The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. In the end, Blank City becomes not just a salute to the artistic adventurousness of a bygone New York, but a reminder that new strains of creativity keep emerging, just when the scene looks stalest.
  2. Though Prometheus follows "Alien's" story beats, it's a looser and less satisfying story, more intellectual than visceral, and not fully satisfying on either level. But in part, that's because it's trying to do so much more.
  3. Everything here is pitched relentlessly toward uplift, but at least that uplift is genuine, the product of one visionary's indomitable will and a musical universe he brought into existence through vision, dedication, and plenty of stubborn hard work.
  4. Gripping, maddening, well-told stories.
  5. Tavernier turns a tale of courtly duty and manners into a tense, twisty drama.
  6. deWitt's script is much better than anything Jacobs has worked on before, with a story that gets richer as it goes.
  7. It's a film where the feelings and experiences of young people are highly specific in detail, yet fundamentally universal and timeless.
  8. The tone and subject at times recall David Lynch's "Lost Highway" and "Mulholland Dr.," but the approach is Hellman's own.
  9. A lovely, sweet, funny, romantic, and supremely worthwhile endeavor that unfortunately takes longer to wrap up than it should.
  10. It's a beautifully shot, beautifully acted piece of fluff.
  11. Writer-director Jeff Nichols re-teams with his "Shotgun Stories" star Michael Shannon for his second feature, Take Shelter, which has a similar setting, but a different mood. Nichols is still concerned with family legacies, and the ways people in smaller communities relate to each other, but Take Shelter is slower and smoother, deliberately developing a mood of creeping dread.
  12. Most viewers should find the documentary Battle For Brooklyn gripping and provocative, no matter their opinions about eminent domain, historic preservation, or public dollars going to support private development.
  13. Attack The Block turns its modest budget into a virtue by focusing on character, especially the surprisingly charged, complicated dynamic between enemies-turned-allies Whittaker and Boyega.
  14. Through the ceaseless efforts of two dedicated pro bono lawyers-both with personal reasons to keep up the fight for five or six grueling years-director Yoav Potash follows every revelation and setback with an urgency most fiction films can't muster.
  15. Over a difficult three-hour sprawl, Cristi Puiu's Aurora fully explores the time before and after a killer strikes, and it has the cumulative effect of making what passes for a "motive" seem absurdly simplistic.
  16. While the back-and-forth between various parties grows tiresome through repetition, Rapt rallies with a lengthy epilogue in which the aftermath of Attal's ordeal proves more draining than the physical privation that preceded it.
  17. Witnessing outreach workers intervening in these situations is inspiring enough, but their subtlety and nuance in neutralizing people of different backgrounds and temperaments is especially impressive.
  18. A few broadly comic moments aside, This Is 40 also captures the rhythms and concerns of real life in ways that slicker Hollywood comedies don't.
  19. The Woman With The 5 Elephants isn't flawless; as articulate and fascinating as Geier could be, she was also dry at times. But Jendreyko cleverly parcels out her personal history, and he isn't afraid to break up the talkiness with long silences and luminous images.
    • 73 Metascore
    • 83 Critic Score
    It's unlikely to enflame American audiences with less of a stake in Russia's political goings-on, but works as a persuasive portrait of a politically toxic situation. As one of Khodorkovsky's advocates admits to the camera, even capitalists are entitled to human rights.
    • 71 Metascore
    • 83 Critic Score
    Reitman lets the pop-culture references (oh hi, 4 Non Blondes' "What's Up") accessorize the story rather than guide it, and in its uncompromising treatment of a character who's troubled but also a stone-cold bitch, Young Adult offers compassion for rather than revenge on the "psycho prom queen" who has nothing left in life but a warped mix-tape from an ex who moved on long ago.
  20. In its best sequences, Ramsay puts her duress in dazzlingly visual terms, collapsing the past and present in an associative rush of red-streaked images and piercingly vivid moments out of time.
  21. Mysteries Of Lisbon is an odd kind of epic: It's digressive and even trifling at times, and though a large cast wanders through the frame, the individual scenes tend to be focused on just two or three people, having winding conversations about political intrigue and affairs of the heart.
  22. If nothing else, Gravity makes the case for throwing immense resources at true visionaries; the blockbuster craftsman as adventurer, Cuarón expertly blends the epic with the intimate. For every stunning 3-D setpiece involving a dangerous hailstorm of metallic debris, there’s a moment of small tenderness.
  23. The moral to Clash's story? It's surprisingly easy being red.
    • 76 Metascore
    • 83 Critic Score
    While the pace and the dour, meditative tone of Silent Souls can sometimes verge on parodically arthouse-esque, the sincerity of the film's thoughts on loss and longing, on the burdens of grief, and on reawakened awareness of existence, is always painfully heartfelt.
  24. Most likely, The Autobiography Of Nicolae Ceausescu will mean the most to actual Romanians, who will recognize the locations and fashions, and may even know what the government's documentarians left out of the picture. But the movie offers plenty to captivate even outsiders.
  25. McQueen is a showy director, but his bravura long takes have the effect of heightened attentiveness, allowing scenes to build in intensity without the relief of a cut.
  26. Taylor and Frankel go too broad when they try for comic relief - and the on-the-nose soundtrack is borderline criminal - but Hope Springs handles marriage and advanced-age sexuality with a refreshing, down-to-earth candor. In today's Hollywood, that counts as radical.
  27. Gareth Evans' Indonesian martial-arts throwback The Raid: Redemption has a look and feel that resembles the best of '80s cult action movies: half John Carpenter, half John Woo.

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