The Daily Beast's Scores

  • Movies
  • TV
For 698 reviews, this publication has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Sentimental Value
Lowest review score: 0 Melania
Score distribution:
  1. Negative: 43 out of 698
698 movie reviews
  1. Johnson’s franchise remains a sly and sure-footed delight, as well as demonstrates, with its religiously minded latest, that it’s capable of coloring its Christie-esque mysteries in a variety of shades.
  2. Rife with symbolic weight, the action is thematically jumbled, and worse, it takes so long establishing its scenario that it never develops a sense of urgency and madness.
  3. A frenzied plea for compassion and a stirring tribute to the men and women who sacrifice their lives, and sanity, for those in need.
  4. So rote that even an A.I. wouldn’t dare try to pass it off as original.
  5. Heartbreaking barely begins to describe it, although the terms masterful and transcendent also apply.
  6. This funny and charming slice-of-life tale has the spirit of a low-fi ’70s romantic comedy, complete with characters who resonate as authentic inhabitants of their particular time and place.
  7. In this age of Luigi Mangione, it’s a snapshot of violent anti-establishment resentment and fury that’s eerily timely—and smartly leaves its own perspective on its mayhem open for debate.
  8. A dreamy tale of loss and grief, death and resurrection, as well as a supernatural reverie about the mysterious relationship between the present and past—one in which the living are reborn as ghosts.
  9. It doesn’t totally work, but it has a lot of fun trying.
  10. Campy, corny, and carnage-laden goofiness, all of it spearheaded by Peter Dinklage as a working-class schlub who’s transformed into a deformed do-gooder.
  11. With very rare exceptions, it’s less entertaining than a year’s worth of marriage counseling.
  12. It won’t revolutionize the genre, and in fact would have benefited from considerable additional polish, but it’s just cute enough to warrant two hours of Netflix subscribers’ time.
  13. A romantic comedy that tears down, and then builds back up, its intertwined characters to amusingly penetrating effect.
  14. Distinguishes itself by putting a distinctly 21st-century spin on its time-honored template, as well as via a black sense of humor.
  15. Heed its title’s advice and just don’t.
  16. Despite attractive aesthetics, its fights grow wearisome, especially as the material crosses the two-hour mark and, in the process, zooms past multiple potential endings.
  17. Like the best of its genre, it affords tantalizing entrée into a universe lurking just below society’s surface to which few are privy, and stages engrossing cloak-and-dagger games between players who know the rules and, more dangerously, how to break them.
  18. The amusing thrills intermittently appear, but the novelty is gone.
  19. Surrealist absurdity of the highest (or is that lowest?) order, a comedy that’s so unabashedly out there that it practically dares audiences to reject it.
  20. A sluggish and monotonous country-ified neo-noir that fails to innovate and, worse, to utilize its magnetic leading lady and her capable co-stars.
  21. [Its] tale about a California serial killer with supernatural intentions is filtered through a persuasive verité lens that, however skin-deep, underscores the enduring effectiveness of its non-fiction devices.
  22. Escalating at a mad rate until it tips into outright lunacy, it’s a higher and more hellish brand of nightmare.
  23. No matter its title, it’s a full-bodied triumph bursting with humor, tenderness, and imagination.
  24. It’s no novel reinvention, but it’s cute enough to at least partially overcome its strained and uneven structure and performances.
  25. The legendary star spends the majority of this misfire looking alternately bored and really bored—an emotion that viewers will find all-too-relatable.
  26. A big, brash, laugh-out-loud crime spoof led by a great Liam Neeson performance.
  27. Arguably the least inspired film in the actor’s canon, if not all of movie history.
  28. The epitome of a knock-off B-movie—and one that’s only mildly entertaining when it shows its cards and goes full-on gonzo.
  29. An aggressively fine intergalactic adventure whose earnest optimism and sweetness flirts—faithfully and dully—with hokiness.
  30. Eddington isn’t a movie that moralizes, but at the same time it doesn’t take the stance that both sides make some good points. Rather it’s a period piece about recent history that articulates why everything feels so doomed right now while still finding the space to be utterly ridiculous.

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