The Globe and Mail (Toronto)'s Scores

For 7,299 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7299 movie reviews
  1. Director Bharat Nalluri sets a pace as punishing as the title character's – the film is mainly a quick romp – even if he does indulge in some unnecessarily Dickensian melodrama along the way.
  2. Has a refreshingly different twist: What we have here is a "what if" comedy.
  3. Nearly everyone in this movie, and nearly everything that happens in it, is awful. Vile. Nasty. But it is a nastiness that sticks.
  4. The Lost City believes it is a lot more fun than it actually is. The movie isn’t a guilty pleasure so much as a pleasure-lite guilt trip – a relentlessly and eventually exhausting middle-ground effort that is made all the more frustrating because it is so very close to reaching the platonic ideal of shlock.
  5. Sorry, this one doesn't really work at all, but don't blame the workers.
  6. What we have here is a pretty good TV show huffed and puffed into a rather mediocre film.
  7. What elevates Foy's impressive first feature (he also served as editor and composer of the dark, whimsical score) above, say, your average "unsolved mystery" TV episode, is the emotional connection he gradually builds between Duerr and the elusive creator of the Toynbee tiles.
  8. The problem is it’s not that bizarre a love triangle and the interesting tangle of supporting stories and complications get short shrift by focusing there in the second half.
  9. The Beautiful Game shines because of Nighy.
  10. The Devil's Advocate is a dull morality tale, but a number of bright moments come courtesy of the Prince of Darkness.
  11. A Bond movie is all about delivering on expectations: to enjoy it you have to be pleased rather than frustrated by its predictability. In that regard, Spectre, Daniel Craig’s fourth outing as Bond and the second directed by Sam Mendes, can be deemed a solid success: not as darkly stylish as "Skyfall" but not as stupidly grim as "Quantum of Solace" either.
  12. Even if it's accepted simply as glitter-sprayed trash, sophomorically plotted and incompetently acted, Femme Fatale is a uniquely De Palma kind of effluence, an exercise in auteur self-parody.
  13. Tireless, ultra-talented and exceedingly charismatic, he emerges as a survivor in a film that spends too much time on his accolades and not enough on deciphering what makes this treasure of an octogenarian tick.
  14. The ironic twist at the movie’s end is a nice touch. The Invisibles, about humans as living ghosts, needs to be seen, and believed.
  15. What I see is a social media influencer before social media, a person who did whatever it took to keep us looking, especially if that meant she didn’t have to look too deeply at herself.
  16. The climax also comes with a nifty little kicker.
  17. Paul Feig’s female-led reboot of the long-dormant franchise is thrilling, hilarious, lovingly crafted and the wild, colourful, giddy blockbuster this otherwise staid summer movie season so desperately needs.
  18. There may be a universe in which I feel the barest thread of emotional connection to even one thing that happens during the 126 minutes of loud, smeary nonsense that is Doctor Strange in the Multiverse of Madness. But I doubt it.
  19. By multiplying the number of body-swaps, the script seems to have accidentally increased its plot padding, too, resulting in a mushy mess that is only fitfully charming. But when the film does work, it delivers the kind of thank-goodness-it’s-Friday success story that will warm the heart of every long-time Lindsay Lohan fan out there (we are legion).
  20. The ensemble is unwieldy and the attendant yarn much too cluttered.
  21. So the promise of a proud director comes to nothing, and all my rooting goes for naught. Maybe, sadly, the metaphoric night that falls on Manhattan has finally begun to descend on Lumet -- and he's going gentle into it.
  22. 9
    Watching 9 , we know how 8 feels. Sci-fi fans will find heaven in Shane Acker's feature-film debut.
  23. So the interrogative title is left to hover over the ending, as it does over all those tension-filled places near and far. Speaking as a foolish man, I had high hopes for these wise women – given the historic alternative, I still do.
  24. Made for ironicists, Turbo Kid, in its endearingly goofy way, says good things about the power reserves of our childhood – an inner superhero we can call upon when needed.
    • 60 Metascore
    • 63 Critic Score
    How does it all play up here in colder and more secular climes? In a word -- melodramatically.
  25. A resonant journalistic cautionary tale gets packaged as a hokey thriller in Kill the Messenger, a movie with a message that isn’t nearly as urgent as it needs to be.
  26. This little movie – it's only 83 minutes – seems so determined to if not avoid, then only caress the tropes of slacker films that it commits the worst sin for a comedy: It's boring.
  27. Okay, some of this is mildly diverting.
  28. Once the half-clever set-up is established by Watts – what happens when two lone wolves must work together? – the film is content to merely coast on the charms of its stars.
  29. Just like its mobile incarnation, The Angry Birds Movie 2 simply pelts you with loud, shrieking diversions. The filmmaking has levelled up, but you’re still wasting your time.

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