The Daily Beast's Scores

  • Movies
  • TV
For 697 reviews, this publication has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Sentimental Value
Lowest review score: 0 Melania
Score distribution:
  1. Negative: 43 out of 697
697 movie reviews
  1. Rehashing clichés with formal polish but little novelty, this oater is a dour affair made all the grimmer by the fact that there isn’t a second of its 139 minutes that isn’t colored, in some way, by the on-set shooting that made it notable, and notorious, in the first place.
  2. With Florence Pugh as the intensely magnetic center of this ramshackle maelstrom, and despite a couple of familiar Marvel shortcomings, it’s a protean superhero saga that stands on its own—regardless of its title’s qualifying asterisk.
  3. Even in a genre that’s long indulged in excessiveness, this is the ruthless over-the-top carnage aficionados covet.
  4. Lacks any sense of internal logic and is even lighter on surprising scares, dispensing only clichés that are as moldy as the haunted house in which his characters are confined.
  5. A brutal buddy film pairing Affleck’s killer with his equally murderous brother, it locates the humor in its mayhem and, for it, proves a superior sequel in every respect.
  6. If the spell it casts is somewhat familiar, it’s nonetheless enlivened by surefooted atmosphere, excellent puppetry, and charismatically outsized performances from Emily Watson and Willem Dafoe.
  7. Mordantly, head-spinningly convoluted, it’s a unique take on the director’s favorite themes, laced with bleak wit and encased in an icy chill that’s fitting for a tale fixated on the grave.
  8. Never coherently articulates (or draws connections between) its various concerns, proving a handsomely horrific vampire bloodbath that, ahem, bites off more than it can chew.
  9. Gracefully balancing its lighter and darker concerns, it’s a witty ride whose poignancy—like adulthood itself—sneaks up on you.
  10. A canny cautionary tale about the perils of looking for Mr. Right—and of keeping your phone powered on at dinner.
  11. A taut and terrifying portrait of courage under fire.
  12. G20
    Part Die Hard, part wish-fulfillment saga for a post-2024 present that didn’t come to pass, it’s a fantasy of feminist and U.S. might that’s chockablock with implausibilities.
  13. Unsurprising from start to finish and yet proficiently executed thanks to its impressive cast, it’s the definition of serviceable.
  14. Energized by Ariella Mastroianni’s disoriented and frazzled lead performance, it begins unnervingly and ends, like all such sagas should, with haunting bleakness.
  15. Block-headed from start to finish, it’s cinema in service of nothing more than IP exploitation.
  16. Even at a brisk 85 minutes, it’s a bigger slog than a day spent mowing the grass.
  17. Unlike its unique and fantastical title creature, it’s a commonplace monster mash which serves up only frenzied commotion and tired social commentary.
  18. A macho fantasy about a dad acting out his daughter-saving fantasy by rescuing a surrogate child, with Statham talking tough and acting tougher in typically forthright fashion.
  19. A compassionate portrait of mourning and the bonds that keep us united.
  20. Ash
    A hypnotic star child of out-there wonder and internal corruption and chaos.
  21. No Magic Mirror is needed to identify it as the lamest Mouse House re-do of them all.
  22. An ignominious tour-de-force for the esteemed headliner, who gets to indulge in just about every caricatured mannerism and colloquialism in the stale La Cosa Nostra cookbook.
  23. A superb thriller that employs common genre devices for a canny and caustic rumination on right and wrong, love and lust, virtue and vice.
  24. Burdened by a hazy and mannered style that drains it of urgency and feeling, it’s a self-conscious curio that’s less dreamy than dreary.
  25. In trying to have it both ways, it succeeds in neither, in the process stranding its charming leading man in a saga that needed to be either goofier or more gruesome.
  26. A dismal misfire that strains to meld Meet the Parents-style comedy with The Exorcist-grade horror.
  27. The Electric State" is just about as derivative as a modern blockbuster can be, and worse is that it skates along from one cacophonous and jokey set piece to another as if on rails.
  28. For all its avenues of inquiry, however, it never quite gels into more than a collection of tantalizing but unfounded theories.
  29. When it comes to sleek, stylish genre movies, Soderbergh remains a maestro at the top of his game.
  30. Modest and moving, it’s a new sports-movie classic, as sneakily effective as the pitch which gives it its title.

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