The Globe and Mail (Toronto)'s Scores

For 7,291 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Red Turtle
Lowest review score: 0 The Mod Squad
Score distribution:
7291 movie reviews
    • 83 Metascore
    • 100 Critic Score
    With Misericordia, Guiraudie deftly strikes the balance between the playfully sacrilegious and the sociopathic, rounded out by a seductively bizarre cast of dwellers and clusters of puckered, corpse-fed mushrooms.
  1. Is it possible for a horror movie to be too good? If it is, then Cujo is it: this is one of the few films on record where the combination of low shock and high style results in an experience that borders on the unbearably intense. The movie is spectacularly well-made, but it's nearly unwatchable. [29 Aug 1983]
    • The Globe and Mail (Toronto)
  2. De Palma is a true visionary, even if you might not quite agree with what that vision is. Either way, a trip through his wild and hugely influential filmography is mandatory for any film fan, and that’s just what directors Noah Baumbach and Jake Paltrow offer in their new documentary.
  3. Todd Douglas Miller’s documentary about the first moon landing is dead brilliant, sure to enrage conspiracy theorists while thrilling most everyone else.
  4. Thanks to the specificity of Richardson’s performance in particular and Giles Nuttgen’s gorgeous cinematography (the movie is shot on 35 mm), Montana Story evokes a grandiose style of American frontier filmmaking, somewhere between John Ford and Kelly Reichardt. See it on the largest screen you can find.
  5. The best thriller of 2003 was made in 1979.
  6. Cabot's meticulously and ambitiously designed Les Quatre Vents in bucolic Quebec is the star attraction, but Luc St. Pierre's score is magical and the interviewees are in their best chatty grooves.
  7. It's a rare feat for a director whose films, from their muted humour and dated-seeming mise-en-scène, to their use of flat, unexpressive, Bressonian close-ups of characters, have always seemed weirdly outside of time.
  8. Hunger -- the disturbing, provocative, brilliant feature debut from British director Steve McQueen -- does for modern film what Caravaggio did to Renaissance painting.
  9. It is a work of great beauty that rewards continued visits.
  10. The new film is easily’s Gray’s most ambitious, bare-your-soul work, and one of the finest films of the year, too.
  11. May be the best war movie ever made...Different is Kubrick's artistry and control, and his almost perverse, but philosophically progressive, refusal to impart to chaos a coherent narrative contour.
  12. To watch German documentarian Thomas Heise’s marathon family memoir Heimat is a Space in Time, the viewer has to continually analyze the relationship between text and image.
  13. A great film about a good man.
  14. Kramer vs. Kramer is one of the most sensitive and least judgmental film about relationships ever made in the United States.... One of the important films. [15 Dec 1979]
    • The Globe and Mail (Toronto)
  15. Even those familiar with the legacy of the show will discover new and fascinating things about the history of Sesame Street throughout the film – and anyone who watches Street Gang will come away moved by everything its cast and crew managed to accomplish.
  16. A lean, stripped-down and unapologetically cinematic take on Shakespeare's work, an adaptation designed at each turn to diminish the mechanics of the comedy and to explore the depths of the pathos.
  17. The effect is Chaplinesque if Chaplin had the latest in gadgetry, because the entire picture is also shot in 3-D that, for once, puts all 3 of the Ds to imaginative use.
  18. Regardless of whether Undine is working at a level of allegory or actual fantasy, it is an expansively rich film.
  19. It is tempting to call A Thousand and One a love letter of sorts, but a more accurate read might be one of heartbreak. There is love here, certainly, but more than that there is frustration, anger and sadness at the way the world refuses to help those trying hardest to endure within it.
    • 90 Metascore
    • 100 Critic Score
    Stark and haunting, and still unbearable to watch at times, The Deer Hunter remains a powerful movie experience. Unlike the broad strokes of Apocalypse Now and Full Metal Jacket, the 1979 best-picture Oscar-winner provides a more personal take on the human casualties of the Vietnam War.
  20. This haunting Chilean documentary is more poetry than journalism as filmmaker Patricio Guzman compares the fate of the indigenous people of Patagonia with that of the disappeared of the Pinochet regime.
  21. This remarkable analysis of a decade when American society lost its moral compass is both brutally honest and lyrically compassionate.
  22. As refreshing as it is to find a movie that leaves you smiling, it's something much rarer to discover a film that makes you think about what a commitment to happiness really means.
  23. Extracting big drama out of small events is Mike Leigh's forte, and with his latest little masterpiece, Another Year, the English director pushes himself to the extreme.
  24. Director James Cameron always works on a mega- canvas, yet he's brought off something unique here.
  25. There's something about this story, and this war, that brings out the stripped-down conceptual artist in her (Bigelow): Against blank canvases of desert sand and rubble, explosive wires are linked to nerve ends, and everything that matters depends on the twitch of a muscle or a finger on a button.
  26. A fantastic film.
  27. Wilde’s smart directing choices and the bravery of her two fearless leads transform a series of comic set-pieces, usually seen in fare such as "American Pie," into iconic character moments.
  28. The wonder is that the film balances its many genres, from the thorns of murder to the bloom of romance to the thickets of politics, with such easy grace.

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