For 7,296 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
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| Lowest review score: | The Mod Squad |
Score distribution:
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Positive: 4,353 out of 7296
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Mixed: 1,827 out of 7296
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Negative: 1,116 out of 7296
7296
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rick Groen
A lotta woe to sit through, with not much to think about and only one matter to address. After the two hours-plus have sped by with brutal alacrity, all that's left is for the survivors of the bloodbath to hose down and suss out a "new beginning." I'm still searching for mine, but you might have better luck.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
Why bother suffering through 90 minutes of bad company for a few moments of holiday cheer? Especially when you can still stay home alone and watch "A Charlie Brown Christmas" somewhere on TV.- The Globe and Mail (Toronto)
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Reviewed by
Stephen Cole
If this sounds intriguing, we should add that System of a Down is a lousy live band. And director Garapedian, for all her public-minded zeal, isn't capable of corralling her interviews and opinions into a coherent polemic.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
In recounting this conflicted tale, director Rachid Bouchareb displays some valour of his own, resisting what must have been a strong temptation to deal in aggrieved agitprop, and instead, quietly but powerfully, confining his attentions to a small group of indigenous soldiers.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
By the time Inland Empire, David Lynch's three-hour digital epic shot on a home video camera, takes you through its tour of the contents of the director's febrile imagination, it's probably the bunnies you'll most remember.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Don't expect a Caravaggio, but if your taste turns to Hallmark, this is a good bet -- a straight-up Nativity story as safe as death and taxes.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
A movie that combines the Cold War intrigue of John Le Carré with the wired buzz of Francis Ford Coppola's "The Conversation" -- one of those rare two-hour-plus pictures that runs long but plays bracingly, excitingly short.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
There are a couple of minutes of unscheduled surgery to put this in the sadistic fantasy genre of "Saw" and "Hostel," but mostly the movie plays out like a cheap survivalist copy of the television series "Lost."- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
A meditation of life, death, reincarnation and biblical symbolism that feels peculiarly like a head-shop poster, blown up to feature-movie size.- The Globe and Mail (Toronto)
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Jennie Punter
Isn't exactly what you'd call fresh. But although it borrows ingredients from many familiar Christmas flicks, it's got a sly twinkle of its own.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Definition of redundant: A formulaic Hollywood pic that calls itself Déjà Vu.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
As it exists, Tenacious D in the Pick of Destiny is strictly for the tenaciously devoted.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
This is a piece engineered to run on the high octane of clever dialogue. It's chatty, it's wordy, but a passion for the well-written word lies at the thematic heart of the thing, and cinematic flourishes would only clog the arteries. Purists can rest assured -- there's no clogging.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
The payoff is the revitalization of Bond by making him closer to what Fleming envisaged: a sociopath who, fortunately, is on our side.- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
It makes "Little Man," "Scary Movie 3" and "Beerfest" look like comic masterpieces.- The Globe and Mail (Toronto)
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A frustratingly toothless film whose heart is in the right place even if its head isn't.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
The target is way too easy and the tone far too smug. This time, they're shooting fish in a barrel with a bazooka and congratulating themselves on their marksmanship.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
Its rhythm is deliberate and unhurried, yet the film is rich with detail and with small, meaningful character revelations -- the running time of more than two hours feels just right.- The Globe and Mail (Toronto)
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Stephen Cole
Fans of both Ridley Scott and Russell Crowe should not be too bummed with the mild sedative that is A Good Year.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Harsh Times opens with a deadly nightmare and ends with a vast bloodbath -- in between, things get a little gruesome.- The Globe and Mail (Toronto)
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Sarah Michelle Gellar is not faring well as a horror-movie scream queen. Gone are the attitude, wit and verve she used to routinely display in the title role of TV's "Buffy the Vampire Slayer."- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
With a track record that stretches from "Monster's Ball" all the way to "Finding Neverland," Forster is clearly a director at ease with a wide range of material. He's found confection-land here, setting his beater on ready-whip and mixing the dough just fine.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
Iraq in Fragments already stands up as a classic war documentary, in its unusual poetic form and by its extraordinary access to the lives of ordinary Iraqis.- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Fur does what an Arbus photograph never would -- it leaves no room to imagine and removes any reason for doubt.- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
In the end, F*CK is at most a compendium of opinions and examples, and never feels like a story. Still, great casting and inventive visuals make it an entertaining big-screen experience -- and don't expect to catch it later on network television (otherwise it would have to be retitled BL**P).- The Globe and Mail (Toronto)
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Reviewed by
Rick Groen
Borat at its best is pure satiric genius, the Swiftian kind that has you busting a gut with laughter even while checking your conscience for implicating flaws.- The Globe and Mail (Toronto)
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Reviewed by
Liam Lacey
This is a sewer blessedly free of actual sewage, which makes Flushed Away more kid-friendly than, say, the average "South Park" episode.- The Globe and Mail (Toronto)
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Reviewed by
Jennie Punter
The Santa Clause 3 is a colourful jumble. (But quite a bit better than Jungle 2 Jungle). Nevertheless, whether parent or elf, You might laugh when you watch it in spite of yourself.- The Globe and Mail (Toronto)
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- The Globe and Mail (Toronto)
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