The A.V. Club's Scores

For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10414 movie reviews
  1. Made without the faintest spark of inspiration, The Suburbans feels like a buried, unholy relic from the era it's purportedly satirizing.
  2. An abysmal screwball comedy that relies heavily on idiocy from both sides of the screen.
  3. A shamelessly derivative mob movie.
  4. Guttenberg adapts James Kirkwood Jr.'s humanist black comedy -- and drains all the recognizable humanity out of it, turning it into a morose, unlikable reflection of its sad-sack lead character.
  5. An unintended gift to midnight-movie programmers and students of the bizarre, Roberto Benigni's Pinocchio could have become a "Howard The Duck" -- or "Battlefield Earth"-like synonym for cinematic miscalculation, were its title not already so familiar.
  6. A supernatural religious thriller so awful it should result in the retroactive forfeiture of the Oscar writer, director, and producer Brian Helgeland won for co-writing "L.A. Confidential."
  7. Kedma makes for a clumsy, lugubrious history lesson.
  8. In one respect at least, the film's idiocy works for Lopez: Every diva needs at least one camp classic on her résumé, and with Enough, she's scored a howler on the level of "Mommie Dearest."
    • 43 Metascore
    • 10 Critic Score
    Dream up a plot incorporating time travel, genetic mutation, cyberjargon, and saving the Earth -- all the worst and most boring elements of science fiction. Finally, type up a list of bad jokes, space-talk, and semi-tough tag lines; label it "script."
  9. Reflects poorly on everyone, particularly its makers, its stars, and the studio laboring under the delusion that this stuff was worthy of release.
  10. Misbegotten late-summer special.
  11. While the special effects are impressive, countless films have already proven that if you sink enough money into a project, you can at least make it look good. Unfortunately, good looks are all Godzilla has going for it.
  12. It's all handled so poorly that it comes off as more ghoulish than anything else, although those who find the word "bong" instantly entertaining and are easily distracted by the presence of flickering images may be amused.
  13. A headache-inducing mess without direction or purpose.
  14. Looks like a cheap polyester suit, an entirely synthetic composite of scenes from other movies.
  15. Spade proves that he's entirely capable of making unwatchable dreck all by himself.
  16. An inexplicable and disastrous mismatch of sensibilities.
  17. It's probably not the year's worst film, but it would be difficult to imagine three more interminable, snooze-inducing hours of film than you'll find watching this narcoleptic dinosaur.
  18. Such a stupid, painfully obvious, gratingly unfunny dud that it's unlikely to please even the most gullible and easy-to-please members of the Kiss army.
  19. The makers of “Bringing Down The House” should thank the gods of cinema for Marci X, which has relieved the Steve Martin/Queen Latifah hit of its status as the year's most misguided culture-clash comedy.
  20. Until Timeline reaches its flaming-trebuchet-siege finale -- which should impress anyone who's never seen "The Two Towers" -- it has the stirring production values of an episode of the Tia Carrere action series "Relic Hunter," but with only a fraction of the acting talent and intellectual heft.
  21. Represents apple-pie mythmaking at its most insidiously thoughtless.
  22. Another contrived, unconvincing romantic comedy that once again mixes stale sitcom humor with laughable attempts at pathos and emotional depth.
  23. Twisted marks a bottoming-out for pretty much everyone involved, particularly Judd and director Philip Kaufman, who should know better. The film is the creative equivalent of waking up naked in a puddle of cheap wine and vomit.
  24. Running a mere 83 minutes, A Night At The Roxbury still feels like an eternity spent in bad high-concept-movie hell.
  25. A work of Battlefield Earth-level miscalculation.
  26. A lurid, unsavory mix of Reefer Madness hysteria, drive-in sleaze, and the queasy morality of '80s slasher film.
  27. In short, every element suggests Envy ought to be amusing, but the only comparably disastrous movie in recent memory involves Ben Affleck, Jennifer Lopez, and a rapping retarded man.
  28. A film about as funny as a seeping wound.
  29. Straight from the fiery, churning bowels of high-concept hell comes Kangaroo Jack, Bruckheimer's idea of kid-friendly fare, and some of the longest 90 minutes ever committed to film.

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