The A.V. Club's Scores

For 10,411 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10411 movie reviews
  1. T3, while far from a classic, is an overachieving, mercenary sequel that's short on thrills, but surprisingly long on laughs and surprises.
  2. Given the talent on display in Sinbad, and the winning brio it dredges out of questionable material, it's easy to wonder what Dreamworks' animation department could accomplish if it stopped following Disney's lead and started forging new paths of its own.
  3. If her adoring public doesn't mind paying for the same movie twice, Legally Blonde 2 stands to leave her star power unquestioned.
  4. Seasoned with amusing bits of fantasy, like a pizza topping that briefly curls into a smile, Friday Night captures the city at its most inviting, alive with the feeling that wonderful things can happen to ordinary people.
  5. Weintrob's background in interactive media keeps the film's technology unusually current, but his predictable tongue-clucking over Internet relationships places him squarely in the Luddite camp.
  6. The film is smart enough to know that verbal humor isn't its strong point, but it doesn't offer much in the way of compensation.
  7. Like his makeshift societies, Garland's tantalizing set-ups tend to unravel in unsatisfying ways.
  8. The fact that the story makes sense at all remains Coppola and his butchers' sole achievement.
  9. The movie and the movie-within-a-movie share a chemistry even more awkward than that of their flat-footed leads.
  10. Takes the form of a wounded behemoth, battling to negotiate a compromise between a strong artistic vision and franchise expectations. It doesn't fully succeed on either count, but its integrity and substance stand out like an oasis in a field of cotton candy.
  11. More than anything, From Justin To Kelly needs Simon Cowell, the fork-tongued Idol judge who gives the show its only sliver of tension.
  12. Eason's twist of fate and too-sudden ending seems as rooted in Washington Heights as the music that pours from the neighborhood's car windows, the smoke that billows from its late-night eateries, and the stoic resignation inscribed on its inhabitants' faces.
  13. Roberts' script and direction show sparks of wit, but the plot comes lifted from countless heist films.
  14. If Pistol Opera turns out to be Suzuki's swan song, instead of just an anticlimactic comeback, no one can claim he didn't go out on his own stubborn terms.
  15. Well-crafted but frustratingly superficial documentary.
  16. In Jet Lag, Jean Reno is pressed into leading-man duty, with depressingly mediocre results.
  17. A clean, tasteful drama (sex scenes aside) that's designed to attract Anglophiles who can't resist green lawns, falling leaves, precise diction, and a clean sound mix.
  18. Rugrats Go Wild! represents one giant leap forward for corporate cartoon synergy, but one similarly large step back for the Rugrats franchise.
  19. While the players are circling and silently sizing each other up, the audience may find itself straining to look around them, to see the history they're blocking.
  20. The angrier the film gets, the less funny it becomes, squelched by heavy-handed polemics, a maddeningly repetitive musical score, and a running time that drags its overriding joke into the ground.
  21. Wasted comedy ringers Eugene Levy and Cheri Oteri co-star.
  22. Brody's Oscar victory and newfound star power might have secured Love The Hard Way its theatrical release, but his depth and charisma are what make the film haunting and surprisingly resonant.
  23. For a while, it's a dark, insubstantial treat.
  24. Now an invaluable time capsule, the film has to transcend its own conceptual messiness.
  25. Singleton abandons the underground racing subculture that gave the first film its allure, relying instead on lazy thriller plotting that's only a bag of donuts and a freeze-frame away from the average TV cop show.
  26. Though there's a formula at the film's core, Whale Rider still has the good taste to make that formula go down easy.
  27. Serves as a fascinating window into an era of radical dissent that now seems centuries past.
  28. A series of third-act complications provides much-needed narrative surprise, but until then, The Three Marias is a disappointingly flavorless genre exercise.
  29. Miles away from "Farewell, My Concubine" in form and function, with thinly defined characters and unreflective attitudes about urban values vs. country values, the film would be impossible to identify as Chen's if his name weren't in the opening credits.
  30. Even if it weren't a remake, The Italian Job would still look startlingly unoriginal, but in a summer that promises plenty of sold-out showings, it could be the season's breakout pretty-okay-second-choice film.

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