The A.V. Club's Scores

For 10,411 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10411 movie reviews
  1. There’s artistry here in how a boy’s world is coming to a close, an elegy for what was and a welcome invitation to see what could yet be.
  2. Challengers remains an entertaining movie thanks to its complicated characters who are played by actors on their way to becoming sparkling screen stars.
    • 78 Metascore
    • 100 Critic Score
    A Different Man prioritizes laughs over proselytizing. There is inherent humor in the absurdity of the situation—which takes a momentary detour near sci-fi territory during Edward’s transformation—but Schimberg wrings laughs out of deftly staged awkwardness (though, thankfully, not cringe).
  3. Everything works best when it’s coming through the performance, not the edit. Often, the directors’ touch isn’t light enough, and their forced attempts at humor upset the film’s natural balance.
  4. Forget what you think you know about horror prequels. The First Omen gets it, goes for the throat, and never lets go.
  5. A nonfiction work of swirling whimsy and rabbit-hole intrigue that eschews mere nostalgic appreciation in favor of a cockeyed hybrid approach that amuses and bemuses in equal measure.
  6. The Old Oak is a reminder that empathy isn’t merely about having the ability to put oneself in someone else’s shoes and consider their perspective, it’s recognizing that one’s personal struggles extend beyond one’s own family and other people that look exactly like you.
  7. On one level, it directly lampoons the artificial mechanisms by which big-budget blockbusters tell their stories, yet it also provides an avenue for deeply personal storytelling within the framework of our shared cultural mythology.
  8. La Chimera is a formal delight that holds no shortage of surprises. It calls for further viewings, asking us to unearth the mysteries buried long ago.
  9. This is the definition of a B movie; competent, easy to follow, and almost instantly forgettable.
  10. It may well be plenty for a fun enough ride at the theaters, but ultimately this is an exhausting trip into this increasingly unwieldy franchise.
  11. This is cinema at its most punk rock—a raucous, unpolished, cheap, sacred-cow shredding middle finger to the mainstream with just enough raw talent inside to keep it from being dismissable.
    • 50 Metascore
    • 50 Critic Score
    A fatal lack of consequence for the film’s world or characters prevents it from ever deepening its initial premise, or unifying the sum of its disparate parts.
  12. Uneven and sometimes predictable though it is, it’s a film that knows how to push the buttons of its particular subgenre, and you get the sense that any number of stars might have been able to carry it in the right context. You also get the sense, from the very first moment she’s onscreen to the unforgettable final frame, that none of those other possible stars could have carried it quite as well as Sweeney.
  13. Overall, Ghostbusters: Frozen Empire makes for a serviceable entry in this now four-decade-running franchise. No matter that, in tone and in structure, it all but replicates what’s worked in the past.
  14. It doesn’t have much entertainment value. A by-the-book actioner that’s sunk by indifferent performances, muddled storylines, and stilted dialogue.
  15. Late Night With The Devil achieves that rare feat of feeling like something we were never supposed to see. But once we’ve seen it, we can’t look away.
  16. Crowe is quite capable of being compelling even when doing banal stuff—the highlight here is a variation on the “falling off the wagon” trope, as he captures the sheer delight of a guy who has literally forgotten how much he loves whiskey. The end point, like the movie’s, feels inevitable, but the journey there contains small joys.
  17. It’s a warm, approachable movie that you’ll get blissfully lost in.
  18. The film does not have easy answers, but rather than making it seem shallow, its lack of clear moral coding instead offers us something more primal and more powerful. It’s a film about the open-ended question of how much humanity we as a species have left in us, and that makes it a provocative, thrilling monster of a movie that will sear itself into your eyeballs.
  19. Even with the script’s problems, the film is kinetic, and as in Dinner In America, Rehmeier gets terrific performances from his cast.
  20. Unfortunately, with limp, elongated scenes rendering them unexciting, the whole plot unfolds like a long afterthought the filmmakers had after the audience lost all interest.
  21. Even with the action and stunt work operating at full throttle, what really makes The Fall Guy work is the partnership between Gosling and Blunt.
  22. The film is named after the dog. The memoir upon which the film is based is about the transformative meeting with this dog. It seems clear that this should be a story about a dog! So it’s baffling to realize that the dog is almost an afterthought. Instead, it’s yet another star vehicle for Mark Wahlberg to unconvincingly sell himself as a likable everyman.
  23. Hundreds Of Beavers is one of the most distinctive movies you’ll see all year, and one made for midnight viewings if ever anything was.
  24. Full of striking visuals from cinematographer Ben Fordesman, a healthy dash of horror and sci-fi in the script, and a monumental performance from O’Brian, Loves Lies Bleeding is another surrealist sapphic gem from Rose Glass.
  25. I Saw The TV Glow is a remarkable portrait of pop-culture obsession—how it can unite us, change us, and ripple down through our entire lives in ways both uplifting and unsettling.
  26. Patel’s film may have found its greatest success in the way it seamlessly, powerfully translates the director’s pure, kinetic love of cinema into something bold, new, and unforgettable.
  27. Instead of finding the perfect balance of humor as the other films did, jokes outweigh and occasionally undercut the few resounding sentiments on personal evolution.
  28. In the wrestling ring, Cena used to wear a shirt which read “Rise Above Hate,” and indeed, he does so here. It would be better if he found a project where he didn’t have to.

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