian exercise in down-and-out misery, Amy Jo Johnson’s second directorial effort, Tammy’s Always Dying, delivers a wealth of interesting talent to the table, and leaves them to fight for scraps.
  16. What's so distressing about Michelle Pfeiffer taking a mooning calf for a lover, though, is that it robs her of the quality that has always made her such an interesting actress.
  17. Because it attempts so much more than Excalibur, the disappointment of Knightriders cuts deeper. Romero wants to tell the tale, to comment on it and to relate it to the present; he wants to bring contemporary satirical life to the myth, a service he performed cannily for the Dracula legend in Martin. [18 April 1981]
    • The Globe and Mail (Toronto)
  18. The November Man is one of those thrillers that grows progressively more incoherent, and it simply isn’t fast enough to glide over its gaping narrative holes.
  19. The Santa Clause 3 is a colourful jumble. (But quite a bit better than Jungle 2 Jungle). Nevertheless, whether parent or elf, You might laugh when you watch it in spite of yourself.
  20. This is an honestly moving, ungainly film. [25 Mar 1983]
    • The Globe and Mail (Toronto)
  21. Unfortunately, the actual incarnation of My Spy is a hot mess, full of more confused character motivations and emotional blackmail than the season finale of "Love Is Blind."
  22. These characters don't seem illuminating at all – just damned annoying and, ultimately, dead boring.
  23. One of those international co-productions full of good intentions and blandly polished results.
  24. A recruitment poster loosely disguised as a movie.
  25. The reflection offered in the puckered muscle and polished chrome of Furious 7’s heroes feels like a cheery escapist distortion of a culture that more closely resembles the smashed steel, mangled bone and blood and vomit of a plain ol’ unsexy car wreck.
  26. Neither Nicholson nor the talented Miss Steenburgen, in her film debut, could rise above the patched-together script. The promising parody of anti-mythic Westerns, and of mellerdrammers (the railroad wants to snitch Julia's land), decays into a love story whose parameters are all too narrow and all too familiar. [07 Oct 1978]
    • The Globe and Mail (Toronto)
  27. What might have been delicious trash lacks the courage of its trashy convictions, and the result is high-born melodrama with the juice boiled out, so much dry cabbage on fine-china plate.
  28. Perhaps the film's biggest weakness is that all the characters are so naive and petty you can't really work up much fervour about who sleeps with whom. That would never be a question in a movie like "Casablanca."
  29. A successful hoax is annoying for everyone except the hoaxster. No one enjoys being the credulous, unsuspecting dupe of a wise---joke -- personally I loathe it.
  30. Other than keeping Hamilton’s name out there and giving her brand exposure, Unstoppable stops short of making a compelling case for itself.

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