For 7,297 reviews, this publication has graded:
-
48% higher than the average critic
-
3% same as the average critic
-
49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Red Turtle | |
|---|---|---|
| Lowest review score: | The Mod Squad |
Score distribution:
-
Positive: 4,354 out of 7297
-
Mixed: 1,827 out of 7297
-
Negative: 1,116 out of 7297
7297
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Liam Lacey
The first 45 minutes of this film feel like far too much normal and not nearly enough para.- The Globe and Mail (Toronto)
- Posted Oct 21, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
Given Paine's penchant for B-movie-sounding titles, let's hope he gets to make it a trilogy that concludes with The Electric Car Lives!- The Globe and Mail (Toronto)
- Posted Oct 16, 2011
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Posted Oct 13, 2011
- Read full review
-
-
Reviewed by
Jennie Punter
While dance sequences are not particularly well edited compared to the new breed of dance flick, Wormald and Hough are exciting hoofers to watch.- The Globe and Mail (Toronto)
- Posted Oct 13, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
The result is an offence-free, mild entertainment in which everyone from cast to scriptwriter seems to be winging it.- The Globe and Mail (Toronto)
- Posted Oct 13, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
The story of a man afflicted with fearful visions, Take Shelter is a film that's hitting the right apocalyptic trumpet call at the right time.- The Globe and Mail (Toronto)
- Posted Oct 13, 2011
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Posted Oct 13, 2011
- Read full review
-
-
Reviewed by
Rick Groen
Initially, the quick dialogue and strong cast obscure, at least partly, the fact that the plot is itself a dirty trick, a bit of a con game. Once the deception is seen through, the movie ends up inadvertently mimicking its subject matter: Like politics, it too leaves you disillusioned.- The Globe and Mail (Toronto)
- Posted Oct 7, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Redemption, not crime, is the real theme here, for this handful of courageous men and women who have rescued their own lives, and just possibly may help save the blighted neighbourhoods in which they labour.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Kenneth Lonergan's new film, Margaret, finally released six years after it was shot, now seems destined to become part of film history as one of the more stunning examples of a filmmaker's sophomore slump.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
As the plot moves toward the climax, where each girl is forced to make a hard choice dictated by her unique "circumstance," that feeling of compression, of so many contradictory urges and needs vying for attention, grows almost overwhelming. Such is life among the young in present-day Tehran, up on the screen for all to see – all but those who most need to see it.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
It's a combination that seems ideal for 10-year-old boys who adore violence, and could well be the cornerstone of the next DreamWorks franchise.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
If 1911 doesn't impress as historical spectacle, neither does it rank high as a Jackie Chan film.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
Trespass is at least a suitable rest stop for his (Cage) anguish. An unapologetic B-movie that comes with lots of flashbacks, gunplay and shouting, it can easily be savoured and forgotten inside 90 minutes.- The Globe and Mail (Toronto)
- Posted Oct 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
The Last Circus is a bizarre, surreal, grotesque, fascinating, demanding, disappointing and ultimately exhausting political allegory that plays like a waking nightmare.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
The most gripping war movie you'll see this year, We Were Here tells first-hand the story of how AIDS attacked San Francisco, killing more than 15,000. Whole peer groups were happy, healthy, and then dead in months.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
Glodell never lets his creation spin out of control. Bellflower revs the engine of an exciting new maverick.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
-
Reviewed by
Liam Lacey
Relentlessly twee as all this is, Wasikowska's warmth and Hopper's off-beat timing (he's the son of the late Dennis Hopper) are appealing to watch.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
At the end of these "based on a true story" flicks, it's customary to flash photos of the real people over the end credits. There, Sam Childers looks older and less handsome and awfully imposing, a scary sort of cat with raw but authentic tales to tell. I'd like to hear them.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
Once again Anna Faris manages to be the best thing in another not very good Anna Faris movie.- The Globe and Mail (Toronto)
- Posted Sep 29, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Everyone should be thankful, if not for the doc's content, then certainly for its tone – there is no fulminating here. Instead, courtesy of Canadian co-directors Luc Côté and Patricio Henriquez, witnesses are quietly gathered and arguments are quietly made. For once, no one rants, and, in the relative calm, the tone can be heard, so muted and sad.- The Globe and Mail (Toronto)
- Posted Sep 27, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
Turning the stately game into something few can resist – a smart and lively comedy of manners.- The Globe and Mail (Toronto)
- Posted Sep 23, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jennie Punter
What elevates Foy's impressive first feature (he also served as editor and composer of the dark, whimsical score) above, say, your average "unsolved mystery" TV episode, is the emotional connection he gradually builds between Duerr and the elusive creator of the Toynbee tiles.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
- Critic Score
Even those more neutral about Pearl Jam will find it impossible not to enjoy director Cameron Crowe's driving retrospective of the band's stage-diving 20 years, at least on some level.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
-
Reviewed by
Stephen Cole
Detective Dee is the action flick of the year, a two-hour epic that blows the "Pirates of the Caribbean" to the Bermuda Triangle.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Liam Lacey
A potentially appealing story about a rescued disabled dolphin gets smothered with inspirational family values guff.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Cole
All outrageous stuff. Gatien's story is worth telling. Which makes it all the more unfortunate that director Billy Corben presents it in such a methodical fashion.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Rick Groen
The film's quiet realism demands from us our own act of faith: We're asked to watch closely and to listen intently in the promise of a greater reward to come. Well, the promise is partly kept.- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
- The Globe and Mail (Toronto)
- Posted Sep 22, 2011
- Read full review