The A.V. Club's Scores

For 10,411 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10411 movie reviews
  1. Despite its numerous missteps and miscalculations, What Dreams May Come is often a powerful, affecting piece of filmmaking.
  2. Running a mere 83 minutes, A Night At The Roxbury still feels like an eternity spent in bad high-concept-movie hell.
  3. The story is well-told, but so familiar that it renders the surrounding film a bright, shiny, dispensible bauble, an amusing diversion but not much more.
  4. I Stand Alone, Gaspar Noé's raw, corrosive, and relentlessly provocative response—part companion piece, part critique—to Taxi Driver unfolds with rare force and clarity of vision, rarer still for a director's first feature.
    • 46 Metascore
    • 40 Critic Score
    Perhaps this will seem fresh and interesting years down the road, when the self-aware-thriller genre has long played out, but for now, it's a tired horse that should have been put down in the pitch meeting.
  5. Here's a strangely flawed and strangely satisfying movie.
  6. Urban Legend has an undeniably clever premise, which plays on a sort of cultural mythology shared by the filmmakers and the ostensibly media-savvy audience, but it fails to do anything interesting with it.
  7. It's a winning comedy, though some of Pecker's jokes inspire silence and some scenes are awkwardly staged.
    • 71 Metascore
    • 70 Critic Score
    Though too short to earn any real sympathy for the characters, and too slow to generate any excitement, Monument Ave. is moderately haunting and occasionally affecting.
  8. It's a film whose virtues--particularly its rare, intelligent portrayal of the relationship between two generations of women--outweigh its faults.
    • 66 Metascore
    • 30 Critic Score
    With the development of most characters truncated in order to concentrate on Sobieski (who looks eerily like a young Helen Hunt), the film proves pretty dissatisfying.
  9. The framing device, which has Stiller recounting his tale to a fellow recovering addict (Maria Bello) over the course of a weekend sex session, stops Permanent Midnight dead in its tracks every time it pops up, but Stiller alone is almost enough reason to check out the film.
  10. Rounders is such a smart, tough little film that its strengths override its fairly serious weaknesses.
  11. There's hardly a character, plot twist, or musical theme in the whole enterprise that isn't primed to go straight for the tear ducts, as if Johnson assumes that his audience is incapable of mounting a defense.
  12. For his first feature, Canadian director Vincenzo Natali has, like the setting of his film, created a complex piece of work around an essentially simple foundation.
  13. Towne never strains for effect, justifiably confident that his polished staging and wry, sneaky wit will be enough to give resonance to Pre's life.
  14. Essentially just an above-average Hong Kong action movie, but as such, it's still far better than just about anything else Van Damme has done.
  15. 54
    The film's sole redeeming facet is Mike Myers' rich, multilayered performance as Rubell: Simultaneously repulsive and charming, hedonistic and oddly paternal, Myers steals every scene he's in. It's a great performance that deserves to be in a much better film.
  16. It's all handled so poorly that it comes off as more ghoulish than anything else, although those who find the word "bong" instantly entertaining and are easily distracted by the presence of flickering images may be amused.
  17. Savagely funny black comedy.
  18. What's good about Next Stop Wonderland -- and nearly good enough to warrant recommendation -- has nothing to do with Anderson's sloppy, disjointed filmmaking, and everything to do with Hope Davis' far more disciplined and appealing lead performance.
    • 47 Metascore
    • 70 Critic Score
    Sure, the story is pretty standard, and the dialogue is laughable or worse. But creative cinematography and non-stop, decently choreographed gratuitous violence make watching this comic-book movie—Blade is a minor, almost-forgotten Marvel comic—entertaining.
    • 81 Metascore
    • 75 Critic Score
    Pointless conflict aside, The Eel is a thoughtful film, oddly touching despite its quirks.
    • 68 Metascore
    • 80 Critic Score
    Beneath the sitcom-like surface of Slums lies a realistic coming-of-age story, perfectly cast and effectively acted with just a hint of tragedy.
  19. A glossy, attractive, ultimately empty soap opera that -- despite being based on a true story -- never seems remotely plausible.
  20. It's almost fascinating to witness just how lousy The Avengers really is.
    • 56 Metascore
    • 50 Critic Score
    Although Vaughn and Heche do a decent job in standard roles, the movie bogs itself down with enough silly plot twists and subplots to effectively dilute the viewers' interest.
  21. Snake Eyes can't sustain its masterful first hour, but it's better than just about any action movie this year.
  22. The story is thrown together in the most perfunctory way possible, and director Steve Miner's ("Friday The 13th Part 3: 3D," "My Father The Hero") idea of a scary moment is having things spookily jump out of the blue.
    • 38 Metascore
    • 70 Critic Score
    BASEketball's effort and energy pay off with surprisingly abundant laughs and a few admirable shocks.

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